分类: entertainment

  • Graham Norton and Phoebe Waller-Bridge spotted before rumoured Swift wedding

    Graham Norton and Phoebe Waller-Bridge spotted before rumoured Swift wedding

    Global pop icon Taylor Swift and NFL star Travis Kelce are on the cusp of tying the knot over the Fourth of July weekend, with a flurry of A-list celebrity guests touching down in New York City and heavy security shrouding their planned celebration at Madison Square Garden.

    Longtime Swift-connected celebrity Graham Norton, the beloved British chat show host, was photographed arriving at New York’s JFK Airport alongside his husband Jono McLeod. Norton’s attendance comes as no surprise to long-time fans: last year, during his own BBC chat show, Norton pressed Swift on when she would tie the knot, to which Swift responded that she would certainly invite him. Norton, who previously made a cameo appearance in Swift’s music video for *Opalite*, even joked ahead of the wedding that the event must be exceptionally large if he earned an invitation.

    Joining Norton among the confirmed celebrity arrivals is Phoebe Waller-Bridge, the award-winning creator and star of *Fleabag*, who was spotted in Manhattan earlier this week. The pair have a long history of socializing, and Waller-Bridge was counted among the high-profile attendees of Swift’s record-breaking Eras Tour stop in London in 2024. Their professional connection dates back even further: Waller-Bridge hosted *Saturday Night Live* in 2019, when Swift appeared as the episode’s musical guest.

    Other high-profile names reportedly on the guest list include Kansas City Chiefs tight end George Kittle, breakout pop singer Benson Boone, British actress Suki Waterhouse, Swift’s long-time friend and frequent music video collaborator Abigail Anderson Berard, and pop star Selena Gomez. One notable name with an uncertain invitation status is actress Blake Lively, who previously drew Swift into a public legal dispute with Lively’s *It Ends With Us* co-star Justin Baldoni. That case was settled in May 2026, but it remains unclear if the rift has been repaired enough for Lively to attend.

    Multiple media outlets have confirmed that the wedding celebration is set to be hosted at Madison Square Garden, the iconic 20,000+ seat Manhattan arena best known as home to the New York Knicks and a top destination for major global concerts. The New York City Mayor’s Office confirmed to the BBC that a permit for street closures around the arena was filed in early June, covering the period from July 2 to July 4, aligned with the Independence Day weekend. The New York Times, which first broke the story of the permit, added that multiple members of Kelce’s Kansas City Chiefs have booked hotel blocks in the immediate area. While the outlet stopped short of explicitly calling the event a wedding, it confirmed the celebration is tied to the couple’s nuptials. Prior to the permit confirmation, an unnamed law enforcement official briefed on the event’s security arrangements confirmed the wedding plans to the Associated Press, noting that officials have prepared for a major influx of Swift’s diehard fans, known as Swifties.

    Preparation work for the event has been underway for days, with onlookers spotting large props including a grand piano, luxury carpets, and a crate of mirror balls being hauled into the arena. A forklift operator working on the preparation was even spotted wearing a Swift tour t-shirt on the job. The venue did host a major darts championship earlier this week that drew thousands of rowdy fans, leaving arena staff with a major cleaning challenge ahead of the wedding. Celebrity photographer Mickey Blank, who has worked in New York’s celebrity space for more than a decade, told BBC Newsbeat that the floor after the darts tournament was so sticky from spilled beer that she could barely move, adding that the work required to prepare it for a luxury wedding would be substantial.

    Security for the event is described as “Pentagon-level secrecy,” according to Blank. The area around Madison Square Garden is currently swarming with press, but members of the public and media are barred from accessing most restricted areas. All high-profile guests, including the bride and groom, are expected to arrive through the venue’s private underground parking lot, meaning almost no unplanned sightings of the couple are expected. Blank noted that the chance of members of the public catching a glimpse of Swift are “lower than zero.”

    When asked about the wedding at a press conference earlier this week, New York Mayor Zohran Mamdani only confirmed that the city is fully prepared for the event, adding that there was no additional information to share. He leaned into the rumors in a later social media post advising New Yorkers to stay cool amid an ongoing heatwave, quipping, “especially if you’re (hypothetically) having your wedding at MSG this weekend.”

    Swift and Kelce first went public with their relationship in 2023, and the pair announced their engagement via a joint Instagram post in August 2025. Fourth of July has long been one of Swift’s favorite holidays, with the star historically hosting large private celebrations for the occasion, making the weekend a fitting date for her wedding.

  • As Taylor Swift and Travis Kelce prepare to tie the knot, we look back at their relationship

    As Taylor Swift and Travis Kelce prepare to tie the knot, we look back at their relationship

    After nearly three years of a high-profile, fan-favorite courtship that captivated global audiences, pop superstar Taylor Swift and NFL star Travis Kelce are widely expected to host their wedding weekend celebration at one of New York City’s most iconic venues: Madison Square Garden. Rumors of the nuptials have swirled continuously since the power couple announced their engagement via a joint Instagram post back in August 2025, and the unprecedented booking of the city’s largest indoor event space for an entire weekend has only fueled intense public curiosity around the event.

    Beyond just a celebrity wedding, this union will cement Swift and Kelce as one of the most influential and financially powerful married couples in the United States, boasting a combined estimated net worth of nearly $2.2 billion. Their cross-industry influence stretches across music, professional sports, film, podcasting, publishing, and television, giving them unmatched cultural sway across multiple entertainment sectors. For Swift’s loyal global fanbase, dubbed Swifties, the wedding also marks the happy ending of a real-life fairytale romance that played out publicly over three years.

