Global Pulse

分类： entertainment

  • Look: Sikka 2026 converts Dubai’s heritage houses into spaces of deliberate discomfort

    Look: Sikka 2026 converts Dubai’s heritage houses into spaces of deliberate discomfort

    DUBAI – The 14th edition of the Sikka Art & Design Festival has inaugurated a groundbreaking cultural experience within the historic Al Shindagha district, reimagining traditional heritage houses as provocative artistic venues. Organized under the patronage of Sheikha Latifa bint Mohammed bin Rashid Al Maktoum and spearheaded by the Dubai Culture and Arts Authority, this year’s festival adopts the visionary theme “Imagining Dubai: Identities of the Future.”

    Breaking from conventional exhibition formats, Sikka 2026 presents itself as a sequence of immersive encounters rather than a traditional art display. The festival showcases an impressive assembly of creative talent, featuring over 450 artists and creatives who present nearly 250 distinct artworks distributed across 16 meticulously curated heritage houses. Each venue offers a unique narrative that contributes to Dubai’s evolving cultural dialogue while engaging with global contemporary art discourses.

    Among the most compelling installations is the Gulf House, curated by Yara Ayoub, which adopts an unusually focused approach by dedicating the entire space to a single work titled “Headache.” This installation deliberately eschews comfort, employing multi-sensory elements including disorienting soundscapes, intense lighting, and repetitive visual motifs to recreate the escalating sensation of cranial pressure. Ayoub explains the conceptual foundation: “The work reflects a shared mental state—the constant pressure, noise, and exhaustion that characterize modern existence. It demands visceral engagement rather than passive observation.”

    Making its debut this year is the International House, which spotlights Japanese aesthetics under the curation of Kotaro Watanabe. Drawing inspiration from wabi-sabi philosophy and the writings of Okakura Kakuzo, the space embraces imperfection and transience. Rooms appear intentionally unfinished, inviting visitors to complete the artistic experience through their own imagination. A particularly notable installation features a three-dimensional representation of “yesterday’s sky” created through an innovative process that transforms photographs of Dubai’s atmosphere into cloud-like formations printed using plant-based milk and natural materials. These delicate structures gradually dissolve within hours, leaving behind potable water—a poetic meditation on memory’s ephemeral nature.

    The Ceramics House, curated by Kamal Al Zubaidi, explores clay as a medium for cultural storytelling and experimentation. The space presents works by both established Emirati artists and emerging talents, including participants from the “Young Emirati Potters” program at Al Jalila Cultural Centre for Children. The exhibition demonstrates ceramics’ versatility through sculptural pieces, functional objects, and innovative techniques, complemented by a dedicated market featuring independent studios and works by artists of determination.

    Through its innovative programming, Sikka 2026 establishes itself as a significant platform for cultural exchange and artistic innovation, transforming Dubai’s historical architecture into dynamic spaces that challenge conventional artistic experiences while preserving and recontextualizing the city’s rich heritage.

  • Springsteen releases fiery ode to Minneapolis shooting victims

    Springsteen releases fiery ode to Minneapolis shooting victims

    Music icon Bruce Springsteen has unleashed a powerful new protest song titled ‘Streets of Minneapolis,’ directly responding to recent fatal shootings by federal agents in the Minnesota city. The 76-year-old rock legend recorded and released the track within days of the incidents, dedicating it to the victims and calling the situation ‘state terror.’

    Springsteen shared the emotionally charged song on his Instagram platform, explicitly dedicating the work to the people of Minneapolis, ‘our innocent immigrant neighbors,’ and in memory of Alex Pretti and Renee Good—two American citizens killed during confrontations with federal authorities earlier this month. The lyrics paint a stark picture of armed agents described as ‘King Trump’s private army’ wearing ‘occupiers’ boots’ while implementing immigration enforcement operations.

    The song’s haunting opening verse describes ‘bloody footprints where mercy should have stood’ and references the two fatalities left ‘to die on snow-filled streets.’ Its anthemic chorus promises remembrance: ‘Oh Minneapolis I hear your voice, crying through the bloody mist. We’ll remember the names of those who died on the streets of Minneapolis.’

