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  • What we know about US sea drone used in helicopter crew rescue mission

    What we know about US sea drone used in helicopter crew rescue mission

    In a groundbreaking milestone for unmanned maritime technology, a US military sea drone has successfully carried out the first publicly documented rescue of surviving crew members from a downed military helicopter off the coast of Oman, US defense officials confirmed this week.

    The incident unfolded near the Strait of Hormuz, a strategically critical waterway that has been largely closed to commercial shipping since the outbreak of open conflict between the US and Iran. US President Donald Trump stated that the downed Apache attack helicopter was shot down by Iranian forces in the contested region.

    Following the crash, two American service members stranded in open water were pulled from the sea in approximately two hours, and are now reported to be in stable medical condition, according to US Central Command (Centcom), the military command overseeing operations in the Middle East.

    The unmanned craft that completed the rescue is the Corsair sea drone, built by Texas-headquartered maritime drone manufacturer Saronic. Publicly available specifications from the company’s website outline that the vessel measures 24 feet (7.3 meters) in length, has a maximum payload capacity of 1,000 pounds (450 kilograms), and can reach top speeds exceeding 35 knots (40 miles per hour).

    Bryan Clark, a naval drone specialist at the Hudson Institute think tank, described the Corsair as comparable in size to a small commercial fishing vessel, featuring a flat open purpose-built deck designed for flexible cargo loading. “It’s probably able to hold three to four people comfortably in an emergency scenario,” Clark explained. Beyond its carrying capacity, the drone is fitted with a full 360-degree camera array, long-range navigation radar, and electronic radio sensors for intelligence gathering and communications interception.

    Stacie Pettyjohn, a defense analyst at the Center for a New American Security, noted that the Corsair platform is not a new prototype – the US Navy already operates a fleet of roughly 50 of the vessels. “They’re typically used for detecting mines or surveillance, but the Navy is still experimenting with the fleet in the strait to see what other capabilities it can deliver,” Pettyjohn said.

    The rescue mission was executed by Task Force 59, the US Navy’s first operational unit dedicated exclusively to unmanned maritime systems, which was established in 2021 and began large-scale deployment of drone vessels in the Middle East this past March. This operation aligns with the Pentagon’s broader strategy to expand its fleet of autonomous and unmanned platforms; last year, the Navy awarded Saronic a $392 million production contract to scale up manufacturing of the Corsair autonomous vessels.

    While the Corsair is capable of fully autonomous operation, both experts who spoke to BBC Verify agree that the vessel was almost certainly manually piloted for the high-stakes rescue. “In this mission it would have likely been controlled remotely by a person with a joystick to make sure they got to the exact location of the stranded crew,” Clark said. “It would have been directed straight to their known position, and the soldiers just clambered on board, just like they would getting onto any other boat at sea.”

    Centcom spokesperson Captain Tim Hawkins explained that the Corsair was selected for the mission due to its proximity to the crash site and its unique operational capabilities. Pettyjohn noted that using an unmanned vessel eliminated the risk of additional casualties that would have come from sending a manned ship or helicopter into a hostile active combat zone. “Although rescue isn’t a core designed mission of the vessel, it was clearly well-suited for this dirty, dangerous mission,” she said.

    The rescue operation concluded early Tuesday local time, at approximately 3:30 a.m. After the two soldiers were brought aboard the Corsair, the drone transported them to a pre-arranged rendezvous point in open water, where they were lifted by a manned helicopter for further transfer to medical care, Hawkins added.

    Unmanned sea drones have seen rapidly expanding use in active conflicts over the past two years, most prominently in the war between Russia and Ukraine. As BBC Verify has previously reported, Ukrainian forces have repurposed smaller sea drones as explosive attack vessels to target Russian naval assets, but no public record exists of Ukraine using the platforms for search and rescue operations. Clark explained that most Ukrainian sea drones are far smaller than the Corsair, comparable in size to a jet ski, and lack the capacity to carry even one survivor.

    Other non-state and state actors have also deployed sea drones in regional conflicts: Yemen’s Houthi rebels have operated explosive “kamikaze” drone boats, and Iranian forces have used the vessels to target shipping attempting to transit the Strait of Hormuz during the current conflict. Pettyjohn argues that recent innovations in conflict zones reshaped the US approach to the technology. “The Houthis and Iranians have had sea drones in the past, but Ukrainians really took it to the next level and showed what other countries could do,” she said. “The US expansion of its own sea drone fleet very much emerged off the back of the Ukraine war and seeing what they innovated.”

    This successful rescue mission marks a paradigm shift in how unmanned maritime systems can be utilized, expanding their role beyond offensive operations, surveillance and mine clearance to include life-saving humanitarian and combat rescue missions in high-risk environments.

