分类: entertainment

  • A history of Bob Mackie’s designs: in pictures

    A history of Bob Mackie’s designs: in pictures

    The world of high fashion is mourning the loss of one of its most iconic and influential creators, Bob Mackie, who passed away at the age of 87. Over a decades-long career that spanned the evolution of Hollywood from the golden age to the modern era, Mackie built his legacy crafting bold, glamorous couture defined by his signature combination of sparkling embellishments, plush feathers, and intricate hand beading, dressing every generation of A-list stars along the way.

    Mackie’s talent caught the eye of the entertainment industry almost immediately. At just 21 years old, he earned an early career credit for sketching the form-fitting nude illusion dress that Marilyn Monroe wore when she delivered her legendary, sultry performance of “Happy Birthday Mr. President” to President John F. Kennedy in 1962 — a design that remains one of the most famous garments in pop culture history more than 60 years later.

    Throughout the second half of the 20th century, Mackie collaborated with some of the biggest names in music and film, creating custom pieces that amplified their public personas and made history at red carpets and on stage. In 1975, he worked with Elton John to design a showstopping sequinned baseball uniform that the superstar wore for his landmark performance at Los Angeles’ Dodger Stadium, a look that remains synonymous with John’s over-the-top 1970s era. His decades-long creative partnership with Cher, one of his most famous muses, began in the 1970s: in 1978, she posed for portraits in a sleek bugle-beaded Mackie gown, kicking off a collaboration that would produce countless iconic looks. By 1985, the pair walked the Met Gala red carpet together, with Cher turning heads in a long-sleeved gilded bodysuit designed to look like sparkling leaves wrapping around her frame. Three years later, she commanded attention at the 1986 Oscars in one of Mackie’s most daring designs: a black diamond-cut lattice ensemble paired with a dramatic feather headdress.

    Other 20th century stars flocked to Mackie for his ability to blend drama, glamour, and personality into every garment. Spanish entertainer Charo stepped out in a full glittering sequin Mackie gown in 1980 Los Angeles, while Tina Turner brought a disco-inspired sequined Mackie design to her 1982 London performance. At the 1991 Academy Awards, Madonna made a splash in a jewel-encrusted strapless Mackie gown offset by a luxurious fur stole that wrapped across her arms. By the turn of the century, Mackie remained a go-to for industry royalty: Diana Ross walked the 2001 American Fashion Awards red carpet arm-in-arm with the designer, wearing a sapphire-toned sparkly Mackie gown under a statement fur coat, and Beyoncé wowed audiences at the 2005 Kennedy Center Honors in Mackie’s fiery iconic flame-themed performance gown.

    Far from being a relic of 20th century Hollywood, Mackie’s vision continued to resonate with 21st century stars, proving the timelessness of his bold, glittering aesthetic. Miley Cyrus brought vintage Mackie back into the spotlight when she wore a retro minidress by the designer for her 2023 New Year’s Eve television special, and later paid explicit tribute to him at the 2024 Grammy Awards in a shimmering silver Mackie creation. Zendaya graced the 2024 Rock & Roll Hall of Fame red carpet in a showstopping Mackie gown criss-crossed with rhinestones, gold, and white bugle beads, while Sabrina Carpenter leaned into nostalgic Mackie glamour at the 2024 MTV Awards in a pearl and crystal-embellished gown that nodded to Madonna’s famous 1990 Oscar look.

    Nicknamed the Sultan of Sequins, the Rajah of Rhinestones, and the Guru of Glitter by fans and peers alike, Bob Mackie leaves behind a legacy of designs that balance timeless appeal with bold, unapologetic daring. His ability to create pieces that felt fresh and exciting, even when they drew inspiration from bygone eras of glamour, cemented his status as one of the most influential fashion designers in entertainment history.

