标签: Asia

亚洲

  • Why is Japan rethinking its anti-war stance?

    Why is Japan rethinking its anti-war stance?

    Seventy-eight years after the end of World War II, one of the most defining pillars of Japan’s post-war national identity is facing the most significant challenge to its existence in modern history. The country’s long-standing pacifist constitution, drafted in the aftermath of the global conflict to embed anti-war principles into Japanese politics and society, is now at the center of a fierce national debate, as Prime Minister Fumio Kishida pushes forward an aggressive agenda to revise its iconic Article 9.

    Article 9, the clause that has shaped Japan’s security posture for nearly eight decades, formally renounces war as a sovereign right of the nation and bans the maintenance of offensive military capabilities for use in international conflict. For generations, this constitutional provision has served as both a domestic commitment to peace and a global signal of Japan’s rejection of the imperialist expansion that defined the early 20th century.

    But shifting regional security dynamics, including rising military assertiveness from China in the Indo-Pacific, persistent nuclear and ballistic missile threats from North Korea, and evolving security alliances with the United States, have pushed the ruling Liberal Democratic Party (LDP) to frame constitutional revision as a necessary step to adapt Japan to 21st century security realities. Proponents of the change argue that updating the constitution will allow Japan to play a more active role in collective security efforts with its allies, modernize its self-defense capabilities to deter regional aggression, and clarify the legal status of the country’s already expanding military forces.

    Despite these arguments from ruling party officials, the push for revision has sparked deep controversy across Japan and drawn sharp criticism from regional neighbors that suffered under Japanese imperial occupation during World War II. Domestic opposition groups argue that revising the pacifist constitution would break the long-standing national commitment to peace, drag Japan into potential foreign conflicts, and undermine the social consensus that has kept the country focused on diplomatic and economic development over military expansion. Critics across East Asia warn that the shift away from post-war pacifism could destabilize regional security and reignite historical tensions over Japanese militarism.

    As the debate continues to unfold, the future of Japan’s anti-war stance remains one of the most consequential political issues facing the country, with implications that stretch far beyond its borders and reshape the security architecture of the entire Indo-Pacific region.

  • ‘Integrity costs something’: Eurovision winners want Israel out of the contest

    ‘Integrity costs something’: Eurovision winners want Israel out of the contest

    For decades, the Eurovision Song Contest’s governing body has insisted that the annual cultural event is strictly apolitical, aiming to unite European artists and audiences through music rather than global conflict. Yet scratch beneath the surface of the glitzy performances and catchy melodies, and politics has been a persistent, defining presence, shaping the event’s history again and again through high-profile controversies rooted in global tensions. One of the most dramatic examples dates back to 1974, when Portugal’s entry *E depois do adeus* was broadcast across the country just as the Carnation Revolution — the uprising that toppled Portugal’s authoritarian dictatorship and cleared the way for independence for its African colonies — was getting underway, turning the song into an accidental revolutionary signal. More recent decades have brought repeated disputes: in 2009, Azerbaijani authorities interrogated 43 citizens who cast votes for neighboring rival Armenia’s entry, while Ukraine and Russia traded barbs for years over Russia’s invasion of Ukrainian territory before Moscow was expelled from the competition entirely in 2022. Today, however, no controversy looms larger than the fierce debate over Israel’s eligibility to compete in the 2026 contest, hosted this year in Vienna, which erupted after the start of Israel’s military campaign in Gaza in October 2023 that has sparked widespread accusations of genocide.

    Emmelie de Forest, the Danish singer who won Eurovision in 2013 with her hit *Only Teardrops*, is among the most prominent past winners speaking out against Israel’s inclusion. In an interview with Middle East Eye, de Forest framed her opposition as rooted first and foremost in the devastating humanitarian crisis unfolding in Gaza, where tens of thousands of civilian lives have been lost. “It’s also about what it means when cultural institutions try to completely separate themselves from political reality. I don’t think music exists outside the world around us,” she explained. De Forest is one of more than 1,000 global artists who have signed the *No Music For Genocide* petition, which calls for a widespread boycott of the 2026 contest. The list of signatories includes other high-profile names: 1994 Irish Eurovision winner Charlie McGettigan, as well as global music stars Peter Gabriel, Bjork, Massive Attack, Macklemore, Brian Eno and Mogwai, among others.

    While Ireland’s national broadcaster RTE has heeded calls to withdraw from the competition, de Forest’s home country of Denmark remains a participant — a decision she called disappointing, but not unexpected. The singer acknowledged that speaking out has cost her personally: she has cut ties with some friends and put her professional income at risk, but argues that standing by one’s principles requires sacrifice. “sometimes integrity costs something,” she said. “What I find most difficult is the idea that Eurovision can somehow be separated entirely from political reality. I simply don’t believe that is possible anymore. Keeping Israel in the competition is also a political decision.”

    The European Broadcasting Union (EBU), which oversees the Eurovision Song Contest, rejected widespread pressure to bar Israel from competing when it ruled in December 2024 that the country would remain eligible for the 2026 event. In response to that decision, Nemo — the non-binary Swiss artist who won the 2024 contest — announced they would return their winner’s trophy, arguing that Israel’s inclusion directly contradicts the core values Eurovision claims to uphold: unity, inclusion and dignity for all people.

    McGettigan, the 1994 Irish winner, quickly announced he would follow Nemo’s lead — until he realized he had never received a physical trophy to return. “So let’s say I returned a virtual trophy!” he joked to Middle East Eye. For McGettigan, the campaign to withdraw from Eurovision has been deeply personal: an avid lifelong fan of the contest, he joined pro-Palestinian campaigners in lobbying RTE to pull out of 2026, and his advocacy helped convince the broadcaster to vote to withdraw. “I’m a not a member of any organisation…it’s just me personally, and thankfully, the management at RTE decided after a vote that they weren’t going to take part and that’s admirable, I think,” he said.

