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  • Charges filed after fire destroys Kimberly-Clark toilet paper warehouse

    Charges filed after fire destroys Kimberly-Clark toilet paper warehouse

    A devastating fire has swept through a large Kimberly-Clark warehouse dedicated to storing toilet paper and paper towels, leaving the facility and its inventory completely destroyed in the wake of the blaze. Emergency response teams quickly rushed to the scene to contain the spread of the fire, and in a stroke of good fortune, no individuals suffered injuries during the incident, according to official updates.

    In the aftermath of the destructive event, legal authorities have formally filed charges against parties connected to the fire, though specific details about the identity of the accused or the exact nature of the charges have not yet been fully released to the public. Investigations are still ongoing to determine the root cause of the ignition, whether it was accidental, negligent, or the result of intentional action.

    The warehouse played a key role in regional supply chains for Kimberly-Clark’s popular paper products, and while the destruction has raised temporary concerns about inventory distribution, the company has not yet announced major disruptions to consumer availability. Local officials continue to urge patience as the probe into the fire moves forward, with the legal process already underway to address any wrongdoing linked to the incident.

  • Dancer with ALS uses brainwaves to perform again through avatar

    Dancer with ALS uses brainwaves to perform again through avatar

    For decades, Breanna Olson, a mother of three from Tacoma, Washington, has dedicated her life to dance, training in ballet, contemporary, and jazz styles since early childhood. That identity was shattered two and a half years ago, when she received a devastating diagnosis: amyotrophic lateral sclerosis (ALS), the most common form of motor neurone disease (MND), a progressive, incurable condition that gradually weakens muscles, erodes control over movement, speech, swallowing, and eventually breathing. For Olson, the diagnosis meant losing the ability to do what she loved most — stepping onto a stage to dance.

    That changed last December, when Olson made history at Amsterdam’s OBA Theatre, taking part in what organizers call the first live performance of its kind. Through a breakthrough collaboration between Japanese technology firm Dentsu Lab and data company NTT, Olson used a lightweight electroencephalogram (EEG) headset to translate her brain activity into real-time movement for a mixed-reality avatar, allowing her to return to the stage she thought she’d left forever.

    The custom-built brain-computer interface developed for the project, called Waves of Will, works by capturing electrical signals from Olson’s brain as she imagines specific dance movements. The system processes these neural patterns and converts them into digital instructions, which control the avatar’s choreography live in front of an audience. After the performance, which earned a standing ovation from the crowd, Olson described the experience as nothing short of transformative.

    “It was exhilarating, magical,” Olson told BBC News in an interview following the performance. “I never dreamed that I would be able to dance on stage again. It was just a beautiful and memorable moment I will remember for the rest of my life.”

    Olson acknowledged that mastering the technology came with unique challenges. Users must learn to block out external sensory noise, isolate muscle interference, and focus deeply inward to generate clear neural signals for the system to read. But despite the learning curve, the performance allowed Olson to reconnect with the sense of creative expression that her illness had stolen.

    “This is a new way of expression,” she said. “To be able to move in a new way and a different way is just freeing.”

    Olson’s groundbreaking performance is part of a rapidly growing field of assistive technology development, where researchers and innovators are exploring how neural interfaces and artificial intelligence can restore autonomy, identity, and creative expression for people living with degenerative conditions. Earlier this year, Noland Arbaugh, the first person to receive a brain chip implant from Elon Musk’s Neuralink, reported that the device had allowed him to play chess again after losing motor control. Most recently, 58-year-old Yvonne Johnson, another person living with MND, shared how AI voice reconstruction tools helped her regain her personal voice after losing the ability to speak.

    For the Waves of Will team, the project was born out of a gap in existing neural technology research. “There are many brainwave technologies and research all over the world, but most of them are very expensive and not accessible to everyone,” Naoki Tanaka, chief creative officer of Dentsu Lab, told reporters. “This is exactly why we started Waves of Will — to make a new, more accessible brainwave interface.”