  • Watch: Selena Gomez, Zendaya and other stars light up Emmys red carpet

    Watch: Selena Gomez, Zendaya and other stars light up Emmys red carpet

    Hollywood’s biggest names stepped out for one of television’s most prestigious nights on Sunday, trading the iconic crimson red carpet for a stunning ocean-blue alternative ahead of the Primetime Emmy Awards, the annual ceremony that celebrates outstanding achievement in U.S. television programming. Among the most anticipated arrivals were global superstars Selena Gomez and Zendaya, both of whom turned heads with bold, fashion-forward ensembles that quickly dominated social media conversation. The pair were joined by dozens of A-list actors, directors, producers, and other industry luminaries, who used the high-profile red carpet (reimagined for this year’s event) as a platform to showcase cutting-edge designer couture and catch up with peers ahead of the televised ceremony. Organizers opted for the blue carpet redesign as a subtle thematic nod to this year’s event, which has drawn record viewership interest following a year of standout original programming across broadcast, cable, and streaming platforms. Fans around the world tuned in to live coverage of the red carpet arrivals hours before the first award was handed out, with many taking to social platforms to share their favorite looks and cheer on their favorite television stars and programs. The Primetime Emmys, widely considered the highest honor in American television, has long kicked off its broadcast with the star-studded red carpet procession, a cultural tradition that gives audiences a rare glimpse at the industry’s most beloved figures outside of their on-screen roles.

  • Legendary costume designer Bob Mackie dies aged 87

    Legendary costume designer Bob Mackie dies aged 87

    Legendary American fashion and costume designer Bob Mackie, whose glittering, boundary-pushing creations dressed some of the biggest names in entertainment from Cher to Elton John, has passed away at the age of 87.

    The official confirmation of his death came via a statement posted to his Instagram account on Monday, which read: “It is with a heavy heart that we share the news that Mr Bob Mackie passed away today. He lived his 87 years to the fullest, fulfilling his dream of being a Fashion and Costume Designer, which is all he ever wanted to do. His genius and extraordinary designs will live on forever, continuing to bring beauty into this world.”

    Widely nicknamed the “Sultan of Sequins” for his signature love of sparkling, embellished designs, Mackie carved out an unparalleled career spanning more than six decades, earning a Tony Award, nine Emmy Awards, and three Academy Award nominations for his work across stage and screen. Even in his final years, he remained active in the industry: last year, Sabrina Carpenter wore one of his custom designs to the MTV Video Music Awards, and in 2024, Miley Cyrus stepped out in a Mackie creation for her Grammy Awards performance, where she took home the award for Record of the Year for her hit single *Flowers*.

    One of Mackie’s most iconic contributions to fashion history came from his decades-long collaboration with superstar Cher, which reshaped public perceptions of bold fashion on red carpets and television. His most famous work for the singer remains the groundbreaking Mohawk-inspired ensemble Cher wore to the 1986 Academy Awards, a piece widely known as her “revenge outfit”. Cher had been widely expected to earn an Oscar nomination for her leading role in *Mask* that year, but was snubbed by voters. In the 2024 documentary *Bob Mackie: Naked Illusion*, Cher explained that the striking look was intentional: “I didn’t get nominated for a movie that everyone thought I would actually win for [Mask] – so was dressing that night for a kind of revenge.”

    The showgirl-inspired costume featured a towering plumed Mohawk headdress and left the star’s midriff completely exposed, a choice that shocked audiences and critics alike in the 1980s. The look has since been cemented in pop culture and fashion history as one of the most daring, extravagant red carpet designs of all time. In a 2010 interview with the BBC, Mackie reflected on his early work with Cher, noting that she stood out from every other performer in the industry at the time: “Everybody just went crazy over this woman as she could wear anything.” Mackie’s designs also helped Cher make television history, when she became the first woman to show her belly button on U.S. broadcast television.

    Beyond his work with Cher, Mackie created some of the most recognizable stage costumes for music’s biggest stars. One of his most famous creations is the bedazzled Los Angeles Dodgers uniform Elton John wore for his historic 1975 performances at Dodger Stadium, a look that remains one of the singer’s most iconic. Following news of Mackie’s death, Elton John paid tribute to the designer in an Instagram post, writing: “Every time I put something on that Bob made, I felt very, very special. His costumes were works of art, and he will go down as one of the most legendary designers ever in Hollywood.”

    Pop singer Pink, who wore multiple Mackie designs throughout her career including the entire wardrobe for her 2009 Funhouse tour, also shared a heartfelt tribute. “I was so lucky to be dressed by him for so long. He was loving, wickedly funny and an absolute genius,” she wrote, adding a playful, fitting tribute: “There are going to be some fabulously dressed angels.”

    Born Robert Gordon Mackie in Monterey Park, California in 1939, Mackie got his start in the industry as a sketch artist for prominent French-American costume designer Jean Louis. One of his earliest career assignments saw him sketch the iconic sheer nude dress Marilyn Monroe wore when she sang her legendary rendition of *Happy Birthday, Mr. President* to John F. Kennedy in 1962.