    The first spark of the relationship flew in July 2023, when Kelce attended Swift’s Eras Tour stop at Kansas City’s Arrowhead Stadium, the home of his NFL team the Kansas City Chiefs. Kelce, who had prepared a custom friendship bracelet engraved with his phone number to give to Swift, later shared on his *New Heights* podcast that he was unable to hand it off because Swift was resting her voice ahead of the show. “I was a little butt-hurt I didn’t get to hand her one,” Kelce admitted in the episode. The clip went viral across social media, and it actually caught Swift’s attention, a moment she later compared to “he was standing outside of my apartment, holding a boom box saying, ‘I want to go on a date with you’” in subsequent interviews.

    Encouraged by mutual connections to reach out, Swift finally agreed to go on a date with Kelce later that summer. The pair went public with their relationship in September 2023, when Swift attended a Chiefs game alongside Kelce’s mother Donna, cheering from a private suite. When Kelce scored a touchdown, cameras caught an exuberant Swift yelling “Let’s f***ing go!” before the pair left the stadium together. The moment shocked fans, who were used to Swift guarding her private love life closely after years of intense tabloid scrutiny.

    Kelce publicly acknowledged Swift’s appearance just days later on his podcast, calling her decision to attend “pretty ballsy.” Two months after going public, Kelce joined Swift for an Eras Tour stop in Argentina, where Swift made a viral on-stage tribute to him: she changed a lyric in her hit song Karma from “Karma is the guy on the screen coming straight home to me” to “Karma is the guy on the Chiefs coming straight home to me.” As the set ended, she ran straight into Kelce’s arms for a public kiss that sent shockwaves across the internet.

    By early 2024, Swift had fully dropped her previous commitment to privacy, embracing her relationship in the public eye. After the Chiefs defeated the Baltimore Ravens to secure a spot in Super Bowl LVIII in January 2024, Swift ran straight onto the field for a lingering celebratory kiss with Kelce that was broadcast to millions. A month later, she flew directly from an Eras Tour show in Tokyo to Las Vegas to watch the Chiefs win the Super Bowl, and another on-field kiss went viral, drawing record television viewership that was heavily driven by new female fans tuning in to catch a glimpse of the couple.

    In April 2024, Swift released her double album *The Tortured Poets Department*, which included multiple songs referencing her relationship with Kelce. The track *The Alchemy* directly referenced their post-Super Bowl PDA with the lyric: “Where’s the trophy? / He just comes running over to me.” It was around this time that fans coined the portmanteau “Tayvis” for the couple, a nickname that quickly became ubiquitous across social media.

    The pair made their relationship Instagram official in June 2024, sharing a backstage photo from an Eras Tour stop at London’s Wembley Stadium that included Prince William and his two eldest children, who had attended the show to celebrate William’s 42nd birthday. The following night, Kelce made a surprise one-off cameo as a dancer during Swift’s set, carrying her across the stage in a top hat and tails before she changed outfits for her performance of *I Can Do It With a Broken Heart*. While that was his only appearance across the Eras Tour’s 149-date run, Kelce spent most of the summer of 2024 touring Europe with Swift before returning to the U.S. for the Chiefs’ pre-season training camp.

    As the relationship grew, it has not been without intense public pressure. Kelce’s older brother Jason, who also hosts the *New Heights* podcast with Travis, opened up about the constant scrutiny the couple faces during a 2025 appearance on the *Whiskey Ginger* podcast, noting that even his own high-profile marriage to Kylie Kelce can’t compare to the level of attention. “I think we have it bad, and then we go hang out with one of them for a second. This is a whole other situation here… Like, you can’t be a normal person at that point,” Jason explained. Still, he added that Travis has stayed grounded through the fame: “He stayed true to himself. He’s still humble. He treats everyone with the utmost respect.”

    After more than a year of hidden hints and public easter eggs about their future plans, the couple officially confirmed their engagement on August 26, 2025, with a sunlit Instagram post of Kelce’s garden proposal in rural Missouri. The playful caption read, “Your English teacher and your gym teacher are getting married,” signed off with a firecracker emoji. Per Kelce’s father Ed, the proposal happened roughly two weeks before the public announcement, during a quiet dinner trip in Missouri. “He got her out there, they were about to go out to dinner, and he said, ‘Let’s go out and have a glass of wine’… they got out there, and that’s when he asked her, and it was beautiful,” Ed told ABC News, adding that the couple immediately called both sets of parents to share the happy news. The engagement ring, reportedly purchased from luxury brand Artifex Fine Jewelry, starts at roughly $29,000 for similar designs from the brand.

    In October 2025, Swift released her 12th studio album *The Life of a Showgirl*, which featured multiple love songs inspired by her engagement to Kelce, including nostalgic lyrics about ferris wheel date nights and a dream of raising children in a home with a “driveway with a basketball hoop.” During the album’s promotional tour, Swift repeatedly dodged questions about wedding details, only telling the BBC’s Graham Norton that the event would not be a small, intimate gathering.

