标签: Oceania

大洋洲

  • Chef Khaliqdad’s crusade for Greenland’s first Michelin star

    Chef Khaliqdad’s crusade for Greenland’s first Michelin star

    Against a backdrop of soft piano melodies and the rich, warm scent of brown butter drifting through the dining room, 33-year-old chef Habi Khaliqdad puts the final touches on a signature dish: a slice of soy-glazed narwhal, garnished with crispy puffed bacon. For seven years, this single-minded pursuit has anchored his life above the Arctic Circle, so deeply ingrained that the goal is even tattooed on his right arm: to claim the first-ever Michelin star for Greenland.

    The culinary world will turn its attention to the Nordic region this Monday, when the iconic Michelin Guide announces its annual list of starred establishments. From the floor-to-ceiling bay window of Khaliqdad’s Ulo Restaurant, tucked in the remote Arctic town of Ilulissat, guests gaze out at a sweeping expanse of snow that blurs into the famous Icefjord, where towering icebergs drift slowly out to the open ocean.

    Khaliqdad cuts a distinct figure: sharp, smiling features, arms lined with intricate tattoos, and a plain-spoken style laced with colorful language. Even he sometimes questions why he took on this unprecedented challenge, because every step of building a world-class restaurant in one of the harshest inhabited environments on Earth comes with extraordinary hurdles.

    Securing consistent ingredients is the first and most persistent mountain to climb. In late March, shifting winds push packed sea ice to close off Ilulissat’s harbor, forcing local fishermen to suspend operations and leaving Khaliqdad unable to source the tender, flavorful redfish his menu relies on. Even core menu items like his signature Qaqortoq lamb sweetbreads with Italian white truffle and onion jus require logistical feats: Greenland’s harsh Arctic climate supports almost no commercial agriculture, so the lamb travels nearly 1,000 kilometers by boat or plane from the island’s warmer southern region to reach his kitchen. When winter storms roll in, air travel is grounded and cargo ships are trapped by ice, cutting off the town from outside supplies for weeks at a time. “If there’s a storm … you have to wait,” Khaliqdad says simply.

    His fight to build a starred restaurant here mirrors the larger paradox of modern Greenland: a land brimming with new opportunity, but held back by deep structural and geographic constraints.

    For Khaliqdad, the journey is as much personal as it is culinary. A Dane of Afghan origin, he carried a lifetime of loss, hardship and addiction before finding redemption in the heat of commercial kitchens. He got his start as a teenager washing dishes, and fell in love with the craft through French cuisine, devouring cookbooks from legendary French chef Paul Bocuse. He worked his way up through Copenhagen’s most prestigious dining establishments, earning a nomination as a finalist for the city’s 2017 Chef of the Year award.

    Today, Denmark holds 37 Michelin stars across 263 Nordic Guide listed restaurants, transforming the country once known only for heavy, traditional fare into a global destination for innovative gastronomy. But that culinary revolution has never crossed the Labrador Sea to reach Greenland. Deep in debt and looking for a fresh start, Khaliqdad took his former mentor’s advice: “Go to Greenland, man. It’s cold and you’ll find yourself.” He relocated to the Danish autonomous territory to rebuild his life and chase his culinary dream.

    In his kitchen, centered on an Italian-made island, Khaliqdad uses a sharp Japanese knife to break down local Arctic ingredients: narwhal, reindeer, and ptarmigan, all sourced from the region. When he first arrived, he pored over botany textbooks to find native flavors that could lighten the traditional heavy, meat-centric Greenlandic diet. It was a local hotel housekeeper named Stella who ultimately taught him where to forage wild mushrooms and angelica native to the tundra. Each summer, during the few short snow-free weeks, Khaliqdad and his team hike the rocky hills outside town to gather their own fresh ingredients. “I learned to not think about Nordic, European, Michelin cuisine. I have to think about this country’s cuisine,” he explained.

    Today, Ulo draws a steady stream of well-traveled tourists, who arrive in stylish apres-ski gear to dine while gazing out at the icebergs. Ilulissat, a town of just 5,000 permanent residents, already welcomes 50,000 tourists a year drawn to its iconic Icefjord. Now, the town is positioning itself as Greenland’s emerging gastronomy capital, with a new culinary training program launched recently and a new international airport set to open in October, which is expected to double annual visitor numbers. “Maybe they can help me with this small dream I have in my body, you know?” Khaliqdad says, tapping the star tattoo inked into his arm.