    McGettigan said he could no longer stay silent after seeing relentless footage of the humanitarian catastrophe in Gaza, where official counts put the Palestinian death toll at more than 72,000, with thousands more still missing and presumed dead under rubble, and the vast majority of the enclave’s infrastructure reduced to ruin. Even after a US-brokered ceasefire took effect in mid-January 2025, hundreds more Palestinians have been killed, just one week before Israel was formally confirmed as a 2026 contestant. McGettigan added that his awareness of the link between Eurovision and Israeli policy dates back to 2018, when Israel won the contest just days after Israeli forces killed 62 Palestinian civilians, including six children, during the peaceful Great March of Return protests in Gaza. “Now if that had happened in our country, and if 62 people had been murdered like that, we certainly wouldn’t be celebrating winning Eurovision,” he noted.

    Like de Forest, McGettigan rejects the long-held claim that Eurovision should remain strictly apolitical, pointing to the centuries-long tradition of musicians using their platforms to advance social change and call out injustice. “When you look back at people like Pete Seeger from the 1960s, Woody Guthrie, Bob Dylan, Joan Baez, all these artists have used their music to promote peace, to draw attention to injustice,” he said. “There are two strains of thought there, some countries just see this as entertainment, and they don’t see entertainment as having any place for politics – but I do.”

    So far, Spain is the only member of Eurovision’s “Big Five” (the group of largest funding countries that automatically qualify for the final, including the UK, France, Germany and Italy) to announce its withdrawal. After Spain confirmed its exit, Middle East Eye requested comment from the UK’s Department for Culture, Media and Sport, which declined to comment and deferred to the BBC, the UK’s national Eurovision broadcaster. The BBC also declined to comment, and requests for comment from the representing artists for the UK, France and Germany had not been answered by the time of publication.

    As the 70th Eurovision Song Contest prepares to kick off in Vienna next Tuesday, protests are already planned to mobilize outside the competition venue. Austrian police confirmed at a recent press conference that they expect roughly 3,000 demonstrators, with both pro-Palestinian and pro-Israel groups planning gatherings, and anticipate attempts to blockade sites and disrupt the event. To maintain security, drones will be banned within a 1.5-kilometer radius of all contest-related sites, and the US FBI has established a dedicated cyber security task force that Austrian authorities can contact around the clock to address potential threats. Adding extra symbolic weight to the protests, the 15 May, the eve of the Eurovision grand final, also marks Nakba Day — the annual commemoration of the 1948 displacement and massacre of hundreds of thousands of Palestinians that accompanied the founding of the State of Israel.

    For her part, de Forest emphasized that her criticism is directed at the EBU and its institutional decision to allow Israel to compete, not at individual participating artists or ordinary Eurovision fans. She says she would not feel comfortable attending the 2026 event, but still values the sense of cross-cultural connection and community that the contest has long fostered for fans around the world. Still, she argues that audiences cannot ignore the ongoing crisis in Gaza: “At the same time, I think people should continue speaking openly, asking difficult questions and refusing to simply move on as if nothing is happening. Fans have more influence than they sometimes realise, especially collectively.”

  • Under rubble and rain, Gaza women try to save rare books in centuries-old library

    Under rubble and rain, Gaza women try to save rare books in centuries-old library

    Against the backdrop of relentless conflict and widespread destruction across Gaza, a small, determined group of Palestinian women volunteers is waging a quiet, urgent battle to save one of Gaza’s most significant cultural treasures from total loss. Their mission centers on the centuries-old library of the Great Omari Mosque, a historic institution reduced to rubble by repeated Israeli bombardment amid the ongoing Gaza genocide.

    Raneem Mousa, a 35-year-old master’s graduate in Arabic language, is one of the volunteer leads on this improvised rescue effort. As she carefully dislodges a water-damaged volume from a war-shattered shelf, she uses a simple hand brush to sweep away decades of dust mixed with rubble and shrapnel before passing the text to a teammate for a gentle wipe down. The recovered book is then carried to the group’s self-designated “safest corner” — a tiny, makeshift holding space tucked away in the damaged mosque, where all salvageable texts are stored.

    When Mousa first arrived at the site after the most recent strikes, the scene was one of total devastation. “The library was filled with shrapnel, rubble, and dung from stray animals taking shelter,” she recalled in an interview with Middle East Eye. “Hundreds of shattered books and torn papers were scattered on the ground, covered in stones.”

    The volunteers, all affiliated with Gaza City’s Eyes on Heritage Institute, have framed their work as a “first-aid mission” to stabilize and preserve whatever can be saved from the library’s irreplaceable collection. Working without any specialized conservation tools, professional cleaning supplies, or formal institutional support, the group has relied on the most basic of materials: dry cloths, simple household brushes, and open air to dry waterlogged volumes damaged by seasonal rain.

    The Great Omari Mosque itself carries profound historical weight: as Gaza’s largest and oldest place of worship, it sits on a site that has hosted sacred structures for millennia, evolving from a Philistine temple to a Roman place of worship, then a Byzantine church, before being converted to a mosque in the 13th century. Its library, ranked the third-largest in all Palestine, once held roughly 20,000 volumes, including 187 rare manuscripts, some of which dated back more than 500 years. Over the course of the ongoing conflict, Israeli forces have bombed the mosque at least three times, leaving the structure in ruins and the library’s collection decimated.

    Despite the crippling challenges of ongoing siege, mass displacement, and a total lack of resources, Mousa and her teammates refuse to abandon their work. For them, this effort is about far more than saving old books: it is a defense of Palestinian identity and historical claims to their land. “This library has an educational and historical value that underscores the Palestinian historical right to their home,” Mousa explained.

    Time is not on their side. Months of exposure to Gaza’s humid, wet winter conditions have accelerated decay, with fungi growing on paper pages and the ink slowly eroding away. “Every time a page crumbles in my hand, I feel a pang of guilt, as if a witness to history is dying,” Mousa said.