    After that, the couple’s team went silent on wedding plans. A widely rumored June 13, 2026 wedding date came and went without any event, though fan speculation spiked again when increased activity was spotted at Swift’s Rhode Island estate, leading many to guess a bachelorette party was held there. Most recently, the New York Times broke the news that Swift had fully booked Madison Square Garden for a large-scale event the weekend before Independence Day. According to venue sources familiar with the booking, the plans include a small gathering of roughly 100 close loved ones on July 2, followed by a larger, more extravagant celebration for around 1,000 guests on July 3. Television crews have already captured delivery trucks unloading drapes, stage lighting, catering supplies, and a 40-inch mirror ball to the venue.

    Tabloids have already begun speculating about surprise performers, celebrity bridesmaids, and every other detail of the big day, but Swift’s tradition of controlling her own narrative means fans will only get official confirmation when Swift chooses to share it. Adding to the excitement, Swift was recently spotted working at New York’s iconic Electric Lady recording studios, leading fans to guess that any wedding announcement could even come paired with a brand new wedding-themed song. For now, the world is waiting to see what the mega-star has planned for the biggest celebrity wedding of the decade.

  • Banned by Beijing, this comedian is taking his act to Chinese speakers abroad

    Banned by Beijing, this comedian is taking his act to Chinese speakers abroad

    Three years after being abruptly barred from performing in his home country, once one of China’s biggest stand-up comedy stars Chizi, born Wang Yuechi, has launched a sold-out 2026 world tour, with a stop in Taiwan at the top of his ambition list — a choice he describes as equal parts high-risk and deeply compelling.

    The 30-year-old comedian opened his recent Singapore show at the National University of Singapore, where a packed crowd of mostly Chinese Singaporeans and expatriate Chinese greeted a subtle joke about China’s top leader Xi Jinping with loud cheers and scattered approving expletives. “This is fire,” one audience member shouted in Mandarin. For context, public commentary or jokes about Xi, who has consolidated unprecedented personal power over nearly 15 years in office, remain strictly off-limits within mainland China, making even this subtle quip an act few comics would dare attempt.

    Chizi’s path to this 2026 tour began in 2023, when Chinese authorities banned him from all performances across the mainland following a series of international shows that touched on politically sensitive topics. Beijing never issued an official public statement explaining the ban, but the move effectively erased the once-household name from mainland Chinese public life. Today, Chizi resides outside of China, and his name is rarely spoken openly on mainland social media. In a recent post on Threads, he highlighted the pervasive censorship of his image: “In China my face is treated like a sexual organ. It’s not something that can be freely shown or circulated,” he wrote, after learning a fan had their social media account suspended for sharing a photo of him.

    After an extended hiatus from the stage, Chizi made his return in April 2026, kicking off a tour that includes stops in Tokyo, Taipei, Kuala Lumpur, and Singapore, with every show selling out within days of going on sale. In an exclusive interview with the BBC following his Singapore set, Chizi framed this tour as his first truly authentic body of work after more than a decade in comedy. While many observers cast his comeback as an act of open defiance against Chinese censorship, Chizi downplayed that framing, noting his core goal is simple: “I wanted to perform for people who speak Chinese, to introduce myself, showing them how I live, or think as someone who lived in China for 30 years.” He added that he has long been drawn to challenging work, a mindset that shaped his comeback: “If something feels risky or dangerous, I find it interesting.”

    That appetite for risk is what led him to prioritize a performance in Taiwan, a self-governing island that Beijing claims as its own territory, making any public performance there by a Chinese-born comedian an inherently provocative act. “No Chinese comedian had ever performed in Taiwan,” he explained. “People speak the same language and the cultures are so similar. But there are so many tensions. So why not? Even if it turns into an argument, that’s okay. We could argue face-to-face.”

    Chizi’s 60-minute tour set centers largely on his own life story: he describes himself as an excessively talkative child who frequently frustrated authority figures, and he discovered his love of comedy in his late teens. Now working outside the constraints of Chinese censorship, Chizi could lean heavily into political humor, but he says he has intentionally limited the share of political jokes in this tour’s material. When he did reference Xi, he avoided using his name, instead calling him “Peng Liyuan’s husband,” a nod to Xi’s wife, the well-known Chinese soprano.

    The 2023 ban that ended his mainland career came on the heels of a North American tour where he served as the opening act for Chinese-American comedian Joe Wong. In those shows, Chizi spoke openly about topics that are completely off-limits for mainland comics: widespread state censorship, the rise of aggressive online nationalism and populism, and eroding rights for ethnic minority groups in China. He also pushed well past unwritten red lines by sharing his hope that people in Hong Kong — where Beijing has crushed all large-scale political opposition since 2019 — and Taiwan would get to live happy, self-determined lives. He learned of the ban while still on tour in February 2023.

    Chizi told the BBC his first reaction to the ban was actually relief. “The show was based on reflections and realisations I’d had over the past few years, and I wanted to express how I truly felt,” he explained. Once he accepted that his mainstream comedy career inside mainland China was over, he leaned further into candor for his next show in Toronto, and he says he has no regrets today. He noted that the space for uncensored stand-up comedy inside mainland China has grown far more constrained in recent years, with most permitted material focusing on shallow, non-controversial topics.

    Chizi’s comedy career stretches back more than a decade. A high school dropout, he began performing at open mic nights in 2015, and quickly found his footing: “I was always the chatty one, happy to make people laugh… I was like a fish in water,” he recalled. His big break came when he was invited to appear on a popular national talk show, the first television program in China to feature stand-up comedy regularly. He became a fan favorite, and within a year he was the face of two hit streaming comedy shows that racked up billions of views, cementing his status as one of China’s biggest stand-up superstars.