    In his personal life, Mackie married Hollywood singer and actress Lulu Porter in 1960, and the pair welcomed a son, Robin, before divorcing three years later. Robin passed away from an AIDS-related illness in his early 30s. From 1963 until his partner Ray Aghayan’s death in 2011, Mackie shared his life and work with Iranian fashion designer Aghayan. In a 2018 interview with *The Guardian*, the designer, then 79, joked that he was the oldest active working designer in Hollywood. When asked if he ever planned to retire, he gave a simple, firm answer: “I hope not.”

  • Emmy Awards: How to watch, who is nominated and why Heated Rivalry is missing

    Emmy Awards: How to watch, who is nominated and why Heated Rivalry is missing

    The 78th Primetime Emmy Awards, the most prestigious honorary event in the U.S. television industry, is set to kick off on Monday at the Peacock Theater in downtown Los Angeles, bringing together the brightest talents from across the small screen. Months of speculation around the full nominations list have now come to a head, with clear fan favorites and unexpected snubs already shaping the narrative ahead of the live telecast.

    This year’s awards are split across three core program categories: drama, comedy, and limited/anthology series, with several structural changes designed to refresh the ceremony. Organizers have merged the best talk series and best scripted variety series into a single outstanding variety series category, and shifted eight previously main-ceremony awards to the earlier Creative Arts Emmys weekend. This cuts the total number of trophies awarded during the live Monday telecast from 26 to 19, freeing up more airtime for live musical performances, comedic segments and unscripted acceptance speeches.

    In the top-rated drama category, last year’s winner *The Pitt* returns to defend its title following the release of its second season. The acclaimed medical drama leads all scripted series this year with eight individual acting nominations, including a best drama actor nod for lead star Noah Wyle. Other standout nominees for best drama include *Pluribus*, *Slow Horses*, *The Diplomat*, and *A Knight Of The Seven Kingdoms*, the latest prequel to the global hit *Game of Thrones*.

    Over in the comedy categories, the fifth and final season of Hollywood satire *Hacks* is widely tipped to extend the show’s historic winning streak. Both leading stars Jean Smart and Hannah Einbinder are nominated for acting prizes, with Smart on the cusp of making awards history: a win this year would bring her total career Emmy count to eight, tying the all-time record currently held by Julia Louis-Dreyfus and Cloris Leachman. Top competitors for comedy honors include *Widow’s Bay*, *Shrinking*, *Abbott Elementary* and *Nobody Wants This*, with multiple cast members from *Abbott Elementary* already earning acting nods.

    In the limited and anthology series race, Netflix’s *Beef* season two emerges as a strong contender, with lead stars Carey Mulligan and Oscar Isaac both landing acting nominations. It faces stiff competition from buzzy contenders including *All Her Fault*, *The Beast in Me* and *DTF St Louis*, which already notched two early wins at the recent Creative Arts Emmys. DTF St Louis stars Linda Cardellini and David Harbour took home best supporting actress and actor in a limited series honors during the pre-telecast ceremonies.

    A total of seven British performers have earned acting nominations this year, alongside Mulligan: Riz Ahmed for *Bait*, Rufus Sewell for *The Diplomat*, Kate O’Flynn for *Widow’s Bay*, Gary Oldman and Jack Lowden for *Slow Horses*, and Matthew Rhys, who made history as a double nominee in two separate lead actor categories: comedy for *Widow’s Bay* and limited series for *The Beast in Me*.

    One of the biggest talking points ahead of the ceremony is the absence of the year’s biggest viral sensation, the ice hockey romance *Heated Rivalry* starring Connor Storrie and Hudson Williams. The Canadian-produced series was deemed ineligible for this year’s awards because it lacks required U.S. production involvement, a rule that confused many observers who point to 2021’s big *Schitt’s Creek* sweep. However, *Schitt’s Creek* qualified for inclusion thanks to U.S. broadcast and financing partnerships, including an American-based production company led by creator Dan Levy. *Heated Rivalry* will instead compete in the 2026 International Emmys, set to take place in New York this November.

    Two other fan-favorite shows with strong youth followings also underperformed in nominations despite meeting eligibility requirements. The final season of Netflix’s *Stranger Things* only earned seven nominations, all in technical categories, with no nods for the show in the top drama categories. Similarly, the final season of HBO’s *Euphoria* only landed one acting nomination, with former winner Zendaya being the only cast member from the series to earn a spot on the nominations list.