    Mariko Nakamura of NTT added that the core technology developed for the dance performance could be adapted for far wider uses beyond creative expression, including controlling assistive devices like powered wheelchairs and home remote controls for people with limited mobility.

    For Olson, the performance is about more than just her own personal return to dance. She hopes her story will shift public perceptions of people living with disabilities, pushing back against harmful narratives that frame disabled people only through the lens of illness. “I hope people will view us less as sick people or that something is wrong with us, but more like we have value and talents and wisdom,” she said. Looking forward, she wants to use her experience to give other people diagnosed with ALS hope, demonstrating that the human mind is far more capable than many assume. “We can do more than we think we can,” she noted.

    As the field of assistive neural technology continues to advance, projects like Waves of Will highlight how innovation can not only restore function for people living with disability, but also reopen doors to creative expression, connection, and participation in community life that many thought were lost forever.

  • US inflation jumps to highest level in almost two years

    US inflation jumps to highest level in almost two years

    The United States saw inflation accelerate sharply in March, reaching its highest pace in almost two years, as rising energy costs spurred by Middle East geopolitical tensions began to ripple through the broader national economy, according to the latest official data.

    The U.S. Bureau of Labor Statistics reported Wednesday that the consumer price index (CPI), a key benchmark for inflation, rose 3.3% year-over-year last month, up from a 2.4% annual gain recorded in February. This abrupt jump, which economists had largely anticipated, represents one of the most significant single-month shifts in inflation since 2022, when the global economy grappled with a historic energy shock following Russia’s full-scale invasion of Ukraine.

    The report pins March’s unexpected inflation acceleration on a dramatic spike in fuel prices, driven by disruptions to oil shipping through the Strait of Hormuz linked to the ongoing US-Israel conflict with Iran. From February to March, gasoline prices surged by 21.2% — the steepest one-month increase recorded since the federal government began tracking this metric in 1967. Fuel oil prices saw an even more dramatic jump, climbing more than 30% month-over-month to mark the largest surge since February 2000.

    The burden of these soaring energy costs has fallen disproportionately on regions that already faced elevated fuel prices, such as the state of California. Data from the American Automobile Association (AAA) released Thursday puts the average price of a gallon of regular gasoline in California at $5.93, far above the current national average of $4.16.

    For everyday commuters and workers who rely on personal vehicles to make a living, the price jump has upended monthly household budgets. Annel Villegas, a 23-year-old truck driver, described the current cost of fuel as “terrible”, emphasizing her frustration with strong language. “I drive a truck, so I fill it up every half tank, and now it’s like, $70 (£52), $80,” Villegas explained. She said she has already cut back on non-essential driving to offset costs, but acknowledged that many trips are unavoidable. “I have to do what I have to do to live …. I’m just dealing with whatever it brings to me – so, paying more,” she added.

    This new inflation data complicates the outlook for U.S. monetary policy, which has focused on taming price growth over the past three years. The geopolitical origins of this current inflation surge also signal ongoing global economic uncertainty, as energy market disruptions continue to drive cost-of-living increases for households across the country.

  • Melania Trump refutes claims linking her to Epstein

    Melania Trump refutes claims linking her to Epstein

    WASHINGTON, D.C. — In a rare, high-stakes public address from the White House Cross Hall on April 9, 2026, U.S. First Lady Melania Trump forcefully pushed back against unsubstantiated claims that have connected her to disgraced late financier and convicted sex offender Jeffrey Epstein, calling years of circulating rumors completely fabricated.

    Standing before reporters ahead of the formal statement, the First Lady laid out a clear, categorical denial of any association with Epstein and his criminal activities. “I am not Epstein’s victim,” Melania Trump stated definitively, adding, “Epstein did not introduce me to Donald Trump.” She went on to reject any implication of involvement in Epstein’s crimes, emphasizing: “I have never had any knowledge of Epstein’s abuse of his victims. I was never involved in any capacity. I was not a participant.”