  • Vance says Israeli PM Netanyahu ‘has got some things wrong’

    Vance says Israeli PM Netanyahu ‘has got some things wrong’

    Growing strains in the long-standing alliance between the United States and Israel have bubbled into public view, with US Vice President JD Vance openly confirming that Israeli Prime Minister Benjamin Netanyahu has made missteps amid escalating conflict across the Middle East. Vance’s comments, released in advance of his full interview with CBS News, come amid a period of heightened friction between Washington and Jerusalem over Israel’s ongoing military campaign in Lebanon, which has unraveled fragile ceasefire efforts between the US and Iran.

    In the pre-broadcast remarks, Vance acknowledged that while Israel remains a critical close partner to the US, the two nations do not always share aligned interests. “Prime Minister Netanyahu aggressively asserts the interests of his country – sometimes that means we’re on the same page, sometimes it means we’re not,” Vance explained, adding that Netanyahu has “certainly gotten some things wrong” in handling the current conflict. When pressed for specific examples of these missteps, Vance declined to elaborate, noting that sensitive diplomatic conversations are often best kept private.

    Vance’s public comments mark the latest in a string of candid admissions that US-Israel relations are under unprecedented strain in the current phase of the Iran conflict. Just last week, US President Donald Trump privately referred to Netanyahu as “effing crazy” during a call with Axios reporters, revealing he was frustrated by the Israeli prime minister’s persistent military push in Lebanon. Trump, who has long positioned himself as one of Israel’s staunchest supporters in Washington, has grown increasingly irritated that Israel’s cross-border campaign against Hezbollah – the Iranian-backed armed group based in southern Lebanon – has derailed his efforts to broker a lasting peace deal with Tehran.

    The conflict escalated dramatically this week, as the US and Iran exchanged a second consecutive day of overnight strikes, breaking a fragile ceasefire that had held between the two nations since April. The renewed hostilities were directly triggered by Israel’s ongoing operation in Lebanon, which began shortly after the outbreak of the Iran war. Israel launched its offensive against Hezbollah after the group attacked northern Israel in retaliation for an Israeli strike that killed Iran’s supreme leader. To date, Lebanon’s health ministry reports at least 3,696 people have been killed in the Lebanese campaign, while Israeli officials confirm 30 soldiers and four civilians have died on Israel’s side of the border.

    Negotiations for a broader peace deal have hit major snags over the question of Lebanon. Tehran has demanded that any final agreement address the conflict in Lebanon, while Israel argues the Lebanese campaign was never part of the April ceasefire, threatening to walk away from talks before the latest round of strikes began. For Trump, a successful deal with Iran would deliver two key US policy goals: reopening the Strait of Hormuz, which has been blocked by Iran and sparked a global energy crisis, and rolling back Iran’s nuclear program – a long-stated priority for the Trump administration. Trump is eager to pull the US out of a protracted, costly regional conflict ahead of November’s midterm elections, where voter sentiment on the war is already shifting against continued engagement.

    Public opinion data shows the Iran war is growing increasingly unpopular among US voters, who are also holding dimmer views of Israel as the civilian death toll in Lebanon mounts. Netanyahu faces similar political pressures at home: he is contesting Israeli national elections this year, and needs to convince voters that his campaign against Iran and its regional proxies is delivering results. For his part, Netanyahu has sought to downplay the public rift with the Trump administration, framing disagreements as routine tactical differences between close allies. “Sometimes we have, as in the best of families, you have these tactical disagreements,” he told CNBC last week. “We always find a way to work them out, and we do so as great friends.”

    Despite Netanyahu’s efforts to smooth over tensions, Vance’s comments make clear the Trump administration is unapologetic about prioritizing US interests above Israel’s when the two diverge. “It’s the job of the Trump administration to focus on what was in America’s best interests, and where that diverges, we – unfortunately for the Israelis – have to choose the side of the American people,” Vance said.