    Even with this growing momentum, steep hurdles remain. Travel to Greenland remains expensive and logistically complex, even for anonymous Michelin inspectors. Khaliqdad also struggles to hire trained local kitchen staff, as few Greenlandic workers have formal culinary training. The long, dark Arctic winters also bring a heavy weight: a few years ago, a young kitchen hand died by suicide, a stark reminder of the widespread mental health challenges that plague the island’s remote communities. “It’s hard. It’s fun. It’s sadness too, man… It’s odd,” Khaliqdad reflected.

    Still, he continues forward, his eyes fixed firmly on the guiding star that brought him to the Arctic, waiting to see if his seven-year quest will finally be rewarded this Monday.

  • Search for missing Trisha Graf takes bleak new turn

    Search for missing Trisha Graf takes bleak new turn

    The weeks-long search for a missing 41-year-old mother in outback South Australia has entered a somber new phase, with authorities announcing they will comb through roughly 1,000 abandoned mineshafts and drain a local dam for a second time as they hunt for clues to her fate. Trisha Graf was last seen nearly two months ago in the remote mining town of Andamooka, vanishing in the early hours of December 12 under puzzling circumstances that have left investigators and community members grasping for answers.

    Graf’s disappearance began unfolding on the evening of December 11, when she visited a hotel in the nearby town of Roxby Downs. She left the establishment at 12:19 a.m. on December 12, behind the wheel of her white 2012 Ford Territory, registered as S254BCX, and headed toward Andamooka. Not long after entering the area, she collided with a kangaroo on the road outside the small township. After the crash, Graf and a friend traveling with her continued into Andamooka and stopped at a residence in the town’s northwest district. It was shortly after 2 a.m. that she was last spotted by witnesses.

    Within hours, alarm began to spread when Graf’s partner and the friend accompanying her found her vehicle abandoned: the Ford was perched on a dirt embankment near Blue Dam, a remote water body just outside Andamooka. Since that discovery, South Australian Police have launched repeated search operations in the area, deploying ground teams, aircraft, and dive units to comb the dam and surrounding terrain. The first search of Blue Dam included draining the water body to allow divers to check for evidence, but the operation turned up no conclusive answers. Investigators have also been unable to rule out the possibility that critical clues remain in the dam, leading to plans for a second draining operation in the latest search phase.

    On Monday, investigative teams returned to the Andamooka region to launch the new phase of the search, one that marks a grim shift in the case after weeks of unsuccessful efforts. In addition to re-draining Blue Dam, police will systematically search approximately 1,000 disused mineshafts scattered across the immediate area around the dam, where Graf’s car was found. The remote outback region around Andamooka has a long history of mining, leaving hundreds of abandoned, unmarked shafts scattered across the terrain that have been unused for decades.

    Graf’s disappearance has drawn widespread attention across South Australia, with local communities and police continuing to appeal for any information that could crack the case. Authorities are urging any member of the public who has details about Graf’s movements in the hours and days leading up to her disappearance, or who may have information about her current whereabouts, to come forward. Tips can be submitted anonymously to Crime Stoppers South Australia via their official website or by calling the 24-hour tip line.

    This latest expansion of the search comes after months of dead ends, leaving investigators hopeful that the new sweep of the mineshafts and dam will finally uncover the information needed to solve the mystery of Trisha Graf’s disappearance.

  • Former rugby league player Garry Leslie Sullivan accused of 1994 Melbourne Armaguard truck heist

    Former rugby league player Garry Leslie Sullivan accused of 1994 Melbourne Armaguard truck heist

    Nearly 30 years after a brazen armed robbery left three people shot at one of Melbourne’s busiest shopping centers, a former Australian rugby league world champion has been extradited and charged in connection with the high-profile cold case, with court documents revealing serious underlying health issues that complicate legal proceedings.

    Seventy-eight-year-old Garry Leslie Sullivan, a member of Australia’s 1970 Rugby League World Cup-winning squad and a former Newtown club player, made his first official appearance at Melbourne Magistrates’ Court on Monday. The appearance came one week after authorities extradited him from Southport on Queensland’s Gold Coast, closing a decades-long search for suspects in the 1994 heist.

    Wearing a plain black long-sleeve T-shirt and with a full grey beard, Sullivan sat silently in the dock throughout the short hearing, flanked by court security personnel, and was not called on to enter a plea or address the bench.