    The First Lady’s public rebuttal comes after years of unregulated misinformation spreading across social media platforms, where manipulated visuals and false narratives claiming a connection between her and Epstein have circulated widely. “Fake images and statements about Epstein and me have been circulating on social media for years now,” she said, confirming that every one of these claims is entirely untrue.

    Melania Trump’s address arrives months after the U.S. Department of Justice unsealed millions of pages of court documents tied to the federal investigation into Epstein. The financier was first taken into federal custody in July 2019 on charges of sex trafficking, but died in a New York jail cell one month later, in August 2019, before he could stand trial.

    The publicly released documents include passing references to a number of high-profile global and American figures: former U.S. President Bill Clinton, Microsoft co-founder Bill Gates, current U.S. President Donald Trump, and multiple members of the president’s inner circle. Multiple U.S. media outlets have reported that Donald Trump’s name is mentioned more than 1,000 times across the unsealed files, creating a new wave of political scrutiny months ahead of a pivotal political cycle, and prompting the First Lady’s unprecedented public response to personal allegations.

  • America’s Soviet moment: Why Trump is looking like Yeltsin

    America’s Soviet moment: Why Trump is looking like Yeltsin

    For decades, Cold War geopolitics framed the 20th century around a sharp ideological split: the U.S.-led model of decentralized, market-driven capitalism stood opposed to the Soviet Union’s centralized, state-planned communism. Each system positioned itself as the correction for the other’s flaws, yet both ultimately developed fatal internal contradictions that undermined their long-term stability.

    The Soviet Union did not fall because it lacked military or material power; at its peak, it controlled vast natural reserves, a robust industrial base, and one of the world’s most formidable standing militaries. Its collapse stemmed from inherent structural design flaws: by sidelining private entrepreneurs, the engine of market innovation and exchange, the Soviet system eliminated the incentives that sustain long-term economic vitality. Over time, production became rigid, resource allocation was driven by political favor rather than need, and widespread scarcity coexisted with systemic waste. Most critically, a gradual psychological erosion set in: ordinary citizens stopped believing the system worked to serve their interests. By the time large-scale reform was attempted, the system had grown too inflexible to adapt, and it unraveled.

    Today, the United States faces a structurally analogous, if inverted, systemic imbalance. Where the Soviet order sidelined entrepreneurs, the modern American system has increasingly marginalized ordinary wage-earning workers, the backbone of the country’s real economy. Since the closing decades of the 20th century, three forces — globalization, offshore outsourcing, and the rising dominance of the financial sector — have remade the U.S. economic landscape. Capital has become hyper-mobile across borders, but labor remains rooted in place; manufacturing jobs have shifted overseas, while Wall Street has expanded its size and political influence exponentially.

    The outcome of this shift is not immediate collapse, but deep structural imbalance. The U.S. continues to generate unprecedented levels of aggregate wealth, but that wealth is increasingly concentrated in a tiny share of the population. Federal Reserve data confirms this: the top 1% of U.S. households now hold 31.7% of total national household wealth, a record high not seen in more than a century. The historic link between worker productivity and wage growth has snapped, and for a majority of American households, broad national economic growth no longer translates to rising living standards. Stagnant wages and pervasive economic insecurity have become the norm for working and middle-class communities across the country.

    Like the late Soviet Union, this imbalance is not merely economic — it is a crisis of systemic legitimacy. Polling data reflects a profound erosion of public trust: roughly 60% of Americans now believe the country is moving in the wrong direction, a stark contrast to Russia where, even amid ongoing war and international sanctions, 61% of citizens still view their country as on the right track. A growing share of the U.S. public has concluded that the current system does not work to advance their interests.

    Political outsiders like Donald Trump do not create these systemic crises; they emerge as symptoms of underlying societal strain. In the Soviet Union, Boris Yeltsin rose to power at a moment when the communist system had already lost ideological and institutional coherence. He did not engineer the collapse of the old order — he embodied the public anger that the collapse had generated. His tenure accelerated the disintegration of the old regime, but the rapid, unregulated privatization of state assets that followed gave rise to a powerful oligarchic class, leaving most ordinary Russians facing widespread economic dislocation rather than prosperity.