  • ‘Mum was killing me’: England’s Rice on World Cup heat – and his sunburn

    ‘Mum was killing me’: England’s Rice on World Cup heat – and his sunburn

    As the 2026 FIFA World Cup co-hosted by the United States, Mexico and Canada draws near, England national team midfielder Declan Rice has made headlines for an unexpected pre-tournament mishap: a painful sunburn that left him bright red in official photos, drawing playful teasing from fans online and a stern telling-off from his own mother.\n\nThe Arsenal star, who arrived in North America alongside his teammates several days early to acclimatize to the region’s extreme summer heat, opened up about the viral incident in an interview with the BBC. Looking back at the pre-tournament photoshoot that showed his beetroot-red complexion and obvious watch strap tan line, Rice laughed off the moment, saying, “I think everyone’s seen them photos… I was bright red at that photoshoot, my mum was killing me.” When asked when he finally felt adjusted to the local climate, he joked the turning point was simple: “when the sunburn went”.\n\nExtreme heat has been a top talking point ahead of this World Cup, which kicks off officially on Thursday. The climate challenge is being driven in large part by El Niño, the recurring weather pattern that has already pushed summer temperatures across North America to unexpected highs. In Arlington, Texas, where England will kick off their World Cup campaign against Croatia on June 17, local temperatures hit 36 degrees Celsius this week, with forecasts calling for even more scorching conditions as the tournament unfolds.\n\nThe unstable weather tied to El Niño has also brought erratic conditions beyond just sustained heat. England’s final pre-tournament warm-up match against Costa Rica in Dallas on Wednesday was delayed by severe thunderstorms, a disruption that meteorologists warn could become common throughout the tournament: the intense summer heat generates massive, fast-forming storm systems that can throw match schedules off track.\n\nRice admitted that the sudden shift from England’s variable mild weather to North America’s consistent extreme heat took a major physical toll at first. “Honestly, the first day was tough, just getting used to that heat – when you come from England and it’s hot, cold, all different types of weather,” he explained. “Then you come here and, regardless of whether it’s hot or cold, it’s 30C and it really does hit you in the face when you’re running.”\n\nTo help players cope with the dangerous conditions, FIFA has implemented mandatory hydration breaks at the midpoint of each half of every World Cup match. For the England squad, heat acclimatization has been a core part of their preparation for months, including specialized training sessions in temperature-controlled heated tents in Spain and practice matches in the sweltering heat of Kansas, where the team will remain based throughout the tournament.\n\nEngland manager Thomas Tuchel has been open about the challenge, saying he expects his players to “suffer” in the grueling conditions as they chase the nation’s first World Cup title since their historic 1966 win. The heat challenge is not limited to U.S. host cities, either: co-hosts Mexico and Canada have also recorded temperatures above 30 degrees Celsius in recent days, meaning teams across all groups will have to adapt to the extreme climate to perform at their best.

  • Mahomes to become NFL’s first $500m player

    Mahomes to become NFL’s first $500m player

    In a landmark deal that reshapes the ceiling of professional athlete contracts in North American sports, star Kansas City Chiefs quarterback Patrick Mahomes is poised to make history as the first player in National Football League history to sign a contract with total guaranteed earnings exceeding half a billion dollars.

    The 30-year-old field general, who has already cemented his legacy by steering the Chiefs to five Super Bowl berths and three championship titles, has agreed to a two-year contract extension that pushes his total guaranteed compensation to $504.75 million. The new deal extends his tenure with the Kansas City franchise through the 2033 season, locking the generational talent into the organization for the rest of his professional playing career.

    Mahomes’ prior contract, a 10-year agreement signed in 2020, carried a base value of $450 million, with up to an extra $50 million available through performance-based incentives. Under the restructured extension, the average annual value of Mahomes’ contract will hit $64 million starting in 2027. That figure surpasses the previous NFL record for average annual pay, the $60 million per season deal Dallas Cowboys quarterback Dak Prescott signed in 2024 that made him the league’s highest-paid player at the time.

    For Mahomes, the extension cements his lifelong connection to the only NFL franchise he has ever played for. “I’m just so excited to be here for life and to be a part of Chiefs kingdom for even longer,” he said in a statement following the announcement. “We have so much more to do. Let’s go out and do it. Let’s go win some more.”

    The new deal comes nearly seven months after Mahomes suffered a season-ending anterior cruciate ligament tear in his left knee during the 2025 regular season. That injury cut the Chiefs’ campaign short and kept the team out of the NFL playoffs for the first time since 2014, ending a historic run of sustained success that Mahomes led.

    That run of dominance included Super Bowl victories in 2020, 2023, and 2024. The Chiefs came within one game of becoming the first NFL franchise to win three consecutive Super Bowl titles, falling to the Philadelphia Eagles in the 2025 championship game.

    Chiefs chief executive Clark Hunt framed the extension as a no-brainer for the organization, praising Mahomes both for his on-field dominance and off-field impact. “Over the past decade Patrick has become one of the most iconic, beloved sports figures of all-time,” Hunt said. “He has helped lead our franchise to five Super Bowl appearances and three championships, he has been instrumental in shaping the Chiefs brand and putting Kansas City on the world stage, and on top of it all he has been an outstanding role model in the community.”

    Hunt added, “Patrick is a generational talent and an elite human being, and I’m so excited he will continue to lead our team into the future.”

  • ‘Not on my bingo chart’ – Tharp smashes 110m hurdles record

    ‘Not on my bingo chart’ – Tharp smashes 110m hurdles record

    In a stunning upset that has sent shockwaves through the global track and field community, 20-year-old Ja’Kobe Tharp, a junior sprinter-hurdler at Auburn University, has broken the long-standing men’s 110m hurdles world record during the preliminary heats of the 2025 NCAA Outdoor Track and Field Championships held in Eugene, Oregon, on Wednesday.