    The charges against Sullivan stem from the May 16, 1994, robbery of an Armaguard cash-in-transit truck at Chadstone Shopping Centre in Malvern East. Investigators allege two Armaguard staff had entered the cinema complex to collect weekend ticket revenue when they were confronted just after 11:40 a.m. as they exited the building. The suspect, described as wearing a fawn-colored balaclava and armed with a handgun, was carrying a cardboard box and ordered the guards to “Get down, drop the money,” court documents outline.

    When one guard refused to comply, he was shot in the leg; the bullet ricocheted off his body and struck the shoe of the second guard, causing minor injury to the second employee. A 40-year-old bystander who followed the masked suspect as he fled the parking garage with two large bags of cash was also shot in the leg, investigators allege. The suspect dropped a cardboard box at the scene containing one bag of cash, a stolen service weapon belonging to one of the Armaguard guards, and other undisclosed evidence.

    Victoria Police announced last month that the long-dormant cold case investigation had been reopened following the emergence of new intelligence, leading directly to Sullivan being charged on May 21, prosecutors told the court.

    As the case moves forward, law enforcement officials confirmed they plan to rely on audio recordings from a covert listening device and court-authorized telephone intercepts as key evidence in their prosecution. Prosecutors have requested an extended three-month adjournment to allow time for all of these recordings to be professionally transcribed and reviewed, a request the court has considered alongside the defense’s concerns over the defendant’s health.

    Sullivan’s defense attorney told the court that their client has multiple serious chronic health conditions that require urgent care while he remains in pre-trial custody. These include an active cancer diagnosis, coronary artery disease, osteoporosis, and coeliac disease, an autoimmune disorder that requires a strict lifelong gluten-free diet. The court heard that Sullivan has not eaten for several days, as correctional facilities have not yet been able to provide him with appropriate gluten-free meals to accommodate his condition.

    Sullivan has been formally remanded in custody, and is scheduled to return to Melbourne Magistrates’ Court for his next procedural hearing on October 13.

  • Australian environment groups write to UN over fears for Great Barrier Reef

    Australian environment groups write to UN over fears for Great Barrier Reef

    As the United Nations prepares to convene a critical global meeting on the future of one of Australia’s most cherished natural landmarks, five of the nation’s largest environmental advocacy organizations have issued an urgent formal appeal to the world body to place Great Barrier Reef land clearing practices under ongoing annual international oversight.

    Drafted in April and signed by the Australian Climate and Biodiversity Foundation, Greenpeace Australia, the Australian Conservation Foundation, WWF Australia, and the Wilderness Society, the open letter calls on UNESCO to mandate annual progress reports from the Australian federal government through 2030, requiring verifiable evidence that rates of harmful land clearing in reef catchment areas are steadily declining.

    Stretching more than 2,300 kilometers along Australia’s northeast coast, the Great Barrier Reef was inscribed on UNESCO’s World Heritage List in 1981. It contributes more than AUD $9 billion annually to the national economy and supports tens of thousands of jobs, cementing its status as both an ecological and economic cornerstone of the country. In recent decades, however, UNESCO has labeled the reef a site of “utmost concern” amid mounting threats from climate change, rising ocean temperatures, and declining water quality driven by upstream human activity.

    Of all the hazards facing the reef ecosystem, unregulated land clearing in the river catchments that drain into the Coral Sea is ranked among the most damaging. Environmental advocates warn that large-scale deforestation loosens dry sediment and allows toxic agricultural pesticides to wash downstream directly onto reef systems, where sediment smothers living coral and blocks the sunlight coral needs to survive. In response to growing pressure, the federal Albanese government passed landmark reforms to the Environment Protection and Biodiversity Act late last year, introducing mandatory federal environmental assessments for all new land clearing projects within 50 meters of waterways that flow into the reef catchment.

    While the letter acknowledges that the new reforms represent a promising first step toward addressing runoff and poor water quality, the groups warn that implementation could range from highly effective to completely inadequate to address the concerns UNESCO first flagged in 2025. The advocacy groups emphasize that securing strong, consistent enforcement of the updated national environment laws would offer a once-in-a-generation opportunity to reverse decades of damage to water quality caused by large-scale deforestation in upstream catchments.

    The letter outlines that it will take between 12 and 36 months to accurately assess whether the reforms are successfully protecting high-value native vegetation and cutting harmful runoff that impacts the reef’s World Heritage-listed values. Several key gaps remain in the regulatory framework that have delayed meaningful oversight, the groups note: Queensland’s state government retains primary regulatory authority over most land clearing in reef catchments, and it remains unclear whether the state will fully cooperate with the new national rules or strengthen its own existing regulations. Additionally, the national environmental standards that will guide land clearing assessment decisions have not yet been finalized, there is no comprehensive public data on ongoing clearing activity, and no formal compliance mechanisms to enforce reporting requirements—current rules rely entirely on voluntary self-referral by landholders. The new federal National Environmental Protection Agency, tasked with enforcing the reforms, will not launch until at least July 2026, leaving a years-long gap in formal regulatory oversight.

