分类： society

A serious early-morning wrong-way collision on one of Dublin’s busiest orbital motorways has left nine people injured, with two patients fighting for life in hospital, Irish police have confirmed.

The crash unfolded at 5:30 a.m. local time on Sunday along the southbound carriage of the M50, near Junction 12 in the Firhouse area of Dublin. Investigators say the first vehicle, carrying eight male juveniles, was traveling the wrong direction down an on-ramp when it slammed head-on into a oncoming privately operated car.

Emergency services rushed all occupants of both vehicles to nearby hospitals across the region for urgent care. Of the eight young people in the wrong-way vehicle, one remains in critical condition, according to updates from local health authorities. The driver of the second vehicle, a man in his 20s, is also hospitalized with serious injuries, though no further update on his prognosis has been released as of Sunday afternoon.

In the wake of the collision, Irish national police, known locally as gardaí, have implemented a full closure of the affected southbound stretch of motorway between Junction 12 and Junction 11. Local diversion routes have been put in place to redirect through traffic away from the crash site, where forensic investigators are now conducting a detailed examination of the scene to piece together the cause of the incident.

Authorities are issuing a public appeal for assistance with their investigation. Any road users who were traveling through the Firhouse area of the M50 between 5:00 a.m. and 5:30 a.m. on Sunday, or anyone who has dashcam footage from the collision site or surrounding approaches, is asked to contact local gardaí to share any information that could advance the investigation.

Against the backdrop of a global resurgence of interest in Homer’s ancient works sparked by Christopher Nolan’s recent adaptation of *The Odyssey*, a groundbreaking theatrical production in southern Greece is rewriting the rules of cultural accessibility, while centering a forgotten chapter of the Trojan War narrative.

On August 2, 22 disabled and non-disabled performers took the stage at the Ancient Theater of Epidaurus, the iconic 2,300-year-old open-air stone amphitheater famed for its unparalleled acoustics and historic place in Greek dramatic tradition. Their staging of Euripides’ *The Trojan Women* marked the first fully accessible performance in the theater’s long history, breaking down centuries of barriers that excluded disabled audiences and creators from engaging with one of the world’s most celebrated cultural sites.

Unlike Homer’s canonical epics, which follow victorious Greek warriors on their journeys home from the 10-year Trojan War, Euripides’ 5th-century BCE tragedy shifts focus away from heroic triumph to the devastating human cost of conflict. Written roughly three centuries after Homer’s works, the play centers on the widowed, exiled, and enslaved women of conquered Troy, giving voice to the suffering that war leaves in its wake.

To fulfill the production’s commitment to full inclusion, organizers rolled out a comprehensive suite of accessibility accommodations across the entire site. Blind and low-vision attendees received Braille event programs, tactile 3D models of the ancient theater, and live in-person audio description to follow the performance. Deaf and hard-of-hearing spectators could track dialogue via overhead projected titles, while widespread physical modifications to the venue’s walkways and seating areas improved access for visitors with mobility impairments.

For attendees and creators alike, the milestone event was far more than a theatrical performance—it was a public celebration of disability equality. Greg Polychronidis, a Paralympic gold medalist who participated in the event, noted that the production set a critical precedent for cultural institutions worldwide. “It’s the first time a performance at Ancient Epidaurus has been made accessible to everyone,” Polychronidis said. “Today was a celebration of equality and it should serve as an example for everyone, forever.”

The message of inclusion extended to the cast as well, where disabled performers held prominent roles that put overlooked communities center stage. For 58-year-old cast member Eirini Kourouvani, a wheelchair user who had never been able to enter the ancient theater before the production, standing on its historic stage was a transformative experience. “It is just grand,” Kourouvani said. “I feel my heart opening up as wide as this theater is.”

Ioanna-Maria Gertsou, a blind psychologist who attended the performance alongside her guide dog Babu, echoed that sentiment, emphasizing that accessibility is a fundamental right, not an extraordinary favor. “We too have the right to attend performances on an equal footing,” Gertsou said, noting her relief that her guide dog was able to remain with her throughout the show without disruption.

The landmark production was created by Greece’s National Theater, with accessibility design led by the nonprofit organization Liminal and financial backing from Alpha Bank, one of Greece’s largest financial institutions. Argyro Chioti, the National Theater’s artistic director, emphasized that full accessibility should not be a one-off special event, but the new standard for all major cultural venues.

Chioti acknowledged that building inclusive access required extensive advance work: “This was complex, not simple. It required months of planning. It cost money. And it required very specific organizational expertise. But that’s the standard and venues we need to reach — the major stages and the major theaters.”