    Tharp crossed the finish line with an official time of 12.75 seconds, beating the previous world record of 12.80 seconds set by fellow American athlete Aries Merritt back in September 2012 at the Brussels Diamond League. The new mark also improves the long-standing collegiate record of 12.98 seconds, which was set by reigning Olympic champion Grant Holloway back in 2019.

    This historic achievement marks the first time in half a century that an athlete has set a new senior world record at the NCAA Division I Outdoor Championships, a testament to the rising talent and competitive depth of collegiate track and field in the United States.

    Coming into the national meet, Tharp held a personal best time of 13.01 seconds. While he acknowledged he had prepared extensively and was confident he would lower his own best mark, he never anticipated cutting more than a quarter of a second off his previous top time to claim the world record.

    “I knew I was ready to drop something crazy,” Tharp told reporters after his historic run. “I knew what I was capable of, but I didn’t know about that. It wasn’t on my bingo chart for this meet, not at all. I’m speechless, seriously.”

    Tharp, who hails from Auburn, Alabama, will now advance to the 110m hurdles final, scheduled to take place this Friday. He is gunning for his second consecutive NCAA individual title, a feat no hurdler has achieved since Grant Holloway claimed back-to-back titles in 2019.

  • Knicks fans go wild as New York team makes biggest comeback in NBA Finals history

    Knicks fans go wild as New York team makes biggest comeback in NBA Finals history

    On a feverish Wednesday night at Manhattan’s iconic Madison Square Garden, the New York Knicks etched their name into NBA history, pulling off the largest comeback in Finals history to secure a 107-106 one-point win over the San Antonio Spurs, with the game-winning basket dropping with just 1.2 seconds left on the clock.

    The matchup marked Game 4 of the best-of-seven championship series, and carried extra weight for New York fans: it was the first time the franchise had hosted a Finals game in 27 years, having last reached the league’s final stage back in 1999, when they fell to the very same Spurs side they faced this week.

    London-born forward OG Anunoby, who joined the Knicks roster in January 2024, delivered the iconic game-winning three-pointer that sent the sold-out crowd into hysterics. As fans flooded the stands with chants of “O-G! O-G!”, A-list spectators dotted the courtside, including pop superstar Taylor Swift – who sported a playful “Stevie Knicks” shirt that blended the team’s name with Fleetwood Mac legend Stevie Nicks – Academy Award-nominated actor Timothée Chalamet, iconic New York filmmaker Spike Lee, late-night host Jimmy Fallon, comedy star Ben Stiller, and pop trio Haim members Este and Alana Haim. Post-game, Swift was spotted jumping for joy while exiting the arena, even stopping for a playful twirl with a member of the Knicks City Dancers.

    New York Mayor Zohran Mamdani captured the collective shock and joy of the city in a viral all-caps post on X, writing simply: “SPEECHLESS.” Knicks head coach Mike Brown echoed that awe in post-game comments, calling Anunoby’s clutch shot “the most iconic shot in the history of New York basketball” adding, “It was just unbelievable.”

    The 2025-26 season has already represented a stunning reversal of fortune for a franchise that has spent decades mired in mediocrity after its 1999 Finals appearance. Long-suffering New Yorkers have poured into city streets to celebrate every playoff win, turning the five boroughs into a sea of orange and blue. City landmarks have embraced the moment: the Empire State Building has been lit up in the team’s signature colors every game night, and even the iconic marble lions outside the New York Public Library’s Fifth Avenue branch have gotten in on the Knicks fever.

    “It’s electric out there, you can feel the energy everywhere you go,” one local fan told the BBC earlier this week. Sol, a 31-year-old New York resident, added, “I can’t say I’ve ever seen anything like this before because in 1999 I was 4 years old. I’m just trying to soak it all in.” No Knicks fan has watched their team lift the Larry O’Brien Championship Trophy in their lifetime – the franchise’s last championship win came all the way back in 1973.

    With Wednesday’s win, the Knicks now hold a commanding 3-1 series lead, needing just one more victory to claim the historic title. Their first chance to close out the series will come this coming Saturday, when the team travels to San Antonio for Game 5. While the path to the trophy now runs through the Spurs’ home court, and San Antonio remains capable of pulling off a comeback of its own – the franchise could still claim the title if it wins three straight games – the night belonged to New York, in what will go down as one of the most memorable games in NBA history.

  • Watch: Historic US-Canada border library gets new Quebec-only entrance

    Watch: Historic US-Canada border library gets new Quebec-only entrance

    One of the world’s most unique cross-border cultural institutions, the iconic Haskell Free Library and Opera House, has marked a new chapter in its long history with the opening of a dedicated new entrance located entirely on Quebec soil. The development comes nearly three years after the 2025 Trump administration implemented a pause on public use of the library’s historic main entrance, which sits on United States territory and had been freely accessed by visitors from both Canada and the United States for more than a century.