    He developed a trademark style that won widespread acclaim: he often rapped his jokes, excelled at off-the-cuff improvisation, and dished out sharp but good-natured roasts of A-list celebrities that left guests and audiences alike in stitches. He also became known for weaving current events and social commentary into his sets, a rare choice among mainland comics at the time. In one viral segment with pianist Lang Lang, he joked that Lang practiced piano exclusively at home as a child because “teachers would prick him with needles” — a subtle jab at a high-profile child abuse scandal at a Chinese kindergarten that was largely censored from mainstream media. Even when he was forced to cut forbidden jokes from his aired sets to comply with censorship rules, he saved every cut line in a folder labeled “Things I can’t say,” holding out hope that he would one day get to share them publicly.

    Despite his massive mainstream success, Chizi grew increasingly disillusioned with the constraints of working in China’s entertainment industry. He often questioned whether he was truly able to create meaningful work, rather than just being a popular celebrity, eventually quitting his regular spot on the hit talk show and leaving his talent agency after a public falling out. In late 2021, during the height of China’s zero-COVID lockdowns, he published his final post on his Weibo account, which had 4.7 million followers, announcing he would step away from the toxic, heavily censored social media environment. “It’s not that I don’t want to bring everyone joy. Of course I want everyone to be happy. But this place doesn’t carry joy,” he wrote.

    In his interview with the BBC, Chizi explained he had grown frustrated with the limits on his ability to help his audience even during the country’s most difficult pandemic moments. As lockdowns dragged on, he received hundreds of messages from locked-down residents asking for help accessing medicine, food, and other essential supplies. He reposted most of the requests, but censors repeatedly deleted the posts and warned him his account would be permanently shut down if he continued. “It was a helpless feeling,” he recalled. “The so-called privilege wasn’t that meaningful.” He said his approach to stepping back came from a lesson his father, an oil painter, taught him: “He taught me that when you paint, you can’t keep staring at one spot. You need to step back to see whether it’s any good.”

    Now that he has returned to the stage, Chizi plans to extend his 2026 tour to Australia, New Zealand, and North America. He says he doesn’t know how long he will keep touring, but for now he is relishing the freedom and connection of performing for enthusiastic, uncensored audiences. “Usually you make friends one by one, but on stage, I feel like I’m making 500 friends at once. That feeling – where there is a mutual understanding between me and the audience – I really like that,” he said.

  • Is Taylor Swift really getting married at Madison Square Garden?

    Is Taylor Swift really getting married at Madison Square Garden?

    Speculation has erupted across social media and entertainment circles this week surrounding a potential high-profile wedding between pop superstar Taylor Swift and NFL star Travis Kelce, with the iconic Madison Square Garden in Manhattan named as the rumored venue. Unconfirmed reports have pointed to a possible ceremony taking place over the upcoming Fourth of July holiday weekend, a timing that has sent fans and celebrity gossip outlets scrambling for more details.

    As of press time, neither Swift’s representatives nor Kelce’s team have issued an official statement confirming or denying the engagement or wedding plans. The long-running arena, which has hosted countless of Swift’s record-breaking tour stops over her career, would mark a fittingly grand location for a wedding between two of the biggest names in American entertainment. The pair have been linked romantically since last year, with their relationship drawing consistent media attention from both entertainment and sports audiences.

    Fans have already taken to social platforms to share theories, reaction memes, and hopeful messages for the couple, while entertainment journalists continue to pursue confirmation from insider sources. Until an official announcement is made, the rumor remains unsubstantiated, but that has not slowed the wave of public interest in the potential celebrity event.

  • Eurovision, eh? Canada will compete at the glitzy song contest in 2027

    Eurovision, eh? Canada will compete at the glitzy song contest in 2027

    One of the world’s most iconic and wildly popular music competitions is crossing a new ocean to expand its global reach. The Eurovision Song Contest, a decades-long staple of European pop culture known for its over-the-top stagecraft, infectious catchy tunes, and cross-continental fanbase, has announced that Canada will become the first new country to join the competition in 12 years, set to compete in the 2027 edition hosted in Bulgaria.

    The joint announcement came from the European Broadcasting Union (EBU), the governing body that oversees the annual contest, and Canada’s national public broadcaster CBC, made purposely to coincide with Canada Day, the country’s national holiday. The invitation to join follows Canada’s recent acceptance as a full member of the EBU, a prerequisite for competing in the flagship song competition.

    First launched in 1956 as a small cross-European broadcasting experiment, Eurovision has grown into a global cultural phenomenon that draws hundreds of millions of viewers annually. Often described as ‘the World Cup of pop music’ for its combination of friendly national competition and mass audience appeal, the contest has launched some of the music industry’s biggest global careers. Most famously, Swedish 1970s supergroup ABBA catapulted to international fame after winning the 1974 contest with their breakout hit ‘Waterloo’, setting the stage for decades of Euro-pop chart dominance.

    For Canada, the participation marks a groundbreaking opportunity to showcase homegrown musical talent to a massive global audience. ‘This partnership will allow Canadian talent to be showcased on one of the most storied music stages in the world,’ said Marie-Philippe Bouchard, President of CBC. EBU Eurovision Director Martin Green framed the move as a natural evolution for the increasingly global competition: ‘Canada’s accession is a further sign that, while born in Europe, the Contest continues to welcome the world.’