    Every step of the rescue work is an exercise in improvisation and sacrifice. Coordinated via a simple WhatsApp group chat, volunteers must arrange trips to the mosque amid conditions that have made travel across Gaza nearly impossible: most of the territory’s population is displaced, nearly all vehicles have been destroyed, and fuel is so scarce that even short journeys cost more than most Gazans can afford. Mousa herself lost her home in Jabalia, northern Gaza, to an Israeli strike, and now lives in a makeshift tent in Deir al-Balah — a displacement that leaves her constantly worried about being able to afford the trip to continue her work.

    The group also lacks safe storage for the books they recover. All volunteers live in overcrowded temporary shelters, so there is no space to move salvaged volumes off-site. The small corner they have set aside in the damaged mosque remains under constant threat from the elements. “We often have to clean them again because the building is still in ruins and offers no real protection,” Mousa noted. “We are racing against the weather; the winter rain and wet wind are just as much an enemy as the bombs were.”

    Mousa says the group’s long-term hope is to secure international funding for proper storage shelves, professional conservation materials, and the equipment needed to digitize the entire surviving collection, preserving these texts digitally even if the physical copies are lost. “People in Gaza have always taken pride in education and culture,” she said. “If we, the educated generation, do not protect these books, who will preserve them for those who come after us?”

    Haneen al-Amasi, 33, director of the all-women Eyes on Heritage Institute, founded the organization in 2009 with a core mission: to rescue, restore, and digitize rare books, manuscripts, and historical documents across Gaza, to safeguard Palestinian cultural heritage for future generations. It was not until a brief ceasefire in March 2025 that al-Amasi was able to visit the Great Omari Mosque library for the first time since the current conflict began — and she said she was unprepared for the scale of the destruction. “Entire archives of books, manuscripts and historical documents were burned or shattered in Israeli attacks,” she told Middle East Eye. “Many others were damaged, eaten by rodents, or taken by displaced people to be used as fuel amid severe gas shortages in Gaza.”

    Many of the lost and damaged texts are irreplaceable: original documents recording centuries of Palestinian life, including scholarly works on jurisprudence, geography, and social customs, with many capturing unique details of life in the Palestinian territories before the 1948 Nakba.

    Al-Amasi argues that the deliberate targeting of libraries and cultural institutions is part of a broader Israeli campaign to erase Palestinian collective memory by destroying the physical evidence of their history and connection to the land. This is not the first time the institute has lost its work to Israeli strikes: during the 2014 Gaza offensive, the group’s original office in eastern Gaza City was bombed, killing five volunteer women who had fled their homes in Shujaiya and taken shelter in the building, and destroying hundreds of books and manuscripts that the team had already archived.

    After that attack, the devastated but determined team rebuilt their operations in a new location, and over the following years managed to recover and digitize hundreds more rare manuscripts, some dating back to the medieval period. In September 2025, that second office was also destroyed in an Israeli air strike. “Once again, we lost our library,” al-Amasi said simply.

    Even after repeated loss, the group has refused to end their work. “We feel it is our duty to keep striving to preserve and revive Palestinian cultural heritage in Gaza,” al-Amasi said. She has reached out to multiple international humanitarian and cultural organizations to request support, but says most global actors prioritize immediate needs like food and medical care in Gaza, ignoring the crisis facing Palestinian cultural heritage. “I believe cultural heritage is just as important,” she emphasized. “Future generations in Palestine will ask what we did to preserve our history.”

    Back at the Great Omari Mosque, the volunteers continue their slow, painstaking work, even as violence and crisis unfold around them. Al-Amasi recalls a time before the current war, when Gaza’s schoolchildren took part in regular reading competitions at the mosque library, an event that drew eager crowds of young learners. Today, Gaza’s children spend their days queuing for food aid and clean water, growing up surrounded by constant trauma from war. “By saving these books, we are trying to ensure that when the war ends, our children have something to read other than news of death,” al-Amasi said.

  • Satellite imagery suggests far more US assets in Middle East hit by Iran than reported

    Satellite imagery suggests far more US assets in Middle East hit by Iran than reported

    Fresh analysis of declassified satellite imagery has uncovered that the true scale of damage inflicted by Iranian strikes on United States military infrastructure across the Middle East has been dramatically understated in earlier public disclosures and media reporting, according to a sweeping new investigation.

    The Washington Post’s inquiry, which cross-referenced high-resolution satellite data with on-the-ground intelligence, has concluded that Iranian aerial attacks have damaged or completely destroyed at least 228 distinct structures and pieces of military equipment at US-operated sites throughout the region since the outbreak of the current conflict in late February. The targeted assets include critical military infrastructure: aircraft hangars, troop barracks, fuel storage depots, fixed-wing aircraft, and high-value radar, communications, and air defense systems that underpin US military operations in the Gulf.

    The outlet’s findings confirm that the total scope of destruction far exceeds the casualty and damage figures that the US government has previously acknowledged publicly. To date, Iranian attacks have claimed the lives of seven US service members: six based in Kuwait and one in Saudi Arabia, while more than 400 additional troops have sustained a range of injuries from the strikes, according to the investigation.

    The wave of Iranian strikes across regional targets was launched in response to the joint US-Israeli assault on Iran, which has killed more than 3,500 Iranian people, per data compiled by Hrana, a US-based Iranian human rights organization. The majority of Iranian counterattacks have focused on US military assets positioned across Gulf Cooperation Council states.

    On Tuesday, the United Arab Emirates confirmed that Iran had launched a second consecutive day of strikes on its territory, unleashing a heavy barrage of drone and missile attacks. Abu Dhabi officials added that one of the strikes ignited a large fire at an oil refinery in Fujairah, leaving three Indian nationals wounded.

    The escalation comes amid chaotic shifts in US military strategy around the Strait of Hormuz, the world’s most critical energy chokepoint. Iran closed the strategic waterway in response to the US-Israeli assault, triggering a global energy crisis. An estimated 20% of the world’s daily crude oil shipments and a fifth of global liquefied natural gas supplies pass through the strait, which sits between Iran and Oman. The International Energy Agency has confirmed that the closure has caused the largest single loss of global energy supply in history, cutting more than 10 million barrels of daily oil output from global markets and reducing worldwide LNG supplies by one-fifth.