    Straddling the international boundary between Stanstead, Quebec and Derby Line, Vermont, the Haskell Library has occupied a one-of-a-kind space since its founding in the early 1900s. For generations, readers and guests from both countries moved seamlessly through its US-side main entrance, a quiet symbol of the open, cooperative relationship that long defined the world’s longest undefended border. Locals and frequent visitors relied on this access for decades, with many Quebec residents making regular trips to borrow books, attend community events, and enjoy the library’s programming without requiring border clearance.

    When the Trump administration suspended access to that main entrance in 2025, the move disrupted a long-standing informal arrangement that had shaped community life on both sides of the border. Facing ongoing restricted access, regional and institutional stakeholders moved forward with a plan to construct a fully Canadian entrance that would allow visitors from Quebec to enter the library without crossing into US territory at any point. That years-long planning and construction project has now come to fruition, delivering a new permanent access point that preserves the library’s role as a shared community resource for northern Vermont and southern Quebec.

    The new entrance marks a historic adjustment for an institution that has long embodied the close ties between the two neighboring countries. While the shift alters decades of border access tradition, it ensures that the library can continue to serve its full cross-border community amid changing border policies. Community leaders on both sides have emphasized that the project protects the library’s core mission as a public cultural space, even as it adapts to new restrictions on cross-border movement.

  • Canada proposes teen social media ban – with workaround for tech firms

    Canada proposes teen social media ban – with workaround for tech firms

    As global leaders prepare to gather for next week’s G7 summit in France, where child online safety and AI regulation will top the agenda, Canada has tabled ambitious new legislation that positions it at the center of the global debate over digital youth protection. Unveiled in the House of Commons Wednesday by Canadian Culture Minister Marc Miller, the Safe Social Media Act (officially labeled Bill C-34) proposes a ban on social media access for children and teenagers under the age of 16 – a framework modeled after Australia’s landmark national ban implemented six months ago, but with a key policy difference that sets it apart from other global regimes.

    Unlike Australia’s mandatory prohibition for under-16 users, Canada’s proposal includes a carve-out: tech companies can avoid the full ban if they can formally prove they have implemented robust policies to reduce harm to minor users. The bill goes far beyond social media restrictions, sweeping in broad new regulations for AI chatbots and sweeping powers to crack down on what the legislation defines as harmful online content. To enforce these new rules, the government plans to establish an independent oversight body, the Digital Safety Commission of Canada, whose members will be appointed directly by the federal cabinet. Violators face steep maximum penalties: the greater of CAD 10 million, or 3% of the company’s total global gross annual revenue.

    The proposal comes after two failed attempts by Canada’s previous Liberal government to pass online harm legislation, mounting pressure from child safety advocates and parents, and a high-profile national tragedy that intensified calls for action. In February, a mass shooting at a British Columbia school left eight people dead, including six young children. Investigations later revealed the 18-year-old suspect had used OpenAI’s ChatGPT to discuss gun violence months before the attack, sparking widespread public outrage and criticism of OpenAI for failing to flag the dangerous conversations to law enforcement. OpenAI CEO Sam Altman later issued a formal written apology to the victims’ families in the wake of the incident.

    Minister Miller framed the legislation as an urgent priority for the Canadian government, telling reporters this week that “kids are dying” and that the administration would pursue all reasonable steps to protect young people online. The timing of the bill is deliberate: it lands just one week before G7 leaders gather to discuss coordinated global action on AI safety and child protection, with Canada positioning itself as a policy leader on the issue.

    Not all stakeholders have welcomed the proposal, however. Free speech advocacy groups have raised sharp concerns that the new law will expand government censorship of online content, arguing that harm to minors can be adequately addressed through existing provisions in Canada’s criminal code, rather than new stand-alone legislation. The bill defines seven distinct categories of prohibited harmful content, including material that bullies children, incites violence, or foment racial and ideological hatred, but the Canadian justice and culture ministries did not immediately respond to a BBC request for additional clarity on how these criteria will be implemented and enforced.

    Child safety advocates, however, have struck a largely positive tone on the bill’s unique exemption clause. Sara Austin, CEO of child advocacy group Children First Canada, which has long pushed for federal online harm legislation, noted that the exemption creates a direct incentive for tech companies to implement stronger platform-wide safety protections that will benefit all users, not just children. “While Canada has lagged behind peer nations in rolling out online safety rules, this proposal gives the country an opportunity to set a new global precedent ahead of the G7 summit,” Austin said. She added that the framework “will not only benefit children, but will also benefit all Canadians” who use social media and AI platforms.

    Canada’s move comes as a growing wave of countries adopt or consider age-based restrictions on social media for minors. Six months ago, Australia became the first nation in the world to implement a national ban on under-16 social media use. The law requires platforms to deactivate existing under-16 accounts and block new account creation, and mandates the use of multiple age verification technologies including ID checks, face recognition, and voice recognition. Serious or repeat violations carry fines of up to AUD 49.5 million.