    Vladimir Putin’s subsequent rise addressed that immediate crisis: he reasserted central state authority, reclaimed state control over strategic economic sectors, restored fiscal discipline, and pulled Russia out of the chaotic post-collapse stagnation. While his model carries long-term tradeoffs, it responded directly to the systemic breakdown that preceded it.

    Trump’s political ascent follows a comparable structural sequence, even within a vastly different national context. His core base draws heavily from communities that have been economically and culturally displaced by the shifts reshaping the U.S. economy. His rhetoric upends longstanding trade frameworks, alliance structures, and domestic governance norms that many voters see as unresponsive to their needs. This analysis is not an moral or political equivalence between Trump and Soviet-era leaders — it is an observation of historical sequence: Trump functions not as a stable, long-term solution to the U.S.’s systemic imbalance, but as a transitional figure, far closer to Yeltsin than to Putin. He is the type of leader that emerges when a longstanding system begins to break its own rules.

    For decades, the U.S. has been buffered from the full impact of its internal imbalances by a unique global advantage: the U.S. dollar’s role as the world’s primary reserve currency. Since the 1970s, global oil trade has been overwhelmingly denominated in dollars, creating constant, structural demand for dollar-denominated assets. Today, the dollar still accounts for roughly 60% of global foreign exchange reserves, and U.S. financial markets remain the deepest and most liquid in the world. This petrodollar system has allowed the U.S. to run persistent large fiscal deficits while keeping borrowing costs low, acting as a financial cushion that has delayed the pressure for painful structural adjustment. But no such cushion is permanent.

    In recent years, a gradual but meaningful shift has begun. China has expanded the use of the yuan in cross-border energy transactions, Russia has slashed its dollar holdings following Western sanctions, and a growing number of countries are exploring alternative currency settlement mechanisms. These changes remain incremental today, but they point toward an increasingly diversified global monetary system that will erode the dollar’s unique advantage over time.

    Unlike Putin, who cut Russia’s national debt to just 20% of GDP and restored long-term fiscal discipline, Trump has put forward no serious plan to address the U.S.’s soaring $40 trillion national debt, where growing interest payments now consume an ever-larger share of federal spending. Instead of tackling this fiscal burden, Trump has pushed for further expansion of the U.S. defense budget, adding even more strain at the exact moment the petrodollar cushion is beginning to thin. This combination of soaring debt, rising military spending, and a lack of structural economic reform leaves the U.S. more vulnerable to a sudden financial shock than at any point since the 2008 global financial crisis. Deep political polarization further blocks any possibility of coordinated, long-term policy action, leaving the country exposed if global demand for dollar assets declines faster than currently projected.

    The core lesson of the Soviet collapse is not that great powers collapse suddenly; it is that they weaken gradually when their core institutional systems stop aligning with the interests of their population. If the Yeltsin analogy holds, it carries a sobering warning: transitional figures do not fix the crises they embody. They only clear the ground for what comes next. The outcome will depend on whether the next era of U.S. politics brings genuine structural rebalancing — a serious reckoning with the gap between concentrated capital and stagnant worker wages, between aggregate growth and shared prosperity — or merely a harder entrenchment of the existing unequal order.

    The Soviet precedent makes clear that existing systems rarely reform themselves from within until the cost of inaction becomes unavoidable. For the United States, that threshold has not yet been reached, but it is closer than most policymakers and analysts acknowledge. A meaningful reckoning would require rebalancing power between capital and labor, restoring broad-based wage growth, and stabilizing a debt trajectory that neither major U.S. political party has yet been willing to address seriously.

    The question facing the United States is not whether it will eventually face this reckoning. It is whether it will recognize the urgency of the moment enough to address the imbalance on its own terms.