    Just one day after the Pentagon launched a new escorted shipping operation through the strait dubbed “Project Freedom” – a mission supported by more than 100 aircraft and roughly 15,000 US military personnel, according to US Central Command – former President Donald Trump announced Tuesday that he was halting the operation in an unexpected move to pursue a negotiated agreement with Iran to de-escalate the conflict.

  • Israel uproots thousands of grapevines in Hebron to expand settler road

    Israel uproots thousands of grapevines in Hebron to expand settler road

    Deep in the fertile Baqa’a Valley east of Hebron, in the Israeli-occupied West Bank, 68-year-old Palestinian farmer Zuhur Tarwa stood frozen in disbelief when Israeli military markings suddenly stretched across the vineyard she had nurtured for years alongside her two daughters. For seasons, the couple’s 200 grapevines had grown lush with broad green foliage, building anticipation of a bountiful annual harvest. That harvest never came: first the official confiscation order arrived, and within days, bulldozers rolled onto the land.

    “They razed the entire plot, uprooting every grapevine and every other crop we had growing,” Tarwa told Middle East Eye in an interview days after the destruction. “All we are left with now is grief at this empty sight.”

    Tarwa’s family’s devastating loss is not an isolated incident. It is part of a growing, systematic pattern of land seizure unfolding across Hebron, a region long celebrated for growing some of the finest grapes in the Middle East. The Israeli military has recently seized large tracts of privately owned Palestinian agricultural land to expand Route 60, a major highway that connects Israeli settlements scattered across the West Bank. The 235-kilometer road expansion project has already required the seizure of tens of thousands of dunams of Palestinian-held land, according to local and official records.

    Bulldozing operations began earlier this week across multiple districts of Hebron, with local grassroots sources confirming that at least 400 dunams of productive vineyards, holding roughly 40,000 mature grapevines, have been destroyed so far. Tarwa’s daughters owned 2.8 dunams of the seized land; adjacent property belonging to Tarwa’s brother-in-law has already been reduced from a thriving cultivated vineyard to barren, cleared dirt. “Nothing can stop their plans or their heavy machinery,” Tarwa said. “We are powerless here—all we can do is mourn what we’ve lost.”

    For Hebron’s Palestinian communities, grapes are far more than just a commercial crop. They are a centuries-old symbol of cultural identity, deeply rooted in the land, and a core source of household income for hundreds of families. Grapes rank as Palestine’s second-largest agricultural product, only behind olives, with dozens of families in the al-Baqa’a Valley relying entirely on grape cultivation to make ends meet. The entire Baqa’a region, which spans roughly 10,000 dunams of fertile soil stretching from Beit Einun and Bani Na’im to the Qizoun area, counts among the most productive vineyard regions in the entire West Bank.

    For decades, Israeli forces and civilian settlers have targeted Palestinian olive groves, destroying a critical livelihood asset for thousands of families across the occupied territories. In recent years, this systematic pressure has expanded to include vineyards, concentrated heavily in the Hebron and Bethlehem regions. The latest round of bulldozing and land seizure comes just weeks ahead of the annual grape harvest, compounding the financial and emotional harm for affected farming households.

    Atta Jaber, an anti-settlement activist who owns family vineyards in the Baqa’a Valley, explained that the ongoing confiscations and destruction are a deliberate strategy to force Palestinian farmers off their ancestral land. Jaber’s own family has cultivated grapes in the region for more than a century, and has already lost swathes of property to previous Israeli seizures: part of their land was taken in 1970 to build the Kiryat Arba settlement, with additional land seized in 1985 for the construction of the Kharsina settlement. Beyond the loss of farmland, the expansion of settlements has also led to home demolitions and the displacement of dozens of local Palestinian families.

    “In 1995, Israeli bulldozers suddenly arrived to pave the first iteration of Route 60 through our land,” Jaber recalled. “That was our third major loss after the two settlements were established, and it cut off the livelihoods of nearly 800 Palestinian families in this area alone.” Before the latest round of uprooting, Jaber’s vineyard generated a minimum of 60,000 Israeli shekels, around $20,000, in annual income, money that supported his entire extended family. “I care for my grapevines like my own children,” he said. “We have no other source of income here—this is how we were raised, and what we pass down to our children: the land is everything, it is our livelihood and our future. But Israel is systematically destroying all of that.”

    Data collected by Palestinian advocacy groups confirms that the targeting of Palestinian fruit trees by Israeli forces and settlers has escalated sharply in recent years, shifting from scattered, isolated incidents to a consistent, systematic pattern across multiple regions of the West Bank. Figures from the Wall and Settlement Resistance Commission show that approximately 35,273 olive, grape, and fig trees were either uprooted, damaged, or poisoned in 2025 alone—a statistic that highlights the severe damage to Palestinian farmers’ livelihoods and the wider agricultural sector of the occupied territories.

    Across the West Bank and Gaza Strip, tens of thousands of dunams of land are dedicated to grape cultivation. According to Mahmoud Fatafta, spokesperson for the Palestinian Ministry of Agriculture, Hebron and its surrounding northern regions alone hold around 37,500 dunams of cultivated grapevines. In the Baqa’a Valley specifically, roughly 1,300 dunams are planted with grape vines, producing an estimated 13,000 tonnes of table grapes and 1,000 tonnes of grape leaves for commercial sale each year, Fatafta told Middle East Eye.

    Despite the region’s natural fertility and generations of agricultural expertise, Palestinian agricultural officials warn that the grape sector now faces existential threats, including repeated land confiscations that have shrunk total cultivated areas, as well as ongoing attacks on vineyards and farmers by Israeli settlers. Fatafta confirmed that around 200 dunams of vines have already been bulldozed and uprooted in al-Baqa’a, warning that destruction operations are continuing in what he calls a deliberate, systematic campaign to eliminate Palestinian vineyard cultivation in the region.