    The Creative Arts Emmys, held last weekend ahead of the main ceremony, handed out honors across a range of craft and supporting categories. Other early winners include Julie Andrews, who took home best voiceover performance for *Bridgerton*, Alan Cumming who won best reality host for the U.S. adaptation of *The Traitors*, and *Remarkably Bright Creatures*, the drama starring Sally Field and Lewis Pullman, which won best made-for-TV movie. Additional early winners include *South Park* for best animated series, *Mr. Scorsese* for best docuseries, *Love on the Spectrum* for best unstructured reality programme, and Bad Bunny’s 2025 Super Bowl Halftime Show for best variety special.

    This year’s main ceremony will be hosted by veteran television star Mariska Hargitay, the lead of NBC’s long-running crime drama *Law & Order: Special Victims Unit*. Hargitay, who has earned eight Emmy nominations and one win for her role as detective Olivia Benson, is set to preside over the event as her show prepares to air its 28th season and 600th episode this autumn. She also picked up two honors at last weekend’s Creative Arts Emmys for her documentary *My Mom Jayne*, which explores the life of her mother, iconic 1950s actress Jayne Mansfield, who died in a car crash when Hargitay was just three years old.

    “It’s my great honour to host the 78th Emmy Awards and celebrate this extraordinary community of storytellers,” Hargitay said in a pre-ceremony statement. “Whether it’s an actor or a director, a costumer or a sound designer, we are all so privileged to take part in creating television that unites us.”

    For viewers tuning in, the ceremony will begin at 5:00 p.m. PT / 8:00 p.m. ET on Monday. U.S. audiences can stream the event live on Peacock or broadcast it on NBC. In the UK, the ceremony will start at 1:00 a.m. BST on Tuesday, with no scheduled live broadcast on domestic television, but the BBC News website will provide live overnight coverage of the red carpet and awards announcements.

  • Critics celebrate Céline Dion’s ‘high-stakes’ comeback show in Paris

    Critics celebrate Céline Dion’s ‘high-stakes’ comeback show in Paris

    After six years away from the full concert stage and a years-long battle with a rare disabling health condition, global pop icon Céline Dion has finally stepped back into the spotlight, launching her highly anticipated 26-show residency at Paris La Défense Arena – Europe’s largest indoor concert venue – on Saturday.

    The 58-year-old Canadian singing legend, one of the best-selling recording artists of all time, was diagnosed with stiff person syndrome, a rare neurological disorder, in 2022. The progressive condition forced her to step away from all touring activities, cutting short her 2020 world tour after a final stop in New Jersey just before the COVID-19 pandemic shut down live events globally. Dion only returned to the public stage once before this residency, performing a single song at the 2024 Paris Olympic Games closing ceremony.

    Addressing a packed crowd of nearly 30,000 adoring fans, Dion opened her set with an emotional, heartfelt address that reflected her years-long fight to return. “I made a promise to come back, to be back on stage. And here I am. Singing for you, and singing for me,” she told the audience. Quoting one of her most beloved hits, she added, “I am everything I am because you loved me.”

    Multiple times throughout the opening night performance, Dion was overcome with emotion, breaking into tears mid-set after finishing a song. “I had promised myself not to cry,” she admitted to the crowd. “But I’m so happy to see you all. I missed you.”

    According to early reviews from entertainment journalists on the ground, the singer started her set 50 minutes late, leading The Mirror’s Lucy Needham to speculate she needed extra time to compose herself ahead of the emotionally charged performance. Needham noted that after opening in a floor-length black gown, Dion changed into a tailored trouser suit later in the set, allowing her to show off the playful, signature dance moves her fans know and love. By the end of the night, she wrote, Dion looked to be “having the time of her life, gyrating and slapping her thighs with glee.”

    The Telegraph’s Neil McCormick described the opening night as “a tense, tearful, joyous affair” that carried more emotional weight for Dion herself than even for her most loyal fans. McCormick observed that Dion started the performance slowly, with a vocal tone that felt fragile and exposed at first, but retained her instantly recognizable tone rather than relying on manufactured auto-tune. “At first, she was clearly struggling to hold herself together. Her vocals wobbled dangerously, as if about to crack or collapse. But she was gaining confidence with every moment back on stage,” he wrote, labeling the comeback “the riskiest comeback in the history of showbusiness” given her ongoing health challenges. Ultimately, McCormick praised the new, more authentic edge to Dion’s performance: “I honestly think I prefer this less superhuman Céline. Her voice is still great, but a bit more raw and real, with a rougher tone, less smoothness in the runs and more edge to her whoops and shrieks.”