    This latest release continues Springsteen’s long tradition of socially conscious music that addresses American working-class struggles and political issues. The title deliberately echoes his 1994 AIDS awareness ballad ‘Streets of Philadelphia,’ demonstrating his consistent engagement with contemporary social crises through his artistry.

    The release comes amid ongoing tension between Minneapolis officials and the Trump administration regarding immigration enforcement approaches. President Trump has recently reassigned leadership of the immigration agents deployed to the city while simultaneously warning the Minneapolis mayor about ‘playing with fire’ through non-cooperation with federal authorities.

    Springsteen, who supported Kamala Harris during the 2024 election campaign, has been consistently critical of Trump, previously characterizing his political ambitions as seeking to become an ‘American tyrant.’ This new musical intervention represents perhaps his most direct artistic confrontation with the current administration’s policies to date.

  • ‘There’s movies, and then there’s cinema’: Jason Momoa on ‘Dune’, TV and life in Dubai

    ‘There’s movies, and then there’s cinema’: Jason Momoa on ‘Dune’, TV and life in Dubai

    Perched seventy-one floors above Dubai Marina at Ciel Dubai, the world’s tallest hotel, Jason Momoa engaged in a remarkably transparent dialogue about his artistic philosophy, current projects, and personal perspectives. Despite recently undergoing surgery—evidenced by his occasional use of an ice pack on his elbow—the actor remained characteristically calm and introspective throughout the exchange.

    Momoa established an immediate rapport by recognizing a film still on the interviewer’s phone, setting the stage for a conversation that transcended typical celebrity interviews. When questioned about his approach to chaotic situations—dubbed ‘the Momoa way’—he revealed a methodical perspective shaped by his lifeguard background. ‘Everything kind of slows down,’ he explained. ‘When things like an earthquake happen, you slow down and assess the situation. Really see where your exits are.’ His primary concern in any crisis remains fundamentally human: ensuring people’s safety above all else.

    The discussion turned to artistic distinctions between different visual media, with Momoa drawing a clear separation between ‘movies’ and ‘cinema.’ He positioned Denis Villeneuve’s ‘Dune,’ in which he portrays swordmaster Duncan Idaho, firmly in the latter category. ‘Dune is cinema because it’s taken sci-fi to a level that’s kind of never been done,’ Momoa stated, emphasizing the film’s groundbreaking approach to the genre.

    Regarding television, the actor highlighted the unique depth offered by longer narrative formats. ‘You’re playing a character not just for two hours, you’re playing it for twenty hours or numerous seasons,’ he noted, specifically referencing his Apple TV+ series ‘Chief of War’ as benefiting from the expanded storytelling canvas that television provides.

    Momoa contrasted these scripted performances with the vulnerability of appearing as himself in documentary-style productions. ‘I have my own shows where it’s just me doing the things I love, which is actually kind of scarier,’ he admitted. ‘I’m not playing Drogo. I’m not playing Dante. I’m just being me.’

    The actor also discussed his latest project, ‘The Wrecking Crew,’ which reunites him with Dave Bautista—but this time as brothers rather than adversaries. ‘We’re good buddies,’ Momoa revealed. ‘We’ve played enemies before, but he plays my brother in this.’ He described the film as a modern comedy that offered a welcome departure from the physical demands of his previous collaborations with Bautista.

    Regarding his Dubai visit, which included a live musical performance featuring rock and metal selections, Momoa expressed particular admiration for the city’s dramatic vistas. Gesturing toward the panoramic view from the hotel, he remarked, ‘It’s kind of an honor just to be out this far.’ He specifically cited the view from SUSHISAMBA at Palm Jumeirah as ‘one of the most epic views I’ve ever seen.’

    When asked about his personal aspirations in Dubai, Momoa mentioned desires to skydive and particularly to experience the city from the water. ‘I’d love to be on a boat… see it from the sea,’ he said, reinforcing his well-documented connection to aquatic environments.