    This is not the first time a Canadian musician has claimed Eurovision glory, however. In 1988, legendary Quebec-born singer Celine Dion won the contest representing Switzerland, decades before her rise to global stardom. Canada is the first non-European nation added to the competition lineup since Australia joined in 2015.

    CBC has confirmed that it will release full details on its national selection process for Canada’s debut entry later this year. Selection processes vary across participating countries, with some opting for public, televised national selection shows where fans vote for their favorite act, while others assign the broadcaster to directly select the competing representative.

    The 2027 contest will be hosted in Bulgaria, following Bulgarian singer Dara’s 2026 victory in this year’s 70th anniversary edition of the event. That milestone 2026 contest was marked by significant upheaval, however: five long-standing participating members — Spain, the Netherlands, Ireland, Iceland and Slovenia — launched a boycott of the competition over organizers’ decision to allow Israel to retain its participation spot, despite widespread global criticism of Israel’s military campaign in Gaza and ongoing violence in the West Bank. Israel has been a Eurovision participant since 1973.

    Organizers report that the 2026 grand final drew a global audience of 130 million viewers, a drop from the 160 million viewers that tuned in for the 2025 contest. Even amid the hit to viewership and organizational finances from this year’s boycott, Eurovision is pushing forward with plans for global expansion. A new spinoff event, Eurovision Song Contest Asia, is scheduled to launch in Bangkok this coming November, marking the competition’s latest push to grow its footprint outside of its European roots.

  • Canada will take part in Eurovision Song Contest 2027

    Canada will take part in Eurovision Song Contest 2027

    In a landmark announcement that reshapes the landscape of one of the world’s most-watched live music competitions, organizers of the Eurovision Song Contest have confirmed that Canada will make its official debut as a competing nation at the 2027 event, set to be hosted in Sofia, Bulgaria. This makes Canada the first new country to join the competition’s roster since Australia was invited to participate back in 2015, a development that comes on the heels of a turbulent 2026 contest marked by widespread withdrawals from long-standing participating nations over the EBU’s decision to include Israel.

    The path for Canada’s entry was formally cleared just last week, when the country’s national public broadcaster CBC/Radio-Canada finalized its transition from associate status to full membership of the European Broadcasting Union (EBU), the governing body that produces and organizes the annual Eurovision competition. Under Eurovision’s long-standing rules, only active full member broadcasters from eligible territories are permitted to field competing entries, a requirement Canada had not met until this latest membership change.

    While this will mark Canada’s first time competing as an official national entrant, the country already holds a unique place in Eurovision history as the home nation of multiple past competitors. Quebec native Céline Dion, one of the best-selling recording artists of all time, famously claimed the contest’s top trophy for Switzerland in the 1988 Eurovision Song Contest with her iconic performance *Ne Partez Pas Sans Moi*. Since Dion’s historic win, other Canadian artists have competed for other European nations: Acadian singer Natasha St-Pier from New Brunswick represented France in 2001, and Montreal-based performer La Zarra competed for France at the 2023 contest.

    Discussions around Canada’s Eurovision participation have been in motion for months. Back in November 2024, the Canadian government under Prime Minister Mark Carney confirmed it was working alongside CBC/Radio-Canada to explore the possibility of joining the competition, and included C$150 million (£80 million) in dedicated funding for the public broadcaster in its annual budget to support the initiative. CBC/Radio-Canada has announced that further details surrounding the selection process for Canada’s debut 2027 entry will be released to the public later this year.

    Canada is not the first non-European nation to take part in Eurovision, which has long opened its doors to eligible non-European EBU members. Israel and Australia have been regular competitors for decades, and Morocco even fielded a single entry back in 1980.

    As the 2027 contest preparations get underway, uncertainty still hangs over the return of several high-profile European nations that boycotted the 2026 contest held in Vienna. Ireland, Iceland, the Netherlands, Slovenia, and Spain all withdrew from this year’s competition in protest of the EBU’s decision to allow Israel to participate amid ongoing conflict in Gaza.
    Speaking ahead of the 2026 final, Eurovision director Martin Oestergaard-Green noted that the competition’s organizing body remained open to dialogue with the boycotting broadcasters for 2027. “We’ve got 35 members of our family here, and that’s enough to have a big party,” he told BBC News. “But, you know, five [are absent] and we miss them. When this show is over, I know we’ll pick up the dialogue and we’ll see what comes.”

    The 2026 Eurovision crown was ultimately claimed by Bulgarian pop artist Dara, who won top honors with her upbeat entry *Bangaranga*. By Eurovision tradition, the winning country hosts the following year’s contest, paving the way for the 2027 event to take place in Sofia, where Canada will make its first semi-final appearance.

  • Art and heritage converge to renew cultural dialogue

    Art and heritage converge to renew cultural dialogue

    Two iconic coastal metropolises separated by the vast Pacific Ocean — Shanghai on the banks of the Huangpu River and New York along the Hudson Estuary — are rekindling people-to-people connections through a new initiative that weaves together art, heritage and academic exchange to renew cross-cultural dialogue between China and the United States. On Monday, the landmark gathering titled “From Shanghai to New York: A Century-Long Cultural Journey Inspiring New China-US Dialogue” opened at the China Institute of America in New York, drawing dignitaries, emerging young scholars, and artists from both nations to explore intersections of technology, traditional art and contemporary philosophy.