  • Labrinth not involved in Euphoria’s third season

    Labrinth not involved in Euphoria’s third season

    As HBO’s hit teen drama *Euphoria* prepares to launch its third and potentially final season this Sunday, a high-profile shakeup has dominated pre-premiere headlines: British singer and composer Labrinth, who built the show’s iconic sonic identity across its first two installments, will not be contributing to the new season, multiple U.S. entertainment outlets have confirmed.

    Labrinth, the London-based producer and performer behind *Euphoria*’s haunting, moody original score and fan-favorite tracks including *Formula*, *Still Don’t Know My Name*, and the Grammy-nominated *Never Felt So Alone* featuring Billie Eilish, originally was announced as part of the season three creative team last year, alongside legendary Hollywood composer Hans Zimmer. But the collaboration fell apart after an explosive expletive-laden Instagram post in March, where Labrinth publicly criticized HBO and soundtrack label Columbia Records before signing off with, “I’m out. Thank you and good night.”

    At the time, the root of his frustration remained unclear. Now, Rolling Stone and *The Hollywood Reporter* have verified that Labrinth has fully parted ways with the project ahead of the season’s streaming launch this weekend. When asked to comment on the split, *Euphoria* creator Sam Levinson simply told Rolling Stone, “I don’t know.” Levinson did praise Labrinth’s foundational work on the series, noting, “He is an incredible collaborator and someone who really built the foundation of the sound of *Euphoria*.”

    Levinson went on to explain the creative shift that led to adding Zimmer to the team, saying that the third season’s narrative called for a major sonic evolution. Now that the core cast has graduated from high school, Levinson said he wanted to move away from the series’ original pop-driven sound and lean into the style of a classic Hollywood Western score. “On *Euphoria*, each character’s storyline is like its own film in a way. In general, I was less interested in needle drops and more interested in something that guided us through this world,” he explained. “They’re out of high school, so the pop roots of it have faded away. At the same time, because of how I imagined it visually, I wanted to lean into an old-fashioned Hollywood Western score.”

    Zimmer, the Oscar-winning composer behind iconic film scores for *Dune*, *The Lion King*, and *Interstellar*, previously spoke positively about the collaboration, acknowledging Labrinth’s core contribution to the show’s identity. “Labrinth has shaped the show’s identity,” he said, adding that he was “looking forward to contributing to the ongoing story and helping shape this new season through music.”

    BBC News has reached out to representatives for Labrinth, HBO, and Columbia Records for further comment on the split. Notably, Labrinth remains scheduled to perform at the Coachella Valley Music and Arts Festival in California this same weekend.

    Off-screen, the third season has brought the show’s breakout cast back together for a red carpet premiere in Los Angeles earlier this week. *Euphoria* is widely credited with launching the mainstream careers of A-list Hollywood stars including Zendaya, Sydney Sweeney, and Jacob Elordi, all of whom attended the event. Four years have passed since the second season aired, and the new installment finds the series’ core characters navigating young adulthood, carrying the same emotional struggles that defined their teen years into their 20s.

    Early critical reviews of the third season are deeply divided. Multiple outlets have panned the new season, arguing it has lost the cultural relevance and sharp edge that made the first two installments a global phenomenon. *The Telegraph*’s Eleanor Halls gave the season just two stars, calling it “one man’s creepy, sex-obsessed fantasy,” while BBC Culture’s Caryn James also awarded two stars, writing that “the show has lost its zeitgeisty edge.” *Variety* critic Alison Herman described the season as “entertaining but disjointed fan fiction,” and *The Hollywood Reporter*’s Daniel Fienberg noted that while lead star Zendaya still “dazzles,” the series has likely “aged out of relevance.”

    Not all reviews were negative, however. The Independent’s Nick Hilton gave the new season four out of five stars, framing *Euphoria* as a “generation-defining show” that “paints a clear-eyed, unflattering portrait of modern America.”

