分类: society

  • Philippine police assure peaceful observance of Ramadan and Lent

    Philippine police assure peaceful observance of Ramadan and Lent

    Philippine authorities have launched comprehensive security measures to ensure peaceful religious observances during the simultaneous occurrence of Ramadan and Lent. The Philippine National Police (PNP) has activated a nationwide security strategy characterized by heightened police visibility at critical locations including transportation hubs, worship sites, and popular tourist destinations.

    Police General Jose Melencio Nartatez, Jr., PNP Chief, emphasized that police visibility and community engagement form the cornerstone of their security approach. “We are deploying substantial personnel resources, including specialized Salaam Police Center units, to mosques and churches across the nation,” Nartatez stated. The security apparatus incorporates real-time adjustments and coordination with local religious leaders to manage crowds and prevent opportunistic criminal activities.

    Significantly, the Moro National Liberation Front (MNLF) has pledged support to government security forces during this period. Muslim Sema, MNLF chairman and Bangsamoro Labor Minister, affirmed: “Ramadan represents a sacred Islamic month. The MNLF will collaborate with police, military, and local government units to ensure peaceful observances.” This commitment extends to the Moro Islamic Liberation Front and various civilian officials who have vowed cooperation in maintaining order within Muslim communities throughout Ramadan.

    The Armed Forces of the Philippines Western Mindanao Command, under Lieutenant General Donald Gumiran, expressed appreciation for Muslim officials’ support while announcing community development projects for Muslim communities during the fasting season. The security measures include establishing 24/7 police assistance desks near major cathedrals and mosques to provide immediate support to worshippers.

  • Hong Kong government offers to buy apartment ownerships from fire victims

    Hong Kong government offers to buy apartment ownerships from fire victims

    Hong Kong authorities have announced a comprehensive resettlement strategy for thousands of residents displaced by November’s catastrophic fire, the city’s deadliest blaze in decades. The proposed solution involves the government purchasing homeownership rights from affected residents of the seven buildings at Wang Fuk Court that were devastated by the tragedy.

    After three months of uncertainty and temporary housing arrangements across various districts, displaced homeowners now face two primary options: accept cash compensation to secure their own accommodation or participate in a government-facilitated apartment exchange program. For those preferring to avoid handling large sums directly, the latter option provides a streamlined alternative.

    Deputy Financial Secretary Michael Wong revealed the financial framework, estimating the buyback of approximately 1,700 units would require HK$6.8 billion (US$870 million). Public funds will cover HK$4 billion (US$512 million), with the remaining balance sourced from a dedicated relief fund.

    The administration has determined that repairing the structurally compromised buildings is neither reasonable nor cost-effective. Instead, the government plans to demolish the seven structures and repurpose the land, potentially transforming the site into community facilities or green space rather than residential redevelopment.

    Wong emphasized the urgency of government intervention, noting that without it, homeowners would struggle to find buyers in the open market, potentially losing their entire investment. The government aims to initiate contact with affected residents in March and complete compensation payments by the third quarter of this year.

    The proposal follows extensive consultation with displaced residents, with survey results indicating 74% of respondents were open to selling their ownership rights to the government. Approximately 9% expressed preference for on-site redevelopment, an alternative the government estimates would require approximately a decade to complete.

    The November 26, 2025 fire claimed 168 lives and decimated the tight-knit Tai Po community. Preliminary investigations attribute the rapid spread of flames to substandard construction materials used in a maintenance project, including non-compliant scaffold netting and foam boards. While several arrests have been made, an independent committee continues its investigation into the exact causes of the tragedy.

  • Inspired by UAE’s oldest mosque: ‘Net-zero-energy’ mosque opens in Masdar City

    Inspired by UAE’s oldest mosque: ‘Net-zero-energy’ mosque opens in Masdar City

    Masdar City has inaugurated a revolutionary place of worship that harmonizes spiritual tradition with cutting-edge environmental technology. The newly opened Masdar City Mosque, capable of accommodating up to 1,300 worshippers during Ramadan peak hours, represents a significant milestone in sustainable religious architecture.

    Drawing architectural inspiration from Al Bidyah Mosque, one of the UAE’s oldest surviving mosques, the structure masterfully blends traditional Emirati design elements with advanced engineering solutions. The mosque features a spacious 42-meter-wide column-free prayer hall and a striking 20.2-meter minaret that dominates the Masdar City skyline. A pioneering rammed-earth Qibla wall, the first of its kind in Abu Dhabi’s public buildings, provides natural temperature regulation while honoring centuries-old regional construction techniques.

    The mosque’s net-zero energy certification stems from its comprehensive sustainability systems. Over 1,000 square meters of solar photovoltaic panels installed on rooftops and shaded parking areas generate 100% of the building’s annual energy requirements. Passive design strategies including optimal orientation, shaded arcades, natural ventilation, and daylight harvesting significantly reduce energy consumption. The facility also introduces Abu Dhabi’s first mosque-based greywater recycling system, treating water used for ablution and repurposing it for landscape irrigation.

    Ahmed Baghoum emphasized the project’s philosophical foundation, stating, ‘Sustainability is deeply rooted in Islamic teachings, which call for balance, moderation, and stewardship of the Earth.’ The mosque has earned prestigious certifications including LEED Platinum, 4 Pearl Estidama ratings, and Net-Zero Energy Certification from the International Living Future Institute.

    Opened during the UAE’s Year of Family initiative, the mosque serves dual purposes as both a spiritual center and community gathering space. Beyond Ramadan, the facility will host faith-based and cultural events throughout the year, reinforcing its role as a beacon of sustainable development and community engagement.

  • Inner Mongolia showcases horse culture at winter photography festival

    Inner Mongolia showcases horse culture at winter photography festival

    The Ulan Butong grasslands of Inner Mongolia recently transformed into a vibrant stage for cultural preservation and economic development during its annual Winter Ice and Snow Photography Festival. Held from January 12-14 in Xiaohongshanzi village, the event attracted over 3,000 visitors and photography enthusiasts from across 10 provincial-level regions, all drawn to witness the spectacular celebration of Mongolian equestrian traditions.

    Against a breathtaking backdrop of snow-covered plains, the festival presented an immersive experience into winter nomadic life through meticulously choreographed performances. The opening day featured two riders demonstrating remarkable synchrony while standing upright on galloping horses, capturing the essence of Mongolian horsemanship. The ceremony commenced with traditional singing and dancing, followed by an ancient fire-worship ritual where local herders offered prayers and tributes, maintaining cultural practices passed through generations.

    The festival’s visual climax occurred when 120 Mongolian horses thundered across the plains, their hooves kicking up crystalline snow sprays