    New details of regulatory gaps emerged last week during Senate estimates hearings, where it was revealed that out of 248 calls and 11 emails from landholders seeking clarification on land clearing rules from the Department of Climate Change, Energy, the Environment and Water (DCCEEW), only six landholders received a formal pre-referral consultation meeting. Department officials confirmed they expect only two or three of these inquiries to progress to full formal assessment, and they have yet to confirm how many of the requests relate specifically to projects within the Great Barrier Reef catchment. During questioning, Declan O’Connor-Cox, head of Queensland’s Environment Assessments branch, clarified that exemptions for ongoing continuous clearing do not apply to projects within 50 meters of reef catchment waterways: even if a property cleared the same stretch of land two years ago, any new clearing requires fresh assessment under the new rules.

    Lyndon Schneiders, executive director of the Australian Climate and Biodiversity Foundation, emphasized that the reef is a defining Australian icon that requires urgent government action to protect. “The time is now for Environment Minister Murray Watt to lead and put in place strong protections to ensure the clearing stops and the reef is given a helping hand,” Schneiders said. “As a Queenslander, he knows the reef is special, and as a former agriculture minister, he also knows that sometimes a small number of cowboy beef farmers make the whole industry look bad. It is in everyone’s interest to stop the clearing and help the Reef.”

    The appeal comes less than two months before the UNESCO World Heritage Committee convenes its annual meeting on July 19, where the future of the Great Barrier Reef and Australia’s management of the site will be a core item on the meeting’s agenda.

  • Sabalenka, Osaka clash in blockbuster French Open tie

    Sabalenka, Osaka clash in blockbuster French Open tie

    The 2025 French Open enters its second week with a historic matchup headlining the schedule on Monday, as two of women’s tennis biggest superstars Aryna Sabalenka and Naomi Osaka will meet in the first women’s night match held at Roland Garros in three years. This clash marks their third meeting of 2025 and the fourth encounter of their professional careers, with every past match between the two four-time Grand Slam champions coming at the round of 16 stage.

    World No. 1 Sabalenka comes into the match chasing her first ever French Open title, a goal that fell just one win short last year when she suffered a heartbreaking final defeat to Coco Gauff. The Belarusian top seed is under no illusions about the test Osaka will bring, praising the Japanese star for her impressive resurgence after stepping away from the tour in 2023 to welcome her first child.

    “It’s great, great to see her back on her level. Maybe not at her best level, but she’s back, she’s fighting, she’s building her level,” Sabalenka said of her upcoming opponent. “It’s nice to see her. She’s a great player, great person. I feel like I really enjoy our battles. It’s high-level matches, and I really enjoy when somebody pushes me to the limit.”

    For Osaka, this run to the round of 16 is already a career-first at Roland Garros, marking a remarkable comeback from her maternity break and proving she has found far more comfort on the Paris clay than ever before. Osaka, who claimed four Grand Slam singles titles before her pause from the sport, took time to rediscover her form after rejoining the tour, but broke through with a US Open semi-final run last year — her first trip to the second week of a major since winning the 2021 Australian Open.

    The 26-year-old has set clear goals for her 2025 clay and grass court swing, and is not planning to end her run in Paris on Monday. “I really wanted to make it a goal to do really well on clay and grass. I don’t want this to be my last round. I want to keep going. I just want to keep focusing on every match,” Osaka said.

    The winner of Monday’s marquee matchup will advance to the quarter-finals, where they will face either former Australian Open champion Madison Keys or Russian rising star Diana Shnaider. Beyond the headline clash, several other women’s matches will unfold on Monday’s schedule: the last remaining home hope Diane Parry will aim to replicate last year’s surprise semi-final run from fellow French wildcard Lois Boisson when she faces Polish qualifier Maja Chwalinska, while 28th seed Anastasia Potapova of Austria will look to build on her upset victory over defending champion Coco Gauff against Russia’s Anna Kalinskaya.

    The men’s draw has been turned upside down ahead of round of 16 play, with the top half left wide open after the shock early exit of world No. 2 Jannik Sinner and an opening round defeat for young American star Ben Shelton. That leaves world No. 6 Felix Auger-Aliassime of Canada as the highest-ranked player remaining in that section of the draw, and he will bid to reach his first ever French Open quarter-final against Chile’s Alejandro Tabilo — who is competing in his first ever Grand Slam round of 16.