    The actor concluded with a thoughtful reflection on cigar appreciation, acknowledging his personal enjoyment while consciously avoiding encouragement of smoking. When pressed on which cultural figure he would most like to share a cigar with, he immediately nominated musician Tom Waits—provided the artist still partook.

  • Comedy Mixtape Fest Vol. 2 returns to Dubai this Valentine’s Day

    Comedy Mixtape Fest Vol. 2 returns to Dubai this Valentine’s Day

    Dubai prepares to host an evening of unparalleled laughter as Comedy Mixtape Fest Vol. 2 returns to the Dubai World Trade Centre on February 14, 2026. Following its successful inaugural edition, the festival promises to redefine Valentine’s Day celebrations with a powerhouse lineup of South Asia’s most celebrated comedic talents.

    Event organizers Midas Events and Eva Live Middle East, in collaboration with DXB LIVE, have curated an exceptional roster featuring comedy sensations Munawar, Kanan Gill, Harsh Gujral, Ravi Gupta, and emerging stars including Kaustubh, Mohd Suhel, Urjita Wani, Sonali Thakker, and Vivek Desai. The performances will commence at 6:00 PM, offering attendees an alternative romantic celebration filled with high-energy humor and crowd-favorite acts.

    The festival’s timing coincides with the growing appetite for stand-up comedy in Dubai’s multicultural landscape, where digital-first performers have cultivated substantial followings. This convergence of cultural influences and comedic styles creates a unique entertainment experience that resonates with the city’s diverse population.

    Tickets for the highly anticipated event are currently available for purchase, with organizers anticipating robust demand given the festival’s previous success and the stellar reputation of its featured performers. The event underscores Dubai’s evolving position as a regional hub for international entertainment and live performances.

  • Panorama Studios signs global distribution deal for four Malayalam films

    Panorama Studios signs global distribution deal for four Malayalam films

    In a strategic maneuver to amplify the international footprint of Malayalam cinema, Panorama Studios has cemented a significant worldwide distribution alliance with Phars Film (PHF). This multi-picture agreement encompasses four prominent Malayalam productions, signaling a concerted effort to penetrate key global markets.

    The collaboration will commence with the overseas theatrical rollout of ‘Anomie,’ featuring acclaimed actors Rehman and Bhavana, scheduled for release on February 6. This will be swiftly followed by the highly awaited global premiere of ‘Drishyam 3,’ the latest installment in the blockbuster thriller franchise starring Mohanlal, on April 2.

    The comprehensive film slate further includes ‘Tikitaka,’ headlined by Asif Ali, and an upcoming Panorama Studios production (designated as Production No. 3) showcasing Kunchacko Boban and Lijomol Jose.

    A cornerstone of this partnership is the international distribution of ‘Drishyam 3,’ leveraging the franchise’s substantial existing global brand recognition. Industry analysts anticipate this strategic move will substantially enhance the film’s international theatrical presence and maximize its box-office performance across diverse territories.

    Under the terms of the agreement, Phars Film will assume exclusive responsibility for worldwide overseas distribution and exhibition, utilizing its extensive international cinema network to ensure optimal market penetration.

    Both entities characterize this alliance as a long-term strategic initiative designed to establish a sustainable pipeline for distributing content-driven Indian cinema with demonstrated global appeal beyond traditional domestic markets.

  • Anuv Jain confirms Dubai stop on debut ‘Dastakhat World Tour’

    Anuv Jain confirms Dubai stop on debut ‘Dastakhat World Tour’

    Indian indie music sensation Anuv Jain has officially confirmed Dubai as a destination on his inaugural global concert series, the ‘Dastakhat World Tour.’ The highly anticipated performance is scheduled for April 12, 2026, at Dubai Expo City, marking the artist’s third appearance in the Middle East and signaling his expanding international footprint.

    Produced through a collaborative partnership between Team Innovation and Live Nation, the Dubai concert promises an exclusive and intimate atmosphere. Organizers are designing the event to showcase Jain’s distinctive artistic identity, featuring emotionally resonant performances enhanced by sophisticated production elements that highlight his narrative-driven musical style.