    The event marks a core component of the third season of the “Bund: A Global Urban Humanities Dialogue” series, designed to expand mutual understanding between younger generations of Chinese and Americans through open intellectual exchange and collaborative cultural practice. In his remarks at the opening, Yu Yougen, education counselor for the Chinese Consulate General in New York, framed the gathering as far more than a routine cross-border academic meeting. He emphasized that it represents a meaningful cultural exchange that bridges decades of shared history and paves the way for future people-to-people connections. “Shanghai and New York, two internationally renowned cities shaped by water, have maintained close and fruitful exchanges for decades,” Yu noted. “From the Huangpu River to the Hudson River, what crosses the Pacific is not only exhibitions and conversations, but also the shared aspiration of people from both countries to learn from each other.”

    Zhang Huihong, deputy chair of the University Council of East China Normal University (ECNU) based in Shanghai, echoed this sentiment, pointing out that the two cities share far more than their status as leading global economic and cultural hubs. Despite being thousands of miles apart, both have cultivated a defining city spirit rooted in radical openness and radical inclusiveness. She explained that the collaborative event grew from this shared identity, with organizers aiming to unlock new avenues for sustainable civil society exchange between the two nations through joint creative projects and transoceanic dialogue.

    Running from July 9 to 30 at the China Institute’s on-site gallery, a central companion exhibition will feature more than 100 original works created by ECNU students and faculty. The show draws direct inspiration from a landmark moment in China-US cultural history: Peking Opera master Mei Lanfang’s groundbreaking 1930 tour of the United States, which introduced traditional Chinese theatrical art to mainstream American audiences for the first time. Spanning multiple mediums including traditional prints, oil paintings, hand-drawn illustrations, digital animations, and even AI-generated contemporary pieces, the exhibition reimagines traditional Chinese art and intangible cultural heritage through the lens of 21st-century design thinking and emerging technology.

    Wei Shaonong, a professor in ECNU’s School of Design who leads the exhibition’s curatorial team, explained that the program encourages emerging Chinese creators to draw from the deep well of traditional Chinese cultural heritage while leaning into contemporary artistic practices. “Traditional Chinese culture contains rich artistic elements, and we hope students can reinterpret them through today’s artistic language and creative approaches,” Wei said. Reflecting on Mei Lanfang’s enduring influence on cross-cultural communication, Wei noted that the 1930 tour holds vital lessons for modern cultural exchange. At a time when Peking Opera was entirely unfamiliar to most American audiences, Mei achieved enormous success because he recognized the importance of framing art through a contextual and narrative language that new audiences could connect with. This lesson remains relevant today, Wei emphasized: effective cultural exchange requires translation not just of spoken language, but of cultural context and storytelling to build genuine connection.

    Monday’s opening event also marked the official launch of Collaborative Learning, an in-person intercultural roundtable initiative based in New York, founded by Paul J. D’Ambrosio, a professor of Chinese philosophy at ECNU. D’Ambrosio emphasized that cultural exchange thrives through diverse forms of engagement. While rigorous academic research and focused expert discussions remain core to cross-border intellectual exchange, he argued that there is a growing need for open, accessible forms of communication that bring broader groups of people from both nations into the conversation.