    The open draw has opened unexpected opportunities for lower-ranked players, including American world No. 85 Zachary Svajda, who had only won two Grand Slam matches total before this tournament. When asked about Sinner’s exit opening up the draw, Svajda said he is focusing on one match at a time against Italian 10th seed Flavio Cobolli. “When I saw Sinner was out, I try to stay present and stay positive and just take it day by day, match by match,” he said. “I knew the draw was open, but I just tried to keep doing my routines, keep doing what I’ve been doing, and just see what happens.”

    Other notable men’s matches on Monday include a showdown between former Wimbledon finalist Matteo Berrettini and Sinner’s conqueror Juan Manuel Cerundolo, with the Italian targeting his first Grand Slam quarter-final appearance since 2022. American big-hitter Frances Tiafoe, who reached the French Open quarter-finals last year, will take on rising Italian talent Matteo Arnaldi.

  • ‘AI simply can’t replicate it’: Japan embraces zine trend

    ‘AI simply can’t replicate it’: Japan embraces zine trend

    In a Kyoto print factory, the steady hum of machinery and rustle of freshly printed paper fill the air as two creators watch their collaborative photo essay roll off the press onto thick broadsheet newsprint. For artists Kazuma Obara and Akihico Mori, this physical, tactile process is more than just a production choice—it is a deliberate stand against the homogenization of digital content and artificial intelligence in the modern creative landscape.

    Their project is one small thread in a rapidly growing movement across Japan: amid the decades-long decline of traditional print media, handmade self-published zines are winning legions of new fans, particularly among young creators and audiences. This renaissance underscores Japan’s enduring cultural affection for tangible paper media even as digital platforms and AI-generated content reshape the creative industry globally.

    Obara, a 40-year-old photographer whose ink-stained hands betray his hands-on work, explains that unlike algorithm-driven social media feeds, print engages all five human senses. “Mobile phones are very insular,” he told AFP during a visit to the factory. “Print media is incredibly open. You can hand it to someone, you can read it together.” His creative partner Mori, a 44-year-old writer, echoed that sentiment, noting that holding a handmade zine lets readers directly feel a creator’s unique passion. “That’s what makes it so appealing,” Mori said. “AI simply can’t replicate it.”

    The pair’s finished work went on to display at Kyotographie, the popular international photography festival that wrapped up in Kyoto this past May. Their printing was made possible through a new program from Kyoto Shimbun, a major regional newspaper that has opened up its underutilized printing presses to independent creators as traditional newspaper subscriptions continue a steady decline.

    Yoshihiko Okazaki, a representative of Kyoto Shimbun Printing, said the program has drawn creators across generations, from teenage artists to creators in their 70s. “Surprisingly, it resonates with younger people,” Okazaki said. “I even hear comments like, ‘it’s interesting precisely because it’s old.’”

    Japan’s broader print industry has faced steep contraction for decades. Data from the Japan Newspaper Publishers & Editors Association shows national newspaper circulation peaked at 53.76 million copies in 1997, and has fallen to less than half that number by 2025. Overall book and magazine sales have dropped even more sharply, sliding to just 40% of the industry’s 1996 peak of 2.6 trillion yen ($16.3 billion). Fears of further disruption from AI have spread across the global creative industry: a 2025 UK study found half of all novelists believe AI will likely replace their professional work in the coming years.

    But unlike traditional mass print, the small-scale, DIY zine sector is expanding rapidly. Zines, which first emerged in 1930s United States among science fiction fan communities, have seen explosive growth in Japan in recent years, especially among younger creators. Forecasts from a Japanese private research firm, cited by public broadcaster NHK, project the total Japanese self-publishing market will reach 150 billion yen in the 12-month period ending March 2026—nearly double the market size just four years earlier.

    This growing popularity was on full display at a recent Tokyo zine fair, where hundreds of visitors crowded aisles lined with handmade publications of every size, format, and theme—from abstract art collections to personal photography zines and raw personal essay monologues. For 22-year-old attendee Harumi Kikuchi, zines offer a diversity of perspective that algorithm-driven platforms cannot match. “AI and social media are driven by algorithms that feed us nothing but what we want to see or what suits us best,” she explained. “But the fact that many zine makers are here suggests there are many different worldviews.”