    This world tour represents a significant career achievement for Jain, positioning him among the most globally ambitious independent artists emerging from India’s music scene. Following an extensive 10-city domestic leg across India in early 2026, the tour will span 23 international destinations including Australia, North America, the United Kingdom, and multiple European capitals.

    The ‘Dastakhat’ project completes Jain’s conceptual trilogy that previously included ‘Dastakein’ and ‘Guldasta,’ demonstrating both his artistic evolution and continued dedication to exploring themes of love, vulnerability, and human connection through his music.

    Ticket sales have commenced through multiple platforms including PlatinumList.net, Ticketmaster.ae, and LiveNation.me, with entry pricing beginning at 125 UAE dirhams. The event is expected to draw significant attendance from the region’s substantial South Asian diaspora and local music enthusiasts.

  • King Charles III’s documentary sets out his philosophy for saving the planet

    King Charles III’s documentary sets out his philosophy for saving the planet

    WINDSOR, England — In a strategic move to shape his historical legacy, King Charles III has launched a groundbreaking documentary titled “Finding Harmony: A King’s Vision” through Amazon Prime. The film, premiered at Windsor Castle with celebrity attendees including narrator Kate Winslet, articulates the monarch’s lifelong environmental philosophy that humanity must recalibrate its relationship with nature to address climate change and sustainable development.

    The documentary presents Charles’ core belief that humans are intrinsically part of the natural world rather than separate from it—a concept he initially explored in his 2010 book “Harmony: A New Way of Looking at Our World.” The production systematically connects the king’s diverse advocacy areas including sustainable agriculture, urban planning, interfaith dialogue, and traditional crafts as interrelated components of holistic environmental stewardship.

    Notably, the film addresses historical criticisms of the monarch’s environmental activism, particularly the 1986 media mockery of his revelation about speaking to plants. Through interviews with collaborators like Ian Skelly (co-author of Harmony) and environmentalist Tony Juniper, the documentary defends Charles as a pioneering voice who championed ecological causes decades before they gained mainstream traction.

    Analyst Ed Owens, author of “After Elizabeth: Can the Monarchy Save Itself?,” suggests the timing represents a deliberate effort by the 77-year-old monarch to refocus public attention on his defining mission after recent distractions including his cancer treatment, tensions with Prince Harry, and the scandal involving Prince Andrew’s associations. The documentary premieres globally on Amazon Prime starting February 6, potentially reaching unprecedented audiences through streaming platforms.

  • Valentino opens post-Garavani couture with somber note, then high drama

    Valentino opens post-Garavani couture with somber note, then high drama

    PARIS — Alessandro Michele’s highly anticipated debut as Creative Director at Valentino Couture unfolded as a masterclass in theatrical tension, staged against the poignant backdrop of founder Valentino Garavani’s recent passing. The presentation, attended by luminaries including Sir Elton John, Dakota Johnson, and Kirsten Dunst, transformed fashion spectacle into intimate revelation.

    Guests navigated through near-total darkness to discover minimalist stools positioned before circular pods, each featuring a small viewing window. As the show commenced, blinds retracted to reveal models framed like curated artifacts behind glass, while a classical soundtrack abruptly gave way to aggressive animal sounds. This sterile, futuristic environment created an unsettling yet captivating atmosphere that redefined the couture viewing experience.

    Michele, renowned for maximalist instincts at Gucci, demonstrated remarkable restraint in his Valentino debut. The collection presented disco-inspired elements—sparkling gems, bedazzled headwear, and layered gold collars with subtle circus references—yet overall conveyed a cautious approach. Notable highlights included dramatically proportioned leg-of-mutton sleeves, light-catching sequined surfaces, and billowing skirts that deliberately overwhelmed the human form.

    The presentation’s emotional weight was amplified by its timing, following immediately after Garavani’s funeral in Rome. Fashion critic Suzy Menkes, who attended both events, emphasized the significance: “People feel emotional because it is an end of an era.” She noted Garavani’s unique position as “a designer that everybody could understand,” whose influence extended far beyond industry insiders to global clients and celebrities.