  • He’s accused of running a Chinese spy outpost. His lawyer says it was a place to play ping-pong

    He’s accused of running a Chinese spy outpost. His lawyer says it was a place to play ping-pong

    In the bustling core of Manhattan’s Chinatown, nestled between a midtown hotel, a local spa, and a neighborhood coffee shop, sits an unassuming six-story glass-front building. What looks to passersby like an ordinary community space sits at the center of a high-stakes federal espionage case that opened this week in Brooklyn federal court, pitting U.S. prosecutors’ allegations of a secret Chinese spy operations hub against defense claims of an innocent community service project derailed by geopolitical tension.

    U.S. prosecutors allege the location was an unregistered overseas outpost for China’s national police, explicitly tasked by Beijing with monitoring, silencing, and intimidating Chinese pro-democracy dissidents residing on American soil. Inside the space, authorities discovered a banner clearly labeling the site the “Fuzhou Police Overseas Service Station, New York USA.”

    The accused, 64-year-old Lu Jianwang — a U.S. citizen who has lived in the country for decades, also known as Harry Lu — went on trial Wednesday, more than three years after federal agents arrested him at his Bronx residence. He faces two felony charges: conspiracy to act as an unregistered foreign agent and intentional destruction of evidence, including deleted WeChat communications that prosecutors claim were sent to his Chinese government handler.

    Opening arguments laid out two starkly conflicting narratives of Lu’s work. Prosecutor Lindsey Oken told jurors that while Lu resided in New York City, he ultimately took direction from Beijing. Oken explained that Lu and co-defendant Chen Jinping, who has already pleaded guilty to the conspiracy charge, launched the Chinatown outpost in 2022, shortly after Lu attended an official ceremony in his home province of Fujian. At that event, China’s Ministry of Public Security publicly announced the launch of 30 similar overseas police stations across the globe.

    Oken emphasized that these outposts are a tool of the Chinese government to track and pressure individuals Beijing labels as threats to its national interests. She told the jury that the prosecution will call a dissident who was directly targeted by the New York outpost as a witness during the trial. The Manhattan outpost shared office space with the America ChangLe Association, a community group co-founded and operated by Lu and his brother Jimmy. Tax filings for the group list it as a “social gathering place for Fujianese people,” and defense counsel noted the name “ChangLe” translates to “eternal joy.”

    While Oken acknowledged that the group openly advertised its service helping Chinese diaspora members renew Chinese driver’s licenses remotely, a workaround for pandemic-era international travel bans, she noted that even this public activity violates U.S. law. Under the federal Foreign Agents Registration Act, any individual acting on behalf of a foreign government or official entity must register their activity with the U.S. Department of Justice — a step Lu never took, Oken said.

    Lu’s defense attorney, John Carman, pushed back hard against the prosecution’s framing of the case as a high-stakes international spy plot, instead casting it as a minor bureaucratic oversight that has been blown out of proportion amid rising U.S.-China tensions. Carman argued that the entire case boils down to an unfiled government form, not espionage. “He is not a spy, not a part of Chinese intelligence services, not a member of the Chinese Communist Party, and he is not an agent of the Chinese government,” Carman told jurors in his opening statement. He summed up the case with two common phrases: “No good deed goes unpunished” and “Guilt by association.”

    Carman recounted that the FBI launched a raid on the Chinatown space in October 2022, acting on a report from a non-profit that monitors transnational repression by China. During the raid, agents searched through drawers, seized paperwork, broke open locked cabinets and a safe, and confiscated a desktop computer and multiple cellphones. “They turned the place upside down,” Carman told the jury.

    Prosecutors confirmed that the day after the raid, Lu admitted to FBI agents that he had set up the outpost, maintained contact with a contact in China via WeChat, and deleted all of their messages. Carman noted that neither of Lu’s two hours of interviews with FBI agents were recorded, a procedural detail that undermines the reliability of the prosecution’s account. Lu was ultimately arrested in April 2023.

    Co-defendant Chen Jinping pleaded guilty to conspiracy to act as a foreign agent in December 2024. He is currently released on bond and will not be sentenced until after Lu’s trial concludes.

    At the defense table on Wednesday, Lu sat alongside Baimadajie Angwang, a former New York Police Department officer who was acquitted of charges accusing him of acting as an “intelligence asset” for China three years ago. Angwang, who is currently suing the NYPD to get his job back, is working as an investigator for Lu’s defense team. Lu, dressed in a dark suit, pale blue tie, and glasses, speaks limited English and followed the proceedings through a translation earpiece that rendered arguments into his native Fujianese. Both Lu and Angwang wore small American flag pins on their lapels.

    As Lu and his legal team arrived at the courthouse Wednesday morning, several dozen supporters — including members of Lu’s local church — gathered outside to rally on his behalf. Participants held signs reading “Justice for Harry Lu” and “Chinese Americans Are Americans!” and waved small American flags to demonstrate their support.

    Carman closed his opening argument by reinforcing that Lu’s only loyalty is to his local community. “If Harry Lu is an agent of anyone, he is an agent for his community — the local people in his neighborhood,” he told jurors. “You have the life of an innocent man in your hands.”

  • US must be transparent about Israel’s nuclear programme, Democrat lawmakers say

    US must be transparent about Israel’s nuclear programme, Democrat lawmakers say

    A bipartisan-adjacent bloc of 30 progressive House Democrats has issued an unprecedented call for the U.S. government to abandon its 55-year policy of deliberate ambiguity around Israel’s undeclared nuclear program, demanding that Washington hold Israel to the same nonproliferation and transparency standards applied to all other nations in the Middle East.