  • Lava soars into air as Hawaii’s Kilauea volcano erupts again

    Lava soars into air as Hawaii’s Kilauea volcano erupts again

    One of the most consistently active volcanic systems on the planet has erupted once again, sending towering plumes of lava hundreds of feet into the air above Hawaii’s Big Island. Kilauea, a shield volcano famous for its frequent, low-explosivity eruptions that draw both scientific curiosity and tourist attention, has entered a new active phase after months of intermittent activity stretching back to late 2000s.

  • Trump threatens Iran over tanker transit fees in Strait of Hormuz

    Trump threatens Iran over tanker transit fees in Strait of Hormuz

    Fresh geopolitical friction has emerged along one of the world’s most critical energy chokepoints, as former U.S. President Donald Trump has publicly threatened Iran over plans to charge transit fees for commercial tankers passing through the Strait of Hormuz.

    The confrontation unfolded in a series of public statements, beginning with comments to ABC News Wednesday, where Trump floated the idea of establishing a U.S.-Iran joint venture to collect tolls from vessels transiting the strategic waterway. He framed the proposal as a mutually beneficial project, describing it as “a beautiful thing” that would generate large revenues for both parties. He doubled down on that framing hours later in a post to his social media platform Truth Social, noting that the U.S. could earn “big money” by supporting traffic management efforts in the strait.

    By Thursday, however, Trump shifted to a more confrontational tone, responding to emerging reports of Iran’s planned fee structure. In an explicit public warning posted to Truth Social, Trump stated, “There are reports that Iran is charging fees to tankers going through the Hormuz Strait — They better not be and, if they are, they better stop now!”

    Citing The Wall Street Journal’s Thursday reporting, Iran has formally demanded that oil tankers pay a $1 transit fee per barrel of oil carried to cross the strait, which handles roughly 20% of the world’s daily global oil trade and is widely considered one of the most geographically and economically strategic maritime passages on the planet.

    The latest developments come amid a fragile ceasefire that took effect in the region Tuesday. As of Thursday, commercial marine traffic through the strait remained severely constrained, according to reporting from The New York Times. Citing data from global ship-tracking firm Kpler, the outlet confirmed that only two non-Iranian oil tankers had completed transits of the strait since the ceasefire went into effect, marking the first such crossings since the truce was agreed. For days prior, the strait had been effectively closed to most non-Iranian commercial traffic, forcing hundreds of tankers to divert to alternative routes and pushing up global energy shipping premiums.

  • Trump vents frustration on NATO again

    Trump vents frustration on NATO again

    The growing divide between the United States and the North Atlantic Treaty Organization has deepened further in recent days, after a planned meeting to repair strained transatlantic ties ended with President Donald Trump publicly lashing out at the 75-year-old alliance he has long criticized. Following Wednesday’s closed-door talks with NATO Secretary General Mark Rutte in Washington D.C., Trump took to his social media platform to issue a blunt rebuke of the military bloc, which the U.S. has led since its founding in 1949. Writing in all capital letters, Trump declared: “NATO wasn’t there when we needed them, and they won’t be there if we need them again.”

    This latest accusation aligns with a long-running narrative Trump has pushed since returning to the White House: he insists NATO should have directly joined U.S. and Israeli strikes on Iran, a demand that ignores the alliance’s core founding mandate as a strictly defensive collective security pact, designed to respond to attacks on member states rather than launch offensive military operations.

    Rutte, who assumed the NATO secretary general role earlier this year, framed the discussion with Trump as “very frank” in an interview with U.S. broadcaster CNN. Rather than emphasizing NATO’s defensive rules of engagement, he pushed back on Trump’s criticism by highlighting the practical support European NATO members already provided, noting that “the large majority of European nations have been helpful with basing, with logistics, with overflights.” He added that the situation was a “nuanced picture” rather than a total failure of support.

    The dispute over Iran is just the latest flashpoint in a series of escalating tensions between the Trump administration and the alliance. Earlier disagreements have included a high-profile standoff over Trump’s public claim that the U.S. should acquire Greenland, an autonomous territory that belongs to NATO member Denmark and is not available for purchase. The Trump administration has also repeatedly berated European NATO members for failing to meet the alliance’s target of devoting 2 percent of their annual GDP to defense spending, a longstanding point of U.S. criticism that predates Trump’s first term in office.