    Watashi Kishino, a zine creator who draws hand-illustrated comics about her daily life in black and white, agrees that digital and AI tools have their place—but argues tangible print has an irreplaceable charm. “People can make a lot of things with AI and digital technology,” Kishino said, gesturing to her stack of hand-bound zines. “But I believe there’s a charm in having something tangible to hold in your hands like this.”

    Even established traditional book retailers are leaning into the zine boom, as younger audiences move away from mass-produced physical books. Sanseido, a 145-year-old bookstore located in Tokyo’s historic Jimbocho book district, added zine sections to its shelves nearly a year ago. “We felt that zines could appeal to a different audience than traditional readers,” said Masato Sugiura, deputy head of the store’s sales promotion unit. “Everyone is looking for something that really speaks to them. Readers are perhaps drawn more to zines, which are niche and cover a broader range of topics.”

    For creators like Kishino, the zine renaissance offers a hopeful sign that physical paper media will persist even in an increasingly digital world. “There’s warmth that only paper can offer,” she said. “There’s definitely people who are looking for that.”

  • Hollywood honors Marilyn Monroe, 100 years after her birth

    Hollywood honors Marilyn Monroe, 100 years after her birth

    One hundred years after the birth of one of Hollywood’s most enduring legends, Los Angeles’ entertainment hub is launching a month-long series of tributes to honor Marilyn Monroe, the platinum-haired star whose short life and decades-long cultural legacy continue to captivate global audiences.

    Centennial events officially kicked off Monday at the iconic TCL Chinese Theatre, the historic Hollywood landmark where Monroe’s hand and footprints have been preserved in cement alongside those of Jane Russell, her co-star in the 1953 classic *Gentlemen Prefer Blondes*. Fans will gather at the site to serenade the late star with “Happy Birthday” — a deliberate nod to Monroe’s legendary sultry performance of the song for President John F. Kennedy in 1962, just months before her death. Organizers have placed 100 roses and a commemorative cake at the location, a spot that draws millions of tourists each year and stands as a defining landmark of Hollywood’s golden age.

    Pre-empting the official opening, the Academy Museum of Motion Pictures launched its major retrospective *Marilyon Monroe: Hollywood Icon* on Sunday, a blockbuster exhibition that explores both the star’s trailblazing film career and the tragic personal story that cut her life far too short. Monroe, who rocketed to global fame in the 1950s, died of a drug overdose at her Los Angeles Brentwood home in August 1962 at just 36 years old.

    Throughout June, the Academy Museum will host special screenings of Monroe’s most acclaimed performances, pulling titles from her extensive filmography that span the breadth of her career. The lineup includes her breakout supporting turn in 1950’s *The Asphalt Jungle*, her star-making leading role in 1953’s *Niagara*, the timeless comedy *The Seven Year Itch* (1955), the critically adored *Some Like It Hot* (1959), and her final completed film, 1961’s *The Misfits*. The exhibition, which will run through February 2027, features hundreds of original personal and professional items, many of which have never been displayed publicly. Among the centerpieces is the iconic pink gown Monroe wore for her legendary performance of “Diamonds Are a Girl’s Best Friend” in *Gentlemen Prefer Blondes*.

    Later this week, on June 4, Julien’s Auctions will host a dedicated “100 Years of Marilyn” sale, featuring nearly 200 pieces of rare Monroe memorabilia up for auction. Highlights of the collection include never-before-published candid photographs of the star, an annotated script from her final, unfinished production *Something’s Got to Give*, and deeply personal items ranging from handwritten dessert recipes to a tube of her favorite Elizabeth Arden lipstick.

    Born Norma Jeane Mortenson in Los Angeles on June 1, 1926, Monroe’s early life was marked by instability. She spent her childhood bouncing between foster homes and orphanages after her mother was institutionalized, and married for the first time at just 16 years old. Her first introduction to the entertainment industry came in 1944, while she worked in a Los Angeles factory supporting World War II production efforts. A military photographer visiting the plant to shoot photos of women war workers spotted her, kicking off a rapid transition into modeling.

    Within months, she made the decision that would change entertainment history: she divorced her first husband and dyed her natural brown hair to the iconic platinum blonde shade that would become her trademark. She earned her first studio contract with 20th Century Fox, and by the age of 30 had cemented her status as a global household name and defining sex symbol of the 20th century.