    Led by Texas Congressman Joaquin Castro, the group — which includes high-profile progressive lawmakers Alexandria Ocasio-Cortez, Ro Khanna, Rashida Tlaib, Ilhan Omar, and Pramila Jayapal — sent a formal joint letter to Secretary of State Marco Rubio on Monday laying out their demands. In the letter, the lawmakers highlight a glaring contradiction at the heart of current U.S. policy: Washington is deeply entangled in ongoing conflict in the region alongside Israel, yet the executive branch still officially refuses to acknowledge the country’s widely documented nuclear capabilities.

    The representatives argue that Congress holds a clear constitutional obligation to gain full clarity on the regional nuclear balance, given that thousands of U.S. service members are deployed across the Middle East. Without transparent information about Israel’s program, they say, Congress cannot properly assess the risk of nuclear escalation in any regional conflict, nor evaluate the Biden administration’s contingency planning for high-stakes nuclear scenarios. The letter explicitly states that lawmakers have not yet received the level of detailed information they deem necessary to fulfill this oversight duty.

    Currently, Israel stands as one of just five nations worldwide that have refused to join the Treaty on the Non-Proliferation of Nuclear Weapons (NPT), the global agreement that blocks non-nuclear states from acquiring atomic weapons and mandates international inspections for all signatories. Because of Israel’s non-participation, the International Atomic Energy Agency (IAEA) has no legal authority to inspect or verify the size and status of Israel’s reported nuclear stockpile.

    For decades, Israel has maintained its iconic policy of nuclear opacity: officials neither confirm nor deny the existence of a nuclear arsenal, even though the program has been an open international secret for more than half a century. Independent analysis from the Nuclear Threat Initiative estimates that Israel currently holds approximately 90 assembled nuclear warheads, with enough separated plutonium — between 750 and 1,110 kilograms — to build an additional 90 to 180 weapons, bringing the country’s total potential stockpile to between 187 and 277 nuclear devices.

    The lawmakers argue that Washington cannot build a consistent, credible nonproliferation policy for the Middle East — which currently targets Iranian civilian nuclear activities and addresses emerging Saudi nuclear ambitions — while continuing to maintain official silence about Israel’s program at a time when the U.S. is a direct participant in regional conflict. “We ask that you hold Israel to the same standard of transparency that the United States expects from any other country that may be pursuing or retaining nuclear weapons capability,” the letter concludes.

    The history of the U.S.-Israeli nuclear ambiguity stretches back to the founding of Israel’s program in the 1950s. Initially developed with covert French support, without the knowledge of the U.S. government, the program was centered at the Dimona nuclear complex in Israel’s Negev Desert. According to declassified U.S. documents analyzed by prominent Israeli-American nuclear historian Avner Cohen, author of *Israel and the Bomb*, U.S. officials grew suspicious of Dimona’s purpose as early as the late 1950s and conducted eight official inspections of the site between 1961 and 1969. During each visit, Israeli officials concealed an underground plutonium separation plant — critical for producing weapons-grade material — and camouflaged other sections of the complex to hide its true military purpose.

    By the end of the 1960s, the U.S. had uncovered the full scale of Israel’s nuclear project, and a secret bilateral agreement was struck that remains in place today. As documented by Cohen, the 1969 Nixon-Meir deal — named for then-U.S. President Richard Nixon and Israeli Prime Minister Golda Meir — saw Washington agree to refrain from public questioning of Israel’s program, in exchange for Israel maintaining its policy of official opacity. “About half a century ago Israel acquired nuclear weapons capability, but it has done so in a manner unlike any other nuclear weapons state did, prior or after,” Cohen explained in a 2023 interview with Middle East Eye. Over the decades that followed, successive U.S. administrations have upheld this agreement, even reportedly threatening disciplinary action against any U.S. official who publicly acknowledges Israel’s nuclear program. As recently as 2009, when then-President Barack Obama was asked directly whether any Middle Eastern nation possessed nuclear weapons, he declined to answer, stating he would not speculate on the issue.

    The only major public breach of Israel’s opacity came in 1986, when Mordechai Vanunu, a former technician who worked at Dimona for nine years, leaked full details of the program and 60 on-site photographs to the U.K.’s *The Sunday Times*. Vanunu’s disclosures confirmed that Dimona produced enough plutonium to build roughly 12 new nuclear warheads per year, confirming the program’s large scale. Before the story could be published, Vanunu — who was staying in London with support from the newspaper — was lured to Rome by a female Israeli Mossad agent, drugged, and abducted back to Israel. He was convicted of espionage and treason, serving 18 years in prison, more than half of that time in solitary confinement. Since his release in 2004, Vanunu has remained subject to strict travel bans and restrictions on speaking with foreign journalists, limitations that remain in force decades later.

  • Spain’s Sanchez asks EU to block US sanctions on ICC

    Spain’s Sanchez asks EU to block US sanctions on ICC

    On Wednesday, Spanish Prime Minister Pedro Sanchez made a public call for the European Commission to put into effect the EU’s long-dormant Blocking Statute, a defensive regulatory tool designed to counteract extraterritorial third-country sanctions. His demand comes in response to sweeping US sanctions imposed over the past year by the Donald Trump administration that target senior International Criminal Court (ICC) personnel and a top United Nations human rights official, measures that threaten the operational independence of both global institutions.

  • Palestine ambassador protests to UK over ‘erasure’ from British Museum exhibits

    Palestine ambassador protests to UK over ‘erasure’ from British Museum exhibits

    A high-stakes historical and political controversy has erupted in the United Kingdom after the Palestinian ambassador to the UK submitted an official formal complaint to the Foreign, Commonwealth & Development Office over the deletion of the term “Palestine” from archaeological exhibits at the British Museum.

    The alteration of exhibit labels took place in February, when museum leadership replaced references to “Palestine” in displays focused on ancient Egypt and the Phoenician civilization with the term “Canaan.” Officials justified the change by arguing that “Palestine” was not a historically meaningful geographical descriptor for the specific time periods covered in the exhibits. The revised labels now refer to the relevant region as Canaan and reclassify the Hyksos people, previously described as being of “Palestinian descent,” as of “Canaanite descent.”