    But Australia’s policy has already faced significant criticism over its effectiveness. A recent Australian government survey of parents found that roughly 70% reported their under-16 children still have active social media accounts, and many noted that platforms had not requested any age verification following the ban’s implementation. To date, the Australian government has opened five formal investigations into alleged non-compliance by major platforms including Facebook, Instagram, Snapchat and TikTok.

    Other nations are moving forward with their own restrictions: the United Kingdom is expected to announce a national ban on under-16 social media use next week, while Greece will implement a ban for users under 15 that goes into effect in January 2026. The UK has already passed a broader Online Safety Act regulating digital content, joining other nations including France and New Zealand that have already enacted national online harm frameworks.

  • Olivia Rodrigo sings about heartbreak but she’s already chosen her wedding song

    Olivia Rodrigo sings about heartbreak but she’s already chosen her wedding song

    It was meant to be an open-air interview at Hampstead Heath, one of Olivia Rodrigo’s most beloved spots in London, but a sudden, torrential downpour derailed the original plan. Within minutes, the filming crew scrambled to pack up lights and cameras and relocated to the stately Victorian kitchen of nearby Kenwood House. By the time 23-year-old Rodrigo arrived, dodging wind and rain from her car to the new indoor set, every strand of her hair was still perfectly in place, and the production was just barely ready to go.

    Even for an early morning call time, the global pop star had already put in a full shift of work. During her drive to the location, she was putting final finishing touches on her upcoming track *Maggots For Brains*, scheduled for release just 10 days later. “I love that song musically, there’s so much going on – layers of harmonies everywhere,” she explained in the interview. “Literally in the car, I was telling them to turn that backing vocal up just one decibel. I was being so picky about it, I know no one else would even notice if I’d left it as it was.”

    Rodrigo has long been drawn to Hampstead Heath for the rare sense of normalcy it gives her: the sprawling open space lets her walk, relax, and blend into the crowd without being hounded for photos or autographs. “It’s just the best place to hang out,” she says. “No one ever acts weird around me, I think because it’s so spread out. One time I even saw a couple get engaged there – I was sitting on a bench, looked over, and all their friends were gathered, it was the sweetest thing.” That quiet, romantic moment lines up with Rodrigo’s own dream proposal: she hopes to one day get engaged in New York’s Central Park, with a custom bench placard that reads “Will you marry me?” “So spread the word… Hopefully my future husband will see this,” she laughs. She’s already picked out her wedding song, too – *I Melt with You* by Modern English, a track she says is perfect for walking back down the aisle after exchanging vows.

    For anyone who has followed Rodrigo’s music career since her breakout 2021 debut *Sour*, and 2023’s *Guts*, it’s no surprise that her first two albums are rooted in the messy, searing pain of catastrophic heartbreak, laced with equal parts confusion, anguish, and unapologetic feminine rage. It wasn’t until 2024 that she wrote her first uncomplicated love song, *So American*, a punchy new wave track inspired by her whirlwind romance with English actor Louis Partridge. The relationship quickly became public: Rodrigo’s Instagram filled with candid shots from Wimbledon trips and rides across London on double-decker buses, and when she headlined Glastonbury Festival last summer with Partridge watching from side stage, she changed a core lyric from “I think I’m in love” to “’Cause I’m in love.”

    When Rodrigo set out to write her third studio album, she expected the project to be a straightforward love letter to the joy of new romance, a sharp departure from the angsty heartbreak of her earlier work. “I really wanted to capture romantic joy and pleasure for the first time, because my last two albums were all heartbroken and really angsty,” she says. But the album’s final title – *You Seem Pretty Sad for a Girl So in Love* – hints that the perfect romance she set out to document did not end as planned. “It’s a love story that falls apart,” she confirms. “It’s a time capsule of a relationship that spanned a few years of my life.”

    The album’s visual concept mirrors this arc: the front cover shows Rodrigo swinging through the air, carefree and giddy with new love, but flip it over, and she’s lying flat on the ground, hair messy and expression heavy with unhappiness. The narrative opens in a London pub, where Rodrigo is so besotted by her new partner, who she compares to “an angel on the walls of Versailles,” that she can barely believe he’s real, convinced she might “drop dead” if he kisses her. By the second track, *Stupid Song*, the pair have settled into a relationship, and Rodrigo is so blindingly happy that she struggles to write a coherent, meaningful lyric about it. “When you’re really deeply in love, it feels like any song is futile,” she explains. “It’s really hard to capture that feeling in a way that feels real to other people.”