    Canadian Broadcasting Corporation reporter Sarah Leavitt, covering the event from Paris, said the 30,000-person crowd was left “without words” by Dion’s performance, admitting she was unable to hold back her own tears despite expecting it. Will Hodgkinson of The Times of London called the performance “miraculous” and “overwhelming,” noting that Dion entered the stage looking appropriately humbled and tearful, throwing unfiltered affection toward the crowd that reciprocated the love immediately. “Truly, she was throwing the love at the crowd, who threw it right back at her. There was no holding back. It was quite overwhelming, actually,” he wrote. He added that Dion, a Canadian artist with deeply rooted affection for France, fulfilled her role as “a diva with the common touch” with unmatched energy and charm.

    Variety’s Elsa Keslassy highlighted the thoughtful, cinematic production design of the residency, noting the concert carried a spiritual, pilgrimage-like tone, with visual interludes referencing themes of journey and resilience. The set features a sweeping monumental staircase, a large illuminated moon centerpiece, and a stark brutalist gray backdrop, with pre-recorded video clips showing Dion wandering through a desert landscape – a visual metaphor for her years-long journey back to the stage.

    Dion has long been open about her approach to living with stiff person syndrome, telling French Vogue in 2024 that she refused to let the diagnosis control her future. “The way I see it, I have two choices. Either I train like an athlete and work super hard, or I switch off and it’s over,” she said at the time. “I’ve chosen to work with all my body and soul, from head to toe, with a medical team.”

    The demand for Dion’s Paris residency has been unprecedented. When tickets for the original run went on sale earlier this year, nine million fans registered for early access, according to French outlet FIP. The original 26 shows sold out within minutes, prompting Dion’s team to add an extra 10 performances scheduled for May 2027, which also sold out completely shortly after they were announced.

    Even fans who were unable to secure tickets have not been left out of the celebration of Dion’s comeback, which has swept across Paris in recent weeks. The city has hosted a wide range of Dion-themed events for fans, from tribute boat cruises along the Seine featuring costume contests, group sing-alongs, and DJ sets running throughout September, to massive public karaoke events organized by Paris City Hall that drew thousands of attendees the night before the opening show.

    Fans who could not get into the arena gathered outside Dion’s Paris hotel as early as 6 a.m. local time on Saturday just to catch a glimpse of the star ahead of the show. “I couldn’t get tickets to the concert. I’m still keeping my fingers crossed and hoping, but I thought to myself: at least I can share a moment here with all the fans,” attendee Rania told Reuters of the public celebration.

    Dion’s Paris residency is scheduled to run through September, October, and into early 2026, giving hundreds of thousands of fans the chance to see the legendary singer’s historic return to the stage.

  • Diljit Dosanjh makes history under the famous Wembley arch

    Diljit Dosanjh makes history under the famous Wembley arch

    Beneath the iconic glowing arch of London’s Wembley Stadium on Saturday night, a modified version of Indian superstar Diljit Dosanjh’s signature opening call echoed through the 90,000-seat venue: “Punjabi Aa Gaye Wembley Oye!” – translated, “The Punjabis have arrived at Wembley!”

    This iteration of Dosanjh’s standard concert opening carried far more weight than usual: the Punjab native has officially become the first Punjabi singer ever to headline the world-famous arena, marking a groundbreaking milestone for Punjabi music and culture on the global stage. Addressing the packed crowd ahead of his set, Dosanjh framed the moment as one for the history books before launching into a career-spanning set of his biggest hits, from chart-toppers *G.O.A.T.* to *Lover*, accompanied by thumping traditional Bhangra beats that sent the audience into cheers.

    Dosanjh’s path to Wembley’s main stage has been two decades in the making, built on a steady rise that turned a small-village artist from Punjab into a global phenomenon with a massive cross-continental fanbase. Along the way, he has topped international music charts, collaborated with A-list stars including Ed Sheeran and Sia, and even showed off his iconic Bhangra dance moves alongside US talk show host Jimmy Fallon, who famously dubbed him “the biggest Punjabi artist on the planet.” This Wembley headline set only solidifies that status, a dream come true according to the artist himself, who spoke exclusively to BBC backstage ahead of the show.

    Hype for the historic performance built for hours across west London, with fans arriving long before gates opened to claim their spots. The crowd was majority South Asian, but drew attendees from across communities and backgrounds, with many comparing Dosanjh’s cultural status to that of global icons Michael Jackson and Madonna. “He’s so good looking, and so down to earth,” one fan told reporters ahead of the show.