    Investigative reporting from The Telegraph has traced the decision back to pressure from UK Lawyers for Israel (UKLFI), a controversial pro-Israel advocacy group. In a formal letter sent to British Museum director Nicholas Cullinan, UKLFI contended that labeling the eastern Mediterranean coast as Palestine in exhibits covering 1700–1500 BC amounted to erasing the ancient kingdoms of Israel and Judea, and incorrectly framed the ancestral origins of the Jewish people as tied to Palestine. The organization’s objections specifically targeted the wording of those two exhibit labels, leading directly to the revision.

    Critics of the change note that historical evidence contradicts the museum’s claim that the term Palestine is anachronistic for ancient contexts. One of the earliest surviving references to the region dates back to the 12th century BC, inscribed on the Great Harris Papyrus, an ancient Egyptian document that refers to the area as “Peleset”—a linguistic precursor to the name Palestine that covers territory including modern-day Gaza and the Israeli city of Ashdod. Despite the existence of these well-documented ancient sources, museum leadership moved forward with the label changes.

    In an interview with The Guardian, Palestinian ambassador Husam Zomlot emphasized the gravity of the dispute, framing the erasure of Palestine from historical exhibits as an existential issue for the Palestinian people. This objection carries particular weight: the United Kingdom formally recognized Palestine as a sovereign state just months before the label changes were made. “I sent a letter to the minister in charge at the Foreign Office, and we are still waiting for a response,” Zomlot said Wednesday. “This is not only a political issue, not only a legal issue, not even just a historical dispute. This is an existential matter. Erasing our past is erasing our present.”

    The British Museum has pushed back against claims that the change was a direct response to UKLFI pressure. In a statement to Middle East Eye in February, a museum spokesperson argued that the term Palestine, while one of the oldest documented names for the eastern Mediterranean’s southern Levant region, is only appropriate for historical contexts dating to the later second millennium BC. The spokesperson added that the institution uses UN-endorsed terminology for modern maps of the region, referencing Gaza, the West Bank, Israel and Jordan, and uses the identifier “Palestinian” for cultural and ethnographic contexts when appropriate. Even so, the spokesperson acknowledged that the term was changed because it is no longer considered politically neutral in contemporary discourse—an admission that has fueled further criticism.

    Palestinian advocacy groups have decried the museum’s decision as blatant hypocrisy. Energy Embargo for Palestine, a grassroots campaign organization, pointed out that the British Museum positions itself as a neutral guardian of global cultural heritage, claiming to preserve and communicate history objectively. “And yet after looting Palestinian artefacts from across the Middle East, it is now unashamedly preparing itself to rewrite history, to erase Palestine, and its millions of people, out of the history books,” the group said in a formal statement.

    While the British Museum has repeatedly claimed it did not entirely remove the term Palestine from all its exhibits, photographic evidence contradicts this assertion. Documents obtained via a Freedom of Information request by independent website Unredacted also show museum staff cited incoming audience emails and social media posts from high-profile historians as additional justification for the terminology change.

    This incident is not an isolated case: the British Museum is just the latest in a growing list of UK public institutions targeted by UKLFI over content related to Palestine. Earlier in February, UKLFI pressure prompted Encyclopaedia Britannica to amend multiple entries in its children’s platform Britannica Kids, removing the term Palestine from regional maps. A year prior, London’s Chelsea and Westminster Hospital removed a children’s artwork created by students in Gaza. UKLFI director Caroline Turner initially claimed the removal came in response to patient complaints, but a subsequent Freedom of Information request forced the hospital to admit that the only complaint received had been submitted by UKLFI itself.

  • Latmiya: Inside the Ashura rituals shaping Iran’s wartime narrative

    Latmiya: Inside the Ashura rituals shaping Iran’s wartime narrative

    Across shadowed gathering halls in Iran, hundreds of men clad in black strike their chests in synchronized rhythm, while religious orators chant measured, mournful refrains centered on martyrdom, sacrifice, and modern conflict. These dramatic performances, commonly lit with ominous red lighting and widely circulated across Iranian social media platforms and YouTube, have emerged as a defining feature of the nation’s wartime public landscape following the 12-day Iran-Israel conflict in June 2025.

    Known as latmiyah, these mourning recitations trace their origins to centuries-old Ashura rituals, which commemorate the 680 CE martyrdom of Shia Imam Hussain ibn Ali, grandson of the Prophet Muhammad, at the Battle of Karbala. In Shia religious memory, Hussain’s death—after he refused to swear allegiance to the unjust Caliph Yazid ibn Muawiyah—has long stood as a foundational narrative of resistance against illegitimate rule. In the years following the 2025 conflict, high-profile state-endorsed eulogists including Mahdi Rasouli, Hossein Taheri, Seyed Reza Narimani and Hossein Sotoudeh have released a wave of new wartime recitations that frame the ongoing US-Israel military campaign against Iran through the ancient symbolic lens of Karbala.

    The fusion of religious ritual and wartime messaging has split public opinion: pro-government supporters online have praised the new recitations as powerful expressions of national and religious solidarity, while critics decry them as a deliberate effort by the Islamic Republic to tie traditional religious mourning to state-led political mobilization. In a growing shift, these modern recitations have also begun incorporating Persian nationalist motifs, framing the current conflict not only as a defense of Shia Islam, but also as a fight for Iranian national sovereignty. This dual framing has sparked broader debate over the narratives shaping Iran’s wartime public discourse, and who holds the authority to define the meaning of Karbala, nationhood, and resistance in modern Iran.

    To understand this contemporary moment, it is necessary to trace the deep historical roots of Ashura rituals in Iranian political and social life. Millions of Shia Muslims across Iran and the broader region mark Ashura every year through mourning processions, poetry recitations, and pilgrimage to Karbala, located in central Iraq. After the Safavid dynasty established Twelver Shia Islam as Iran’s official state religion in the 16th century, Ashura rituals became a core pillar of religious and communal life, building a ritual infrastructure that outlasted successive dynasties and political systems, and repeatedly shaped the course of Iranian politics.