    As the tracklist progresses, quiet doubts and persistent anxieties begin to creep into the story, and the narrative unravels around the seventh track, *Purple*. While the lyrics on the surface read as a happy love song, Rodrigo uses intentionally unresolved chords to create an undercurrent of constant instability. “Initially, it was a very sweet, sugary love song,” she says. “A few months after we wrote it, we went back, swapped out the chords, and tweaked the lyrics. It’s definitely the turning point on the album where things start to go sour.”

    A similar revision shaped *What’s Wrong With Me*, a dream duet between Rodrigo and her long-time musical hero, The Cure’s Robert Smith. The track was originally written about the all-consuming ache of missing a partner, but after Rodrigo’s breakup, she rewrote the lyrics to reflect a harder truth: the relationship itself was the source of her unhappiness. The new lyrics cut straight to the pain: “I can’t eat, I can’t sleep / I think you’re what’s wrong with me.”

    Rodrigo and Smith debuted the new track earlier this month at Spain’s Primavera Festival, marking their second collaboration after they shared the Glastonbury stage last summer. Backstage after the set, Smith heaped praise on the young star, telling BBC 6 Music: “She is genuinely fantastic, as a singer, as a songwriter, as a performer. I’m slightly in awe of how easy she makes all of it look.” That Glastonbury headline set, widely hailed as the performance of the weekend, cemented Rodrigo’s status as a generational talent, equally comfortable delivering soft, soaring ballads and high-energy pop-punk anthems that get crowds roaring. But even with that critical acclaim, Rodrigo admits she was crippled with anxiety before the performance. “I remember having a near anxiety attack in the bathroom, thinking ‘How am I going to do this? I don’t know if I’m ready,’” she says. “But the second I stepped on stage and started singing, something just shifted over me. I felt totally calm, totally in my element. I’m not very spiritual or religious, but moments like that make you feel like music is just so magical, you can’t really put it into words.”

    That iconic Glastonbury performance was fueled by an unexpected pre-show ritual: three full bowls of sticky toffee pudding from her hotel restaurant. “I stayed at this hotel that had the best sticky toffee pudding, and I was like, ‘You know what? I gotta do it,’” she laughs. “If the toffee’s really hot and the ice cream melts on top, it’s really good.” Sticky toffee isn’t her only British culinary obsession – she’s also completely hooked on dippy eggs and soldiers, and her friends have gifted her dozens of custom egg cups from all over the world to feed the habit.

    That down-to-earth charm is central to Rodrigo’s appeal. Raised in the entertainment industry, she spent years working on Disney Channel shows before launching her music career, but she’s never been aloof or overly precious about her fame. One of the biggest reasons she loves living part-time in the UK is the sense of normalcy it gives her. “I feel so normal here, very adult. I can walk to the pub and meet friends. It’s a city where spontaneity is really encouraged. People are very social here, in a way that they’re not in Southern California.”

    Despite boasting more than 40 million Instagram followers, Rodrigo has never cared much about conforming to other people’s expectations of how a global pop star should act. She’s been openly vocal about a range of political issues, from the rollback of reproductive rights in the United States to the humanitarian crisis in Gaza. Last year, she publicly called out the Trump administration for using her music in videos promoting ICE deportations, labeling the government’s policies “barbaric and cruel.” She approaches her activism thoughtfully, but says she has no desire to be universally liked. “I definitely try to be careful with my words, but simultaneously, the women I looked up to when I was young were really outspoken, and that was one of the reasons I adored them,” she says. “I don’t think my goal is to be liked by all. And when you stop making that your primary motivation, I think everything becomes a lot more joyful.”

    As the interview wrapped up, Rodrigo answered a series of quick, personal questions that revealed more little-known parts of her life: she has 60% permanent hearing loss in her left ear, she originally dreamed of becoming an obstetrician as a child (and even played obstetrician with her dolls, long before she understood what the job entailed), and if she made a biopic of her life, she’d title it *Olivia Rodrigo Lives the Happiest, Most Joyful Life Any Singer-Songwriter Ever Lived*. If she ever returned to acting, she says she’d jump at the chance to play Juliet in *Romeo and Juliet* – a fitting role for pop music’s most famous chronicler of heartbreak.

    Like Shakespeare’s tragic heroine, Rodrigo has always been mature beyond her years, and she recently took full control of her career, parting ways with her long-time managers to build a hand-picked creative team that lets her call every shot. That autonomy means she can skip high-profile industry events that don’t align with her values, like the Met Gala, which she recently told the *New York Times* doesn’t inspire her or fit with what she cares about.

    It’s clear that unflinching authenticity and uncompromising artistic integrity are the core of Rodrigo’s massive global appeal. Her songs have racked up billions of streams because she doesn’t shy away from the messy, ugly parts of being human: she’s just as willing to write about her own pettiness, jealousy, and insecurity as she is to call out the bad behavior of exes. “That’s one of my favourite things about songwriting,” she says. “I can write a song about being petty or jealous or super insecure, and I get it off my chest in a way that’s actually productive.”