    While acknowledging Michele’s exceptional showcraft capabilities, Menkes reflected on the irreplaceable nature of iconic designers: “It’s not the same character… it doesn’t seem to be the same person who was there before.” The collection thus represented both a respectful homage to Valentino’s legacy and a careful calibration of how far Michele can reinterpret house codes while honoring their essence.

  • Central Cee live in Dubai: All you need to know about the British rapper’s upcoming concert

    Central Cee live in Dubai: All you need to know about the British rapper’s upcoming concert

    British rap phenomenon Central Cee is poised to make his highly anticipated return to Dubai with an electrifying open-air performance at Bohemia Beach Club, FIVE Palm Jumeirah, on Friday, January 30, 2026. The chart-topping artist will bring his distinctive fusion of Hip-Hop and R&B to one of Dubai’s most prestigious waterfront venues, marking a spectacular start to the year’s entertainment calendar.

    Having ascended from London’s underground music scene to international stardom through viral street anthems and global hits, Central Cee has established himself as a dominant force on festival circuits worldwide. His Dubai appearance offers fans an intimate opportunity to experience his musical artistry beneath the stars along Palm Jumeirah’s iconic shoreline.

    The concert venue, Bohemia Beach Club, has built a reputation for hosting Dubai’s most memorable live music events, providing an ideal backdrop for Central Cee’s beachfront musical takeover. Event organizers have structured ticketing options to accommodate varying fan preferences:

    – General Dance Floor Access: AED 300
    – VIP Experience: Starting from AED 600 (fully redeemable)
    – Backstage Dancing VIP: AED 800, inclusive of 8 premium beverages

    With limited VIP and backstage packages available, early reservation is strongly advised to secure premium viewing positions.

    Audience members can anticipate a high-energy performance featuring Central Cee’s signature sharp lyricism and melodic hooks, including crowd favorites such as ‘Doja,’ ‘Sprinter,’ ‘LET Go,’ ‘Commitment Issues,’ and numerous other hits from his expanding discography. Whether attending as a dedicated longtime follower or experiencing Central Cee’s dynamic stage presence for the first time, this beachfront concert promises to deliver an unforgettable conclusion to January 2026’s entertainment offerings.

    The event forms part of Dubai’s growing calendar of international music performances, reinforcing the city’s emerging status as a premier destination for global touring artists.

  • Short videos displaying stunning photographs of Hebei mesmerize visitors

    Short videos displaying stunning photographs of Hebei mesmerize visitors

    A groundbreaking visual project titled ‘Beautiful Hebei’ has launched, transforming 198 exceptional photographs into an immersive video series that showcases the diverse appeal of China’s Hebei province. Organized by the Hebei Photographers Association, this innovative presentation combines images from specialized submissions, institutional collections, and the association’s own archives to create eleven compelling episodes.

    The series is structured around three distinct thematic pillars that highlight the province’s multifaceted charm. The first segment, comprising three episodes dedicated to ‘Natural Beauty,’ transports viewers through Hebei’s majestic mountain ranges, pristine river systems, and expansive forest landscapes. This is followed by another trilogy focusing on ‘Ecological Beauty,’ which documents the province’s remarkable environmental restoration efforts and demonstrates the successful harmony between human development and natural preservation.

    The final five episodes explore ‘Humanistic Beauty,’ delving into Hebei’s rich historical tapestry and cultural legacy. This segment features specialized examinations of iconic subjects including the Great Wall’s architectural marvels, the enduring Grand Canal culture, and ancient ceremonial traditions that have been preserved through generations.

    Strategically positioned to capitalize on digital media consumption trends, the short video format offers international audiences a captivating visual gateway to the province that neighbors Beijing and Tianjin. The project represents a sophisticated marriage of photographic artistry and digital storytelling, serving both as cultural promotion and tourism enhancement initiative. The second installment, ‘Natural Beauty 2,’ is currently being released to continue this visual narrative of regional appreciation.