    As early as the 1891–1892 Tobacco Protest, a nationwide movement opposing a foreign concession that granted control over Iran’s tobacco industry to a Western power, preachers spread leading Shia cleric Mirza Hasan Shirazi’s anti-tobacco fatwa through Ashura gatherings in mosques and bazaars. Participants in the 1905–1911 Constitutional Revolution similarly leaned heavily on Ashura symbolism in their demonstrations and political rhetoric. Decades later, the 1979 revolution that ousted Shah Mohammad Reza Pahlavi centered chants of “Our movement is Hussaini, our leader is Khomeini,” drawing a direct parallel between the 7th-century struggle for justice and the modern revolutionary movement.

    In each of these moments, Ashura mourning rituals did more than preserve religious memory: they built emotional and political authority through preachers, reciters, and religious singers, known as maddahs. After the establishment of the Islamic Republic in 1979, this political role of ritual was amplified. During the 1980s Iran-Iraq War, Karbala symbolism became the central language of state wartime mobilization, cementing the role of maddahs as key intermediaries between the state and Iranian society.

    That same ritual infrastructure remains central to the Islamic Republic’s mobilization efforts following the 2025 conflict. State-backed maddahs now frame both the June 2025 Iran-Israel war and the ongoing US-Israel campaign against Iran as modern extensions of the Karbala narrative, using mourning recitations to cast the conflicts as tests of sacrifice, resistance, and loyalty to the state. In a 2026 eulogy, for example, Sotoudeh framed Supreme Leader Ayatollah Mojtaba Khamenei as Iran’s modern “flag bearer,” drawing a direct parallel to Abbas ibn Ali, Hussain’s brother who carried the Islamic standard at Karbala.

    This symbolic framing directly echoes recent statements from Iranian leaders. Two weeks before his death in February 2026, then-Supreme Leader Ali Khamenei drew an explicit parallel, stating that just as Hussain refused to pledge allegiance to Yazid, Iran would never “pledge allegiance to the corrupt people…who are today in power in America.”

    Public polling and on-the-ground accounts confirm that most Iranians broadly oppose foreign military intervention in their country’s affairs, with online videos showing near-nightly pro-government rallies drawing hundreds to thousands of attendees, many featuring eulogists performing the new latmiyah recitations. But opposition to foreign intervention does not automatically translate into support for the state’s framing of the conflict through Karbala symbolism.

    Multiple Iranian citizens who spoke to *Middle East Eye* expressed skepticism about the regime’s co-optation of Karbala narratives for political and foreign policy purposes. One Iran-based journalist claimed that some attendees at pro-government rallies in low-income neighborhoods had received financial incentives to participate, a claim *Middle East Eye* was not able to independently verify.

    The limits of the state’s exclusive control over Ashura symbolism are not a new development. During the 2009 Green Movement opposition protests, demonstrators chanted slogans comparing Ali Khamenei to Yazid, the same unjust caliph that Karbala narratives condemn. More recently, during 2023 Ashura commemorations, mourners and independent maddahs across Iranian cities chanted anti-government slogans using the same Karbala motifs the state employs for its own messaging.

    These examples demonstrate that while Ashura symbolism can confer political legitimacy, it does not serve only the interests of the state. While state-linked Karbala narratives can mobilize limited support during wartime, their long-term power depends on whether they are paired with broader social and political reforms that resonate with the Iranian public.

    A key new development in recent years has been the growing integration of Persian nationalist symbols into state-backed eulogies. Shortly after the June 2025 Iran-Israel war, Ali Khamenei asked prominent maddah Mahmoud Karimi to perform a reworked version of the iconic patriotic anthem *Ey Iran* during an Ashura commemoration. Karimi revised several verses to add religious themes, rebranding Iran itself as the “land of Karbala” and folding Iranian national memory directly into the ritual language of Ashura.

    In another example, a live recitation by maddah Hossein Taheri during last year’s Muharram commemoration drew heavily on imagery from the *Shahnameh*, Ferdowsi’s 10th-century epic of ancient Persian heroes and myths, blending Shia mourning traditions with references to Persian national legend. In the eulogy, Taheri declared that Hussain does not fight alone, because his modern supporters come from the “lineage of Rostam,” the *Shahnameh*’s most famous legendary warrior.

    Critics argue that the state’s turn to Persian nationalist symbols is an attempt to shore up broader public legitimacy for its wartime policies amid growing domestic discontent. This debate over nationalist symbolism comes amid its use by anti-government protesters: following a sharp collapse in the value of the Iranian rial in December 2025, January 2026 anti-government protests saw demonstrators chanting slogans comparing Khamenei to Zahhak, the villainous mythical tyrant from the *Shahnameh*.

    Iran has long sought to frame national identity and religious mission as inseparable. During the Iran-Iraq War, Ali Khamenei articulated this view, stating: “You cannot defend Iran without fighting for Islam, and you cannot protect the borders of Islam without raising the flag of Iran.” The presence of Iranian flags carried by many mourners during last year’s Ashura ceremonies suggests this idea still resonates beyond official state speeches, with official data recording tens of thousands of privately organized mourning ceremonies held during last year’s Ashura commemorations, a testament to how deeply these rituals remain rooted in Iranian civil society.

    This deep social embeddedness explains why Karbala symbolism remains such a useful tool for the Islamic Republic during moments of war and national crisis. But wartime mobilization is not equivalent to lasting political legitimacy. The state can draw on Ashura, adapt its narratives, and fuse it with national symbols, but it cannot control how these narratives are received and interpreted by the Iranian public. The resonance of the state’s framing depends not only on the stories Tehran tells, but on the domestic political and economic conditions in which Iranians encounter those stories. Without broader political and economic reform, even the most skillful symbolic adaptation can only go so far.