    That honest self-expression is likely why she seems so well-adjusted and grounded even under the relentless pressure of global fame. Even the torrential London rain that derailed our interview didn’t dampen her mood. “It wouldn’t be a proper English summer without it,” she beams, already planning a post-interview swim in Hampstead Heath’s outdoor ponds with her friends. For a girl who just documented a devastating public breakup, she seems, in the end, pretty happy.

  • ‘A little goes a long way’: New York’s candy stores sweeten economic gloom

    ‘A little goes a long way’: New York’s candy stores sweeten economic gloom

    Across the United States, plummeting consumer confidence has created a challenging operating environment for the nation’s retail industry, with many small and large businesses struggling to maintain stable revenue. However, in New York City and its surrounding suburbs, one unexpected niche segment is experiencing unexpected growth: independent candy stores.

    For third-generation business owner Mitchell Cohen, this expansion is no surprise. As the head of Economy Candy, Manhattan’s oldest continuously operating sweet shop located on the Lower East Side, Cohen has long observed a pattern: when economic times turn tough, consumers still carve out room in their budgets for affordable candy. His family’s business itself is a product of economic crisis – it first opened its doors in 1937, at the tail end of the Great Depression, originally as a hat and shoe repair shop. To earn extra income, Cohen’s grandfather added a small candy cart outside the storefront. When cash-strapped New Yorkers stopped spending on repair services, the business pivoted entirely to selling the low-cost treats that still had steady demand. Eighty-nine years later, Economy Candy remains a beloved neighborhood staple, still going strong despite decades of economic ups and downs.

    Recent economic data underscores the challenging broader retail landscape. While official April retail sales figures show a 4.9% year-over-year increase, a closely tracked consumer sentiment survey hit an all-time historic low in May, reflecting widespread anxiety over inflation and economic uncertainty. Candy store entrepreneurs echo Cohen’s analysis, pointing to candy’s low price point as a key advantage during economic downturns: unlike big-ticket purchases that consumers are increasingly likely to postpone, a small sweet is an accessible luxury almost anyone can afford.

    This dynamic aligns with the well-documented “lipstick effect,” an economic theory popularized in the early 2000s that holds that when consumers can’t afford large, expensive purchases, they will treat themselves to smaller, more affordable luxury items instead. For Kate Bolger, a former film producer opening a new candy store called The Village Confectionery in Sleepy Hollow, New York, this logic holds true. “Even when people are feeling the economic pinch, everyone can still partake in a little piece of candy,” she explained.

    Existing candy retailers are also expanding their footprints across the region. BonBon, an upscale confectionery brand founded in 2018 by three Swedish expats, now operates five locations across Manhattan and Brooklyn, plus a store in the Hamptons that opened last summer. The brand specializes in importing Swedish candy, which has grown rapidly in global popularity in recent years, driven by social media buzz and its commitment to strict all-natural ingredient standards. To keep overhead costs low, BonBon intentionally avoids high-rent main shopping avenues, instead opting for smaller storefronts on side streets that allow for lower rent and a cozier customer experience. With a focus on small, unique brand details – like staff uniforms inspired by a popular Stockholm restaurant – the chain is set to open a new location in Greenwich, Connecticut this summer. It is not alone in its U.S. expansion: major Swedish candy chain Candy King opened its first American outlet in Manhattan last December.

    Newer small independent operators are also finding success by adapting to local market needs. In Brooklyn’s Fort Greene neighborhood, Cat Cirino launched Candor Candy’s in March. To boost revenue, she offers a curated selection of pantry staples from local independent producers alongside her core candy inventory, including granola, rice, soft drinks and beef jerky. Cirino notes that candy also offers practical operational advantages for small retailers: it has a long shelf life, requires no temperature control, and the popular pick-and-mix model lets customers handle much of the self-serve process, cutting down on labor costs.

    That said, the sector is not immune to the economic pressures facing all U.S. retailers. Cohen points to rising wholesale costs driven by two key factors: longstanding U.S. import tariffs imposed during the Trump administration, and spiking global shipping costs tied to rising fuel prices stemming from geopolitical tensions. Even iconic American chocolate brand Hershey’s has been impacted: while the company is based in the U.S., it sources all cocoa beans from overseas, and a Hershey bar that cost Economy Candy 62 cents before the COVID-19 pandemic now costs over $1. Cohen adds that one of his longtime United Kingdom-based suppliers stopped shipping to the U.S. entirely after sustained losses from customs and currency fluctuations.

    Despite these headwinds, most candy store owners report growing sales, with many absorbing cost increases rather than passing the full burden on to consumers. For Cohen, the formula for success is simple: in uncertain economic times, a small, affordable sweet goes a long way toward lifting consumer moods – and keeping small businesses afloat.