    White House Press Secretary Karoline Leavitt reiterated Trump’s harsh assessment Wednesday, confirming the president had told her that NATO had been “tested and they failed.” The escalating string of disputes has also led Trump to repeatedly threaten to withdraw the U.S. from the 32-member transatlantic alliance, a move that would fundamentally reshape global security architecture.

    However, many European policy experts and lawmakers argue that European nations were correct to avoid full participation in the Iran conflict. Koert Debeuf, a distinguished adjunct professor of Middle East studies at the Brussels School of Governance, told China Daily that European capitals have been unified in their position that the Iran conflict is not their war. “If they choose to assist countries such as Saudi Arabia, the United Arab Emirates, or Qatar, they would only do so after the war ends. For now, no European country wants to be involved, and that is unlikely to change,” Debeuf explained.

    He added that while a small number of European leaders, including Spain’s prime minister and Germany’s president, have publicly stated that the U.S.-Israeli strikes on Iran likely violate international law, most have chosen to stay largely silent. This silence, he noted, reflects “deep discomfort with the situation” among European political elites. “What is clear is that this is widening the gap between the United States and Europe in the short term,” Debeuf concluded.

    Ondrej Dostal, a Czech member of the European Parliament, went further in his criticism of Trump’s approach, telling China Daily that European nations must draw a line in opposing the administration’s actions. Dostal pointed to a series of aggressive social media posts from Trump in recent days, including open threats to “exterminate a whole civilization” and reduce Iran to the “Stone Age,” as well as other insulting language directed at the Iranian people. “Europe must clearly and unequivocally reject this,” Dostal said.

    He argued that Europe has repeatedly capitulated to the Trump administration on past disputes, from the lopsided EU-U.S. trade deal to Washington’s coercive policies toward Cuba and Venezuela, and now its illegal offensive against Iran. “This must end now,” Dostal said. “We must be clear: it was the tacit acceptance by the entire European establishment of US hegemonic aspirations that has led to the catastrophe in Iran. Had Europe stood its ground in defending international law and the UN Charter, much could have been prevented.”

  • How the moon and music have collided in space

    How the moon and music have collided in space

    When it comes to curating playlists for different settings, most people stick to unwritten rules: high-energy techno for gym sessions, groovy disco for nightclubs, and upbeat pop for cross-country road trips. But what does the perfect playlist look like 240,000 miles from Earth, orbiting the moon? For the four-person crew of NASA’s Artemis II mission, that question has an answer that mixes modern pop, hip-hop, classic rock, and deeply personal meaning — and the world is getting a glimpse of how music connects isolated astronauts to the home they left behind.

    One of the biggest breakout names from the Artemis II wake-up playlist is American rapper Denzel Curry, whose collaborative track *Tokyo Drifting* (with Glass Animals) has become one of the crew’s daily morning greetings. Curry told BBC Newsbeat he was shocked and thrilled to see his work reach such unprecedented heights. A lifelong fan of space-focused media, Curry said he would jump at the chance to meet the Artemis II crew to thank them for including his track, and he has already set a bold new career goal: becoming the first rapper to perform live from space. He hopes the cosmic placement will give his track a new wave of popularity among listeners back on Earth.

    Curry is far from the first artist whose work has made the journey to orbit, and the tradition of waking up astronauts with custom-picked songs stretches back more than 60 years. Retired British astronaut Tim Peake, who became the first Briton to walk on the International Space Station (ISS) in 2015, says music is far more than just entertainment in the isolated environment of space. As he prepared for his launch, Peake hand-picked three tracks to accompany him: Queen’s *Don’t Stop Me Now*, U2’s *Beautiful Day*, and Coldplay’s *A Sky Full of Stars*. “It gives you a connection back to Earth,” Peake explained. “It reminds you of times in your life when you’ve heard that music, of friends and family waiting for you back home.” The experience of listening to familiar music while floating above Earth, a “lovely, beautiful blue, green, white marble in the blackness of space,” is deeply surreal, he added, and that emotional connection makes the soundtrack an essential part of any space mission.