  • What we know about Taylor Swift’s rumoured NYC wedding celebrations

    What we know about Taylor Swift’s rumoured NYC wedding celebrations

    Ever since global pop icon Taylor Swift and NFL superstar Travis Kelce announced their engagement last summer in the backyard of Kelce’s Kansas City residence, fans across the world have fixated on one burning question: when and where will the couple exchange wedding vows? This Fourth of July weekend, that years-long wait for an answer may finally come to an end.\n\nFamous for dropping subtle easter eggs about major life updates across her wardrobe, discography, and world tours, Swift has stayed completely silent on plans for her upcoming nuptials. But her discretion has done little to curb rampant public and media speculation, which has reached a fever pitch in recent weeks. The conversation shifted from tabloid gossip to credible reporting last week, when *The New York Times* broke the story that event organizers had submitted permits for a large-scale gathering at Manhattan’s iconic Madison Square Garden (MSG) in early July, a permit that would require closing multiple blocks of the busy Midtown neighborhood surrounding the arena. The hype has spilled over into online prediction markets, where total wagers on the location and date of the couple’s wedding have now surpassed $4.5 million (£3.4 million).\n\nCity officials have confirmed to the BBC that an application for a street closure permit near MSG was submitted in early June, covering the period from July 2 through July 4 over the Independence Day holiday weekend. *The New York Times* was the first major outlet to confirm the permit filing, adding that multiple players from Kelce’s Kansas City Chiefs have already booked hotel rooms within walking distance of the arena. Long before the paper of record confirmed the permit, tabloid outlets including TMZ had been floating MSG as the top candidate for the celebration. The 20,000-seat arena, normally home to the New York Knicks NBA team and host to the world’s biggest concert tours, has not officially been tied to the wedding by any representative of the couple, but CBS News — the BBC’s U.S. media partner — has reported that the couple is scheduled to host a 100-person rehearsal dinner at the arena’s on-site Infosys Theater, followed by a larger celebration running from Friday night into Saturday morning expected to welcome around 1,000 guests.\n\nAs preparation work has ramped up at the venue, more tangible clues have emerged to fuel the rumors. Large delivery trucks were spotted entering the MSG grounds earlier this week, marked with loading labels reading “Garden Party” and its abbreviation “GP”. Work crews have been photographed unloading stage rigging, professional lighting systems, and other event equipment, most of which has been kept covered to conceal its purpose. One visible crate was clearly marked as holding a 40-inch mirror ball, and a large white staircase railing was also spotted being carried into the building. On Tuesday, workers were seen rolling out a wide red carpet up the main entrance steps of the arena before quickly removing it, a moment captured by tabloid photographers.\n\nEven New York City Mayor Zohran Mamdani has joined in on the fun, dropping playful hints about the event in recent public appearances. During a press conference earlier this week focused on an impending heat wave set to hit the city this weekend, Mamdani quipped: “If you happen to be getting married at MSG, you will be staying inside and staying cool, and I think it’s a good example to set for the city at large.”\n\nDespite the mounting evidence, many fans and media commentators have noted that all the preparation could be an elaborate decoy, designed to draw paparazzi and public attention away from a smaller, private wedding elsewhere. The hype surrounding the high-profile event has already been compared to America’s equivalent of a royal wedding, with 24/7 media coverage and constant speculation across social media.\n\nWhile MSG may seem like an unusual choice for a wedding, the venue actually offers unique benefits that appeal to A-list celebrities. It features private underground VIP entrances that let guests avoid paparazzi, and full event organizers can exercise complete control over who is allowed to photograph or attend the event — a level of privacy that is nearly impossible to secure at popular outdoor wedding venues. It is also not the first time a wedding has been hosted at MSG: singer Sly Stone wed Kathy Silva at the arena in 1974, and the Unification Church hosted a mass wedding for more than 2,000 couples at the venue in 1982. For Swift personally, the venue holds extra meaning: she has performed there eight times over her two-decade career, owns a private residence in New York City, and was spotted at MSG earlier this spring attending a New York Knicks playoff game, which fans have since retroactively framed as a clue.\n\nOther theories about the wedding location have circulated in recent months. Many fans guessed Swift would opt for her sprawling coastal estate in Rhode Island, a popular summer spot that would fit the timeline of a July wedding. A rumor that Swift had offered another couple money to reschedule their wedding at a nearby Rhode Island venue was quickly debunked by the venue itself, and a swarm of fans that descended on the area last month left empty-handed after spotting a random wedding setup. Other speculated locations have included Kelce’s home base of Kansas City, Swift’s home state of Pennsylvania, and Kelce’s home state of Ohio. Still, the timing holds symbolic weight: Swift posted a famous Instagram teaser referencing Kansas City just after the 2023 Independence Day weekend, meaning a July 2026 wedding would fall almost exactly three years after the couple first met, a detail that fits Swift’s well-known love of symbolic Easter eggs. She has also long celebrated the Fourth of July holiday with big gatherings, adding more credibility to the weekend date theory.\n\nDetails about the guest list also remain tightly under wraps, but a handful of attendees have confirmed they will be present, including NFL star George Kittle, singer Benson Boone, and actress Suki Waterhouse. Longtime Swift confidantes including Selena Gomez, producer Jack Antonoff, and childhood friend Abigail Anderson Berard are widely expected to attend, while fans are still speculating whether former best friends Blake Lively and Karlie Kloss will receive invitations. Rumors have also swirled that music legends Stevie Nicks and Tim McGraw, both major influences on Swift’s career, could perform at the celebration, a theory fueled by Swift wearing a Stevie Nicks t-shirt to her recent Knicks game at MSG.\n\nTo date, neither Swift nor Kelce has released any official statement confirming or denying that their wedding will take place this weekend at Madison Square Garden. The BBC reached out to representatives for both celebrities for comment, and received no response. For now, fans around the world will just have to wait and see if the long-speculated celebration is real.

  • Japan’s Eiko Kadono, author of ‘Kiki’s Delivery Service,’ still believes in the magic of books at 91

    Japan’s Eiko Kadono, author of ‘Kiki’s Delivery Service,’ still believes in the magic of books at 91

    Nestled in the scenic coastal Japanese city of Kamakura, just south of Tokyo, 91-year-old beloved Japanese author Eiko Kadono welcomes visitors to a cozy home marked by a soft pink gate. The space brims with towering stacks of books, pink upholstered chairs, and a whimsical collection of animal figurines — a perfect reflection of the childlike wonder that has defined Kadono’s decades-long career crafting stories.

    Widely known as the creator of Kiki, Japan’s most cherished literary witch, Kadono shows no signs of stepping away from her craft. Even as mobility challenges like climbing stairs have slowed her daily routine, she shows up to her writing desk every single day. “I never tire of writing,” she shared in an exclusive interview with the Associated Press from her home, a soft laugh escaping as she describes herself as still young at heart.

    Dressed in a brightly colored smock custom-designed by her daughter — with elastic cuffs that pull up easily for writing, a feature she points out with quiet pride — and sporting her signature thick-framed glasses, Kadono embraces authenticity openly. Quick with a witty retort and a ready laugh, she shrugs off any need to hide that she wears a wig, still wears bold red lipstick, and only feels a little shy about her wrinkles. While her writing style has tightened over the decades (she notes her early work was far wordier than her current crisp prose), her passion for storytelling has stayed constant.