    Far from just a on-screen star, Monroe was a trailblazer behind the scenes of Hollywood’s old studio system. She defied studio expectations to found her own independent production company, trained at New York’s prestigious Actors Studio to refine her craft, and openly pushed back against exploitative studio practices. In the 1950s, while still under contract with 20th Century Fox, she refused the lead role in the musical adaptation *The Girl in Pink Tights*, arguing the script was mediocre and her pay — one-third that of co-star Frank Sinatra — was unfair. Decades before the #MeToo movement exposed systemic exploitation of women in entertainment, Monroe publicly spoke out against the predatory “wolves” in Hollywood who targeted young female talent, making her a cultural proto-feminist icon long before the term entered mainstream discourse.

  • Outgoing chair Powell delivers defense of Fed independence

    Outgoing chair Powell delivers defense of Fed independence

    Outgoing U.S. Federal Reserve Chair Jerome Powell used a high-profile award acceptance speech Sunday to deliver a firm, public defense of the U.S. central bank’s long-standing political independence, pushing back against repeated assaults on the institution’s autonomy from the Donald Trump administration.

    Speaking at the John F. Kennedy Library Foundation, where he received the 2025 Profile in Courage Award for his efforts to protect the Fed’s independence, Powell framed the recent challenges to the central bank as an unprecedented stress test for its institutional credibility. “Like many other institutions, the Fed has been undergoing a stress test,” Powell told the audience. “If any administration finds a way to remove Fed officials over policy differences, then future administrations will do so as well.”

    Powell’s warning came as a thinly veiled rebuke of the Trump administration’s efforts to oust Federal Reserve Governor Lisa Cook over unsubstantiated mortgage fraud allegations. The legality of the administration’s attempt to remove Cook is currently pending before the U.S. Supreme Court, with a ruling expected in the coming months.

    If successful, Powell argued, such a move would irreparably damage public trust in the central bank’s ability to set monetary policy in the best interest of all Americans, rather than for short-term political gain. “Our credibility has been built and sustained over many decades, and we have a duty to safeguard that priceless asset for our fellow citizens and for generations to come,” he added.

    This is not the first time the Trump administration has targeted Powell himself. During his second term in office, Trump repeatedly launched public attacks on Powell, criticizing him for moving too slowly to cut interest rates to stimulate economic growth. The administration’s Department of Justice even opened a criminal investigation into Powell over a routine building renovation project at the Fed, a probe that was only dropped to clear legislative path for the confirmation of Powell’s successor, Trump’s nominee Kevin Warsh, by the U.S. Senate.

    Powell officially stepped down from his role as Fed chair earlier this month at the end of his four-year term. In an unusual break from precedent for outgoing chairs, he has chosen to remain on the Fed’s Board of Governors through the end of his governor term, which expires in 2028. Powell has cited ongoing threats to the central bank’s independence as his reason for staying, while committing to maintain a low public profile in the role.

    Trump has openly celebrated Warsh’s ascension to the top Fed role, following a lengthy, partisan confirmation battle in the Senate. The president hosted a lavish swearing-in ceremony for Warsh at the White House last week, and Treasury Secretary Scott Bessent echoed Trump’s positive tone Friday, telling reporters “The renewal and change is good, and I think we are going to see a new sheriff in town.”

    Sunday’s award ceremony also honored the people of Minnesota’s Twin Cities — Minneapolis and St. Paul — with the Profile in Courage Award. The foundation recognized local residents for risking their safety to protect neighbors and immigrant community members during a massive, Trump-ordered surge in federal immigration enforcement operations earlier this year. The crackdown sparked widespread mass protests across the region, and left at least two U.S. citizen protesters and one migrant dead in confrontations with law enforcement.

  • ‘Backrooms’, based on YouTube horror series, breaks box office records

    ‘Backrooms’, based on YouTube horror series, breaks box office records

    A viral online horror phenomenon has made a historic leap to the big screen, shattering long-held box office expectations and cementing a new milestone for young filmmakers across the industry. Adapted from the wildly popular YouTube horror series that launched a global internet cultural trend, A24’s *Backrooms* delivered a staggering $81.5 million opening weekend across North America, breaking multiple industry records in its debut, U.S. entertainment outlets confirmed over the weekend.

    Helmed by 20-year-old writer-director Kane Parsons, who first created the *Backrooms* web series as a teen creator, the film’s opening haul marks the largest domestic debut ever for an original standalone horror production, according to entertainment industry trade publication Variety. The opening weekend gross also more than doubles the previous record for the biggest domestic opening in independent studio A24’s history.