    When Dosanjh stepped onto the stage shortly after 8pm, clad in traditional Punjabi attire, the stadium erupted into screams that barely let up across the two-and-a-half-hour set. Famous for his high-energy live performances, he wowed the crowd with dynamic dance routines to fan favorites including *Hass Hass* and *Born to Shine*, while his soulful, versatile voice filled the arena. He blended traditional Punjabi folk sounds with contemporary rap and hip-hop influences, creating a sound that feels both rooted in heritage and distinctly modern.

    Throughout the night, the audience waved phone lights, sang every word back to the stage, and joined in synchronized dancing. At points, the front standing section resembled a lively Indian wedding celebration, with crowds mimicking Dosanjh’s intricate dance moves. Despite playing to one of the largest venues in Europe, Dosanjh retained his signature ability to connect with fans on a personal level: he invited dozens of attendees on stage, from young children to an elderly fan, for selfies and personalized gifts, and specifically shouted out the fans in the back rows, calling them “full of heart” and prompting a round of applause just for them.

    Midway through the set, Dosanjh dropped exciting news for fans in his home country: he will bring his historic tour to Ahmedabad’s Narendra Modi Stadium this November, extending the milestone run of firsts for Punjabi music. The Wembley show closed on an emotional note with Dosanjh’s powerful track *Main Hoon Punjabi* – meaning “I am Punjab” – paired with a spectacular fireworks display that lit up the London night sky.

    “What an incredible show, the energy and vibe was unparalleled!” long-time fans Amit and Rani told the BBC after the set. “We love Diljit and have been to all his shows in the UK. This was something else, a moment in time we won’t forget being a part of.” They added that the show was not just a concert, but a landmark moment to celebrate Punjabi culture as a whole.

    This is far from the first time Dosanjh has made history for Punjabi music. From his humble beginnings in a rural Punjabi village, he became the first Punjabi-language artist to perform at California’s Coachella Music Festival in 2023, and later made his Met Gala debut wearing a stunning traditional Punjabi ensemble that earned global acclaim. He has toured across North America and Europe, and his cross-genre collaborations have introduced Punjabi music to millions of new listeners worldwide.

    Industry analysts and fans alike point to Dosanjh’s unwavering authenticity as the core of his massive appeal. He has never abandoned his roots: he continues to sing primarily in his native Punjabi, wears his turban proudly as a public declaration of his identity, and centers Punjabi culture in every project he takes on. Beyond music, Dosanjh has found success as a Bollywood actor and a viral social media personality, with his humorous Instagram skits – including a popular clip of him teasing a misbehaving Amazon Alexa that couldn’t understand his accent – earning him millions of followers who don’t even follow his music career.

    Wembley Stadium has hosted some of the biggest names in modern music, from Taylor Swift to Coldplay to Harry Styles, but for Dosanjh, this milestone carries a unique weight. Speaking to BBC backstage before the show, he recalled that many people urged him to think twice before booking the massive venue, warning it was too big a stage for a Punjabi-language artist. “I said: ‘We’ll see whatever comes. I want that our people are happy and can say yes, we can do this too!’” he said.

    Following in the footsteps of the global superstars who previously headlined Wembley means more than words can say, he added. “It may not mean as much for someone like Harry Styles, as much as it means for us. He has performed on such stages, but for us, it’s very special. Coming from a village to here – it’s very special.”

    For Dosanjh, the moment is not just a personal win, but a win for his community and the next generation of Punjabi artists. “I feel good. I feel happy. And I feel good for my people. I feel good for the next generation,” he said. Closing out the historic night, he repeated the call that launched the show, confirming that Punjabi music has truly arrived on the global main stage: “We are here. Punjabi Aa Gaye Oye!”

  • Céline Dion fans prepare for comeback concert in Paris

    Céline Dion fans prepare for comeback concert in Paris

    Paris is buzzing with electric anticipation as devotees of global music icon Céline Dion gear up for the legendary Canadian vocalist’s highly anticipated comeback concert in the French capital. The long-awaited performance marks a major milestone in Dion’s journey back to the stage, after she stepped away from touring to focus on her health following her 2022 diagnosis of stiff-person syndrome, a rare neurological disorder that causes muscle spasms and mobility challenges.

    On Saturday, the city’s excitement boiled over when fans spotted the Grammy-winning singer leaving her downtown Paris hotel. Crowds of loyal supporters gathered outside the building, holding handwritten signs, waving homemade banners, and cheering as Dion emerged. Many of the fans had traveled from across the globe – from North America to across Europe and beyond – just to catch a glimpse of the singer ahead of her show, describing the moment as a dream come true after years of waiting for her return.