On Wednesday, a rare total solar eclipse will cut a path across Europe, turning broad daylight into temporary twilight as the moon aligns perfectly between the Earth and sun, casting a sweeping shadow across the continent. For casual observers, this event will be a once-in-a-lifetime memory. For a growing community of passionate sky-chasers, however, it is the most anticipated celestial prize of a generation — and many have traveled thousands of miles, planned for years, and sacrificed comfort to claim a front-row seat.

Among them is Mark Griffiths, an astronomy hobbyist from Cheshire in the UK, who completed a grueling two-day cross-border drive to Galicia, northern Spain — widely regarded as one of the best viewing locations for the 2026 eclipse. Griffiths arrived loaded with professional-grade gear: two high-resolution cameras, a specialized solar telescope, and a drone to capture aerial footage of the eclipse’s shadow as it moves across the landscape. His obsession with chasing dramatic sky events began six years ago, with a failed trip to see the northern lights in Shetland, where poor weather left him empty-handed. Far from discouraging him, the disappointment only deepened his passion. “I kept wanting more,” Griffiths explained in an interview on the day after he finished his drive, which included only brief stops in Bordeaux to snap night sky photos and catch a few hours of sleep. “I’m quite sleep deprived, but it’s worth it. It’s like an addiction now.” This eclipse marks Griffiths’ first total solar eclipse, and for enthusiasts like him, he says, Europe’s first total solar eclipse in more than 25 years is “like what the World Cup is to football.” Since his Shetland trip, Griffiths has become a seasoned sky-chaser: he travels to Iceland once a month to lead northern lights tour groups, and has already photographed dozens of auroras, partial eclipses, and bioluminescent phenomena across the globe.

The eclipse’s path of totality — the narrow strip of land where observers can see the sun completely blocked by the moon — begins at the edge of Siberia, arcs across the Arctic Ocean, passes through Greenland and Iceland, crosses the northern Atlantic, cuts across northern Spain, and ends in the Mediterranean. Outside this path, most of Europe will only see a partial eclipse, but even that has not stopped dedicated travelers from converging on prime viewing spots across the route. Half a world away from Griffiths, American couple Samantha and Gregory Phillips-Brown have traveled from upstate New York to Iceland, where they rented a camper van to seek out a remote viewing spot in the Westfjords peninsula. This is their second total solar eclipse: the first, which they saw near their home in 2023, left such an impact that they booked flights and a van more than a year in advance for this event. “It was such a phenomenal experience to see the Sun start going dark and hear, suddenly, the birds stop chirping,” Samantha recalled. “It’s just a very strange, otherworldly experience.” Gregory reflected on what the experience would have meant for Iceland’s first Viking settlers more than 1,000 years ago, when solar eclipses were attributed to mythology rather than science: “They really didn’t know what was happening, didn’t know how long it was going to last… it must have been quite terrifying for them, in a way.” In the days leading up to the eclipse, the couple has been hiking and camping across eastern Iceland, and they plan to head to the Westfjords early to avoid expected road closures from overcrowding. Samantha, an avid self-described obsessive planner, has been monitoring eclipse-chaser groups on social media to get real-time updates on conditions, and says she has already seen hundreds of visitors carrying eclipse glasses across the country: “I expect as we move west, we’ll see more and more people gathering for the show.”

For one British family, the 2026 eclipse is a nostalgic reunion 27 years in the making. Andrew Wills is traveling to the Spanish island of Majorca with his wife and his 90-year-old father, with whom he watched Europe’s last total solar eclipse in 1999 from the top of St Agnes Beacon in Cornwall. That day was cloudy, Wills recalled, so they missed seeing the eclipse’s shadow rush across the Atlantic toward them — but they still got to see the sky dim into an eerie twilight, and the memory stuck with him ever since. “It was still awe-inspiring,” he said. This time around, Wills has booked a villa near the western Majorcan town of Andraitx, right in the path of totality, and has scouted a coastal viewing spot with unobstructed views of the horizon, where the eclipse will be visible as the sun sets. Majorca and neighboring Menorca are the last landmasses where the eclipse will be visible before the shadow disappears into the Mediterranean. Wills has arranged to bring camping chairs so his 90-year-old father can rest while they wait for the celestial event, and he is hopeful for clear skies this time around. For Wills, eclipses are more than just a tourist attraction: they are a humbling reminder of the unique cosmic coincidence that makes total solar eclipses possible on Earth. The sun is 400 times larger than the moon, but also 400 times farther away — creating the perfect alignment that allows the moon to cast a complete shadow on Earth. The experience, he says, reminds him of astronomer Carl Sagan’s reflection on the Pale Blue Dot photograph, which showed Earth as a tiny speck against the vastness of space. “We are tiny little specks in a huge vast area of nothingness,” Wills said. “We’re amazingly lucky to be alive to see something this incredible.”