    Antonia Jaramillo, a NASA mission control team member based in Houston, echoed that sentiment, noting that the daily routine of wake-up music helps ground astronauts during high-stakes missions far from home. “They are by themselves, going around the moon,” Jaramillo said. “We all have our morning wake-up routine back on Earth, a soundtrack that gets you in the right headspace for the day. It’s a very similar thing we’re doing for our crew.” The process of getting the custom playlist to the crew is simpler than many might think: tracks are downloaded ahead of time, and flight controllers at mission control broadcast the songs to the capsule just like any other communication with the crew. For Artemis II, the full nine-song playlist was curated by the crew themselves, with input from their friends and family members, blending personal favorite tracks with songs that carry special meaning for the historic moon mission.

    Space researchers say the longstanding marriage of music and space exploration is no accident. Dr. Eleanor Armstrong, a space researcher at the University of Leicester, explained that the morning wake-up song tradition dates all the way back to NASA’s 1960s Gemini program, drawing on a long history of military organizations like the U.S. Navy using music to structure the start of a work day. That tradition has included many iconic moments beyond pre-planned playlists: during the 1965 Gemini 6A mission, astronauts Thomas Stafford and Wally Schirra smuggled a harmonica and set of small bells on board to celebrate the first successful space rendezvous, surprising mission control with a live performance of *Jingle Bells*. Those first instruments played in space are now on permanent display at the Smithsonian National Air and Space Museum in Washington D.C.

    Music has also been woven into uncrewed exploration missions: NASA’s 1977 Voyager 1 probe, now traveling through interstellar space beyond the edges of our solar system, carries a golden record filled with songs and sounds that represent the diversity of human life on Earth. More recently, the Tesla Roadster that SpaceX launched into orbit in 2018 is programmed to play David Bowie’s *Space Oddity* on an endless loop.

    Artemis II crew member Christina Koch, who has long been fascinated by the intersection of music and space, has carried on that tradition in her own career. Koch famously located the original cassette tape used to play music during the 1969 Apollo 11 mission, and played it from the ISS during the 50th anniversary of the historic moon landing. During her 2019-2020 ISS mission, she even learned to play a keyboard song for her husband as a surprise for their wedding anniversary, and the pair collaboratively build playlists for her missions, so they can share the experience of her journey even when separated by hundreds of thousands of miles.

    Koch told Canada’s Prime Minister Mark Carney earlier this week that the Artemis II wake-up playlist is “absolute perfection,” though she joked she was disappointed that Chappell Roan’s *Pink Pony Club* was cut off right before the iconic chorus — adding that she sang the track to herself all day after the partial play. For other crew members, the songs carry equally personal meaning: Commander Reid Wiseman said *Tokyo Drifting* reminds him of annual family vacations to Florida, where he and his daughters listen to the track on the road. Canadian astronaut Jeremy Hansen’s family picked Queen and Bowie’s *Under Pressure* for his wake-up, while NASA astronaut Victor Glover said his wife surprised him by swapping one of his planned picks for Mandisa’s *Good Morning*, a pleasant start to his days in orbit.

    The full Artemis II wake-up playlist is now available to stream on Spotify, giving listeners on Earth the chance to hear the same soundtrack that’s greeted the crew during their history-making lunar orbit. The nine-track list includes *Sleepyhead* by Young & Sick, *Green Light* by John Legend and André 3000, *In a Daydream* by the Freddy Jones Band, *Pink Pony Club* by Chappell Roan, *Working Class Heroes* by CeeLo Green, *Good Morning* by Mandisa and TobyMac, *Tokyo Drifting* by Glass Animals and Denzel Curry, *Under Pressure* by Queen and David Bowie, and *Lonesome Drifter* by Charley Crockett.