    Dion’s comeback has been one of the most highly documented returns to the spotlight in recent pop culture history. Over the past two years, the singer has shared regular updates on her rehabilitation journey with her millions of social media followers, opening up about the struggles of her condition and her gradual progress toward returning to performing. Her resilience has won widespread praise from fans and fellow artists alike, with many saying her determination to get back on stage is an inspiration to people living with chronic illness around the world.

    For attendees of the upcoming Paris concert, the event is far more than just a musical performance – it is a celebration of resilience, artistic legacy, and the unbreakable bond between a singer and her audience. Many fans have said they have held onto their concert tickets for years through multiple postponements, refusing to sell them even as questions swirled about whether Dion would ever be able to return to touring.

  • Grammy-winning US rapper Lil Durk acquitted in murder-for-hire trial

    Grammy-winning US rapper Lil Durk acquitted in murder-for-hire trial

    In a verdict that has sent waves through the global hip-hop community, 33-year-old Chicago rapper and Grammy winner Lil Durk, legally named Durk Devontay Banks, has been cleared of all criminal charges stemming from a high-profile federal murder-for-hire conspiracy case. The ruling came down Friday after three full days of deliberations by a Los Angeles jury, wrapping up a three-week court proceeding that drew widespread attention from music fans and legal observers alike.

    The case traced its origins back to a fatal daytime shooting in August 2020 outside an Atlanta nightclub that left rising Chicago rapper King Von — a signee to Banks’ Only The Family (OTF) record label — dead. Prosecutors alleged that Banks, who founded OTF in 2010, put a public bounty on the head of rival rapper Quando Rondo (legal name Tyquian Bowman) in retaliation for King Von’s killing, after coming under social media pressure to avenge his associate’s death.

    The alleged plot unfolded in August 2022, when a vehicle carrying Bowman was ambushed in a shooting at a Los Angeles gas station. Bowman escaped the attack uninjured, but his 23-year-old cousin, Saviay’a Robinson, who was a passenger in the car, was killed. Banks was arrested in connection to the killing in 2024, charged with five felony counts including murder-for-hire resulting in death and criminal conspiracy. A conviction would have carried a mandatory potential life sentence.

    The prosecution’s case rested entirely on testimony from three cooperating co-defendants — Kavon “OTF Vonnie” Grant, Keith “Flacka” Jones, and Kacey “OTF Jam” Hester — all of whom had struck plea deals in exchange for their testimony against Banks and two additional co-defendants tried alongside him: Deandre “OTF Dede” Wilson and David “Browneyez” Lindsey. In a split verdict, the jury cleared both Wilson and Lindsey of murder-for-hire charges, but convicted them on lesser counts of stalking and conspiracy to commit stalking.

    Following the acquittal, defense attorney Drew Findling shared that his client was deeply grateful for the jury’s decision. Outside the downtown Los Angeles courthouse, crowds of Banks’ supporters erupted in cheers when the verdict was announced.

    Despite the full acquittal on these charges, Banks will remain in federal custody as he prepares for a separate scheduled trial set to begin October 5. In that upcoming case, he faces additional charges including racketeering-linked murder and firearms violations. First Assistant U.S. Attorney Bill Essayli noted in a post-verdict statement that while the prosecution team was disappointed by the jury’s ruling in the murder-for-hire case, they are moving forward with plans to present their full evidence in the second trial.

    Beyond the legal drama, Banks holds a prominent position in modern mainstream hip-hop. Since 2019, seven of his studio albums have cracked the top 5 of the U.S. Billboard 200 album chart, and he has collaborated with some of the biggest names in the industry, including Drake and J. Cole. Most recently, he took home the 2024 Grammy Award for Best Melodic Rap Performance for his hit single “All My Life” featuring J. Cole, marking his first Grammy win after three prior nomination.

  • NAZA: Film exposing systematic killing in Gaza gets record 24-minute standing ovation at Venice

    NAZA: Film exposing systematic killing in Gaza gets record 24-minute standing ovation at Venice

    The 83rd Venice Film Festival made global headlines Thursday when a groundbreaking documentary investigating Israeli military systems responsible for mass civilian deaths in Gaza received the longest standing ovation in the event’s history.