    Beyond its box office achievements, the feature film debut makes Parsons the youngest director ever to launch a first feature at the number one spot on the North American box office charts. Starring Academy Award nominees Chiwetel Ejiofor and Renate Reinsve, the big-screen adaptation carries forward the eerie, unsettling core of the original web series: Ejiofor stars as a small furniture shop owner who stumbles upon a hidden, labyrinthine, otherworldly complex lurking beneath his store. When he disappears without a trace, his therapist, played by Reinsve, ventures into the uncanny, liminal space to track him down.

    The *Backrooms* franchise originated in 2022 as a viral internet project that grew out of the “creepypasta” cultural phenomenon – a genre of short, shareable horror stories that are reposted, reworked, and expanded by online communities, with users adding new lore ranging from monstrous entities to hidden interdimensional spaces to the core narrative.

    In a surprising turn, the second spot on the North American box office charts also went to a horror feature: Focus Features’ *Obsession*, which has built steady momentum through strong critical acclaim and word-of-mouth from audiences in its first three weeks of release. Directed by 26-year-old Curry Baker, the film added $26.4 million in domestic ticket sales in its fourth weekend, bringing its estimated global total to nearly $150 million on a production budget of less than $1 million. Lead actress Inde Navarrette has earned widespread praise for her performance as a young woman who becomes dangerously obsessed with a man, played by Michael Johnston, after he makes a magical wish for her affection.

    Disney’s big-screen expansion of its hit sci-fi franchise, *Star Wars: The Mandalorian and Grogu*, rounded out the top three in its second weekend, plummeting nearly 70 percent in ticket sales from its opening to take in $25 million. The feature marks the first theatrical Star Wars release since 2019’s *Star Wars: The Rise of Skywalker*, and brings the popular streaming series to the big screen for the first time.

    Lionsgate’s Michael Jackson biopic *Michael* held its spot in the top five for its sixth consecutive weekend, adding $11.7 million in domestic sales. Directed by Antoine Fuqua and starring Jaafar Jackson, the late pop icon’s nephew, the biopic has now grossed $340 million domestically and more than $845 million globally, per box office tracker Exhibitor Relations.

    Closing out the top five was Sony’s new comedy *The Breadwinner*, which opened to $7.5 million in its first weekend. The film stars popular American stand-up comedian Nate Bargatze, a top-grossing live performer known for his deadpan, family-focused comedy, as a stay-at-home dad forced to manage childcare alone while his wife travels for work.

    The remainder of the weekend’s top 10 highest-grossing films were: *The Devil Wears Prada 2* ($5.9 million), *Pressure* ($5.8 million), *The Sheep Detective* ($4.6 million), *Passenger* ($2.6 million), and *Mortal Kombat II* ($2 million).

  • Singer Dua Lipa marries actor Callum Turner: media

    Singer Dua Lipa marries actor Callum Turner: media

    One of Britain’s biggest pop music stars, Dua Lipa, has reportedly said “I do” to British actor Callum Turner, in a low-key private civil ceremony held in London over the weekend.

    Multiple British tabloid outlets, including The Sun and the Daily Mail, have confirmed the Sunday wedding, sharing photographs of the newlyweds exiting London’s Old Marylebone Town Hall, where the official registration of their marriage took place. Only a small group of close family members and friends were in attendance for the intimate ceremony, aligning with the couple’s desire to keep their nuptials out of the global spotlight before a larger celebration.

    Thirty-year-old Lipa, the Grammy-winning singer who rose to global fame after the 2016 release of her breakout hit *Be The One*, wore a custom white dress and matching hat from luxury fashion house Schiaparelli for her big day, according to on-site reports. Her 36-year-old husband Turner, who earned international recognition for his role in the *Fantastic Beasts* film franchise, opted for a tailored dark blue suit for the occasion.

    The couple first went public with their relationship in January 2024, and Lipa first confirmed their engagement and marriage plans in an interview with *British Vogue* last year. Following the official London ceremony, the pair are set to host a lavish multi-day celebration for their wider circle of loved ones later this month. Sources cited by The Sun confirm the newlyweds are planning a “sumptuous” three-day wedding party in Sicily, scheduled to kick off at the end of next week.

    Agence France-Presse reached out to official representatives for both Lipa and Turner to confirm the wedding news, but did not receive a response ahead of publication. Beyond his work on the *Fantastic Beasts* franchise, Turner has long been the subject of media speculation as a leading contender to take on the iconic role of James Bond in the next installment of the legendary spy film series.

    Lipa, who is the daughter of Kosovo-Albanian migrants who settled in the UK before her rise to stardom, has built one of the most successful careers in modern pop music, with multiple chart-topping albums, Grammy Awards, and sold-out world tours to her name.