    Kadono’s career as a writer began by happy accident, not deliberate design. For years, she was a full-time housewife raising her daughter and married to a designer, and never set out to become a published author. It was only after living in Brazil for two years in her 30s that she was asked to write about her experience there, and she quickly discovered writing was a joyful hobby, not a chore to force herself through.

    The character that would make her a global household name came from an unlikely source: a childhood drawing by her 12-year-old daughter. The sketch depicted a cute young witch flying on a broomstick toward the moon, and it inspired Kadono to craft a coming-of-age fantasy following the sprightly, no-nonsense young witch Kiki and her black cat sidekick Jiji on their adventures. First published in 1985, *Kiki’s Delivery Service* was adapted into the iconic 1989 Studio Ghibli animated film by Hayao Miyazaki, cementing the story’s place in global pop culture.

    Today, the original Kiki series spans six core novels and three spin-offs, and the first book was translated into English in 2020 by Delacorte Press. Its reach now extends to 25 languages worldwide, with the second installment of the series, *Kiki and the New Magic*, set to hit English bookshelves this August, translated by Emily Balistrieri and illustrated by Yuta Onoda. The work is just one of more than 200 books Kadono has published over her career, which earned her the prestigious Hans Christian Andersen Award — the top global honor for children’s literature — in 2018.

    Kadono’s creative process remains rooted in analog tradition, even as she’s adapted to modern tools. While she now types finished drafts on a keyboard, tapping out one slow key at a time, every new story still starts with handwritten notes, and she sketches small illustrations to help her visualize the worlds she builds. “I want to write so that the reader can visualize what I am writing,” she explained. “I love to write.”

    Last year, Tokyo opened Kiki’s Museum of Literature, a dedicated space celebrating Kadono’s work that displays hundreds of books by her and other authors, and sells branded merchandise from Kadono’s signature smocks to pink mugs and character-printed T-shirts. A statement on the museum’s wall sums up her cross-cultural impact: “The other-worldly fantasy that Kadono creates has overcome the boundaries of language, to become appreciated by a wide global audience, including children and adults, and won international accolades.” For 5-year-old visitor Tsukiko Fukuda, who toured the museum with her family, the appeal is simple: the books are fun, and pink is her favorite color too.

    Looking ahead, Kadono has expressed a passionate hope that more young talent will emerge in children’s literature, to help future generations develop a lifelong love of reading. She warns that modern childhood has shifted dramatically from the era she grew up in: unstructured outdoor activities that once stoked young people’s imaginations have been replaced by digital distractions, making books more important than ever. “People must think on their own to be able to create. That’s what being human means,” she said with fervor. “Books are the only thing now that can bring about creation and imagination.”

  • Italy displays paintings from an ancient Etruscan tomb, its latest cultural acquisition

    Italy displays paintings from an ancient Etruscan tomb, its latest cultural acquisition

    ROME – After more than a century of diplomatic and administrative efforts to reclaim a cornerstone of Italy’s ancient cultural legacy, the Italian Ministry of Culture on Tuesday publicly unveiled the iconic fresco panels from the Etruscan Francois Tomb, the latest high-value cultural acquisition in the government’s targeted push to repatriate key pieces of the nation’s heritage to public access.

    Dating back to the 4th century BCE, the celebrated painted panels were purchased earlier this year from heirs of the Torlonia family, one of Italy’s oldest noble dynasties that held the vast, rarely displayed private collection of antiquities for nearly 160 years after the tomb’s discovery. The site itself was first uncovered in 1857 by French archaeologist Alessandro Francois on the Torlonia family’s estate in Vulci, an ancient Etruscan city located in central Italy. Just six years after excavation, the frescoes were carefully detached from the tomb’s walls in the necropolis and added to the Torlonia private collection, while other artifacts recovered from the burial site were split between Francois, his archaeological colleagues, and the noble family.

    Italy’s national government first launched formal efforts to take ownership of the frescoes back in 1921. The acquisition aligns with the country’s long-running national mission to recover historically significant artifacts and antiquities that were split among private owners or taken out of public ownership during the 19th-century boom in large-scale archaeological excavations across the Italian peninsula. Starting Wednesday, the fresco panels will open to the general public at Rome’s Villa Giulia National Etruscan Museum, Italy’s premier institution dedicated to Etruscan art and history. To complement the display, the exhibition has gathered jewelry, Etruscan ceramic vessels, and other small artifacts originally discovered inside the Francois Tomb, all on loan from museum collections across the globe that have held these items for decades.

    According to official reports, the Italian government paid approximately 15 million euros (equal to $17 million USD) to acquire the frescoes. This purchase marks the third major high-cost cultural acquisition completed by the Ministry of Culture in 2024, following the purchase of Antonello da Messina’s *Ecce Homo* for 14.9 million euros ($16 million USD) and a rare Caravaggio portrait of Maffeo Barberini, who would later become Pope Urban VIII, for $35 million USD. All acquisition funds have been drawn from the ministry’s annual dedicated budget for cultural property purchases. Ministry officials confirmed that current Culture Minister Alessandro Giuli has shifted the department’s acquisition strategy: rather than purchasing a larger number of smaller, less significant artworks and antiquities, Giuli has prioritized acquiring fewer, high-impact pieces of exceptional cultural and historical importance to the nation.
    In public comments on the acquisition, Giuli emphasized that the Francois Tomb frescoes are a “fundamental” component of Italian history, and that after more than a century outside public access, the masterpiece is finally returned to the Italian people to study and enjoy.