    Directed by Israeli filmmakers Yuval Abraham and Rachel Szor, NAZA drew a rapturous 24-and-a-half-minute ovation from the festival audience following its world premiere, according to entertainment industry outlet Variety. This unprecedented reception shattered the previous record of 22 minutes, set just one year prior for Kaouther Ben Hania’s *The Voice of Hind Rajab* — another work centered on the Gaza crisis, which chronicles the killing of six-year-old Palestinian girl Hind Rajab by Israeli forces in January 2024.

    As applause echoed through the theater, audience members unfurled Palestinian flags in a show of solidarity. A visibly moved Abraham and Szor were embraced by executive producer Jonathan Glazer, the acclaimed director of *The Zone of Interest*, a Oscar-winning film that examined the bureaucratic banality of atrocity during the Holocaust.

    Online reaction to the premiere was immediate and intense, with festival attendees and human rights activists praising the documentary across social media platforms. The core of NAZA draws from rare, confidential testimonies: 24 Israeli soldiers, most serving in military intelligence units that participated in the Gaza campaign, agreed to share their experiences on camera. Filmed in secret overnight on Tel Aviv rooftops to protect the interviewees, the accounts lay bare how soldiers systematically planned and carried out operations that killed thousands of people, including entire Palestinian families.

    Writing for the Israeli-based independent outlet +972 Magazine ahead of the premiere, Abraham and Szor outlined their core purpose: rather than calling out isolated acts of abuse by individual soldiers, the film seeks to expose the institutional framework that enables mass killing. “We focus on orders, policies, and patterns of operation,” they explained. From their analysis of the collected testimonies, the co-directors reached a searing conclusion: the mass death of Palestinian civilians in Gaza is not an unintended side effect of military conflict, but “a premeditated, calculated, and intentional act.”

    The soldiers interviewed in the film occupy key roles in the Israeli military’s strike approval process: they carry out surveillance on targeted residential structures, calculate projected civilian casualty numbers for individual home strikes, and sign off on deadly attacks. The filmmakers argue that these first-hand accounts eliminate any plausible deniability around the scale and intentionality of civilian deaths in Gaza.

    The film’s title itself carries deliberate meaning: NAZA is a Hebrew military acronym for “collateral damage,” the term routinely used by the Israeli military to refer to projected civilian deaths in planned strikes. Abraham and Szor emphasize that this clinical euphemism intentionally obscures two critical facts: that military leadership knew in advance how many civilians would die in each strike, and that the campaign targeting civilian populations is a deliberate, policy-level choice.

    The documentary’s official synopsis underscores this focus, stating that NAZA offers a granular, documented account of “the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza.”

    This is not the first high-profile work for the directing duo: Abraham and Szor were two of the four co-directors behind *No Other Land*, which took home the Academy Award for Best Documentary Feature in 2025. Produced in partnership with the Guardian and James Wilson’s JW Films, NAZA is the only documentary selected to compete for the festival’s top honor, the Golden Lion, this year.

    On social media, observers quickly drew parallels between NAZA and Glazer’s *The Zone of Interest*, noting both works center on the bureaucratic systems that normalize mass atrocity through routine, procedural calculation and dehumanizing language. One social media commentator summarized the connection as NAZA being a documentary spin-off of Glazer’s Oscar-winning film, with the added layer of perpetrators directly describing their actions on camera, a choice that many observers described as deeply visceral and unsettling.

  • Watch: Is the Bayeux Tapestry exhibition worth the hype?

    Watch: Is the Bayeux Tapestry exhibition worth the hype?

    Almost a millennium after its creation, one of Europe’s most iconic medieval artworks is drawing unprecedented crowds to one of London’s most famous cultural institutions. The Bayeux Tapestry, the 70-meter-long embroidered masterpiece chronicling the 1066 Norman Conquest of England, has not been publicly exhibited in the United Kingdom since it was stitched nearly 1,000 years ago – making this landmark showing a once-in-a-generation cultural event.

    Since opening to the public, visitor numbers have surged at the British Museum, with daily queues stretching around the museum’s Bloomsbury complex as history enthusiasts, casual tourists, and art lovers alike rush to secure a glimpse of the one-of-a-kind artifact. For centuries, the tapestry has been housed in the French town of Bayeux, with only rare outings outside its permanent home, making this UK debut a historic moment that has captured the imagination of cultural audiences across the country.

    The long-awaited display has sparked widespread public debate, with many asking whether the massive hype surrounding the exhibition matches the experience of seeing the tapestry in person. As crowds continue to turn out in record numbers, the event has underscored the enduring public fascination with medieval history and iconic cultural artifacts that bridge centuries of shared British and European history.