Even though the total phase of the eclipse will last just a couple of minutes for observers, that brevity is part of what makes the event so meaningful for the thousands of people who traveled across continents to see it. For this community of sky-chasers, the journey is almost as special as the celestial spectacle they have come to witness.

Paris has rolled out stringent new safety mandates for riders of privately owned electric scooters and similar micro-mobility devices, launching a targeted crackdown on violations after a worrying spike in deadly and serious accidents across the French capital. Local law enforcement announced the new regulations over the weekend, alongside grim data from France’s national road safety authority that underscores the urgency of the policy shift.

Last year alone, 79 people lost their lives in e-scooter-related accidents across France, marking a dramatic 75% jump from the 45 fatalities recorded just 12 months earlier. In Paris specifically, 1,100 people sustained injuries in e-scooter crashes in 2025 – a 33% year-over-year increase that has pushed city officials to strengthen safety standards.

Under the new rules, all riders of private e-scooters, electric unicycles, and hoverboards on public roads are now required to wear an approved safety helmet and a high-visibility vest or attach retro-reflective markers to their vehicles. Violators face steep penalties: riders caught without a compliant helmet will be issued a €135 (£129) fine, while those missing high-visibility gear will receive a €35 (£30) fine.

The updated regulations build on existing safety restrictions already in place across Paris, which prohibit riders under the age of 14 from operating e-scooters, ban carrying extra passengers, and cap maximum speed at 25km/h (16mph). The policy also follows a 2023 city-wide ban on rental e-scooters, a move approved by 90% of voters in a public referendum – even though just 8% of eligible voters participated in the ballot.

Despite the elimination of rental services, private e-scooters remain a widely popular commuting option in Paris, where narrow, frequently congested city streets make compact micro-mobility an attractive alternative to cars or public transit. European Union data shows France has the highest rate of private e-scooter ownership in Europe, with roughly 2.5 million units owned by French residents as of 2023, and hundreds of thousands more sold in the time since. A large share of these private scooters are registered and used in Paris, though the city does not track exact ownership numbers.

The push for mandatory helmet and high-visibility gear is not unique to Paris: several other French regions, including Seine-et-Marne, Alpes-Maritimes, and Vaucluse, already enforce similar requirements. Paris’ policy shift also aligns with a growing trend across major European cities: Madrid implemented a full ban on rental e-scooters in 2024, and Brussels has announced it will introduce its own rental ban this coming June.

Thousands of Ukrainians gathered in central Kyiv’s Cathedral of Saint Volodymyr on Saturday to bid a final farewell to Oleksiy Yukov, the 40-year-old founder of a volunteer organization dedicated to recovering the remains of fallen troops and civilians from Ukraine’s war zones. Yukov, who died in a landmine detonation during a recovery operation on August 5, spent more than 20 years honoring the dead by bringing their remains home for proper burial — including those of enemy Russian soldiers.

A native of the conflict-scarred Donbas region, Yukov first began his life’s work as a teenager, when he stumbled on the unclaimed remains of Soviet and Russian World War II soldiers. Before dedicating himself full-time to recovery work, he worked as a martial arts instructor, but he soon committed fully to his mission: every life deserves a dignified burial, regardless of which side a fighter belonged to.

In 2014, after the outbreak of full-scale conflict in Donbas, Yukov launched the volunteer NGO Platsdarm, which translates to “bridgehead” in English. Over the years, he earned the reverent nickname “the collector of souls” for his tireless, high-risk work. Platsdarm’s teams venture into mine-laced terrain, from abandoned fields and dense forests to bombed-out urban ruins, to locate and retrieve the remains of the dead, a mission that puts volunteers in constant danger of explosive blasts.

Yukov already survived a catastrophic mine incident in 2022, which left him with permanent leg injuries and cost him an eye. Even while recovering from those life-altering wounds, he returned to the field to continue his work. In a social media post shared just weeks before his death, Yukov laid out the harsh reality of his mission, acknowledging that every outing carried grave risk. “Remote mines, shelling, drones — everything is against you. But you go and do everything to ensure that every soul returns home,” he wrote.

He pushed back against critics who argued that the remains of Russian soldiers should be left unclaimed to rot. “When they say: ‘Let them rot,’ I do not agree. This is how we fight for every soul,” Yukov wrote. He framed his work as a deeply moral and spiritual calling, writing that every fallen body is a soul waiting to return to its home. “This is action,” he noted of his daily work. “Action every day in the fields, in the forest belts, among the ruins, where your life can end at any moment.”

Saturday’s Orthodox Christian funeral service drew crowds of mourners who came to honor Yukov’s legacy of radical compassion amid decades of ongoing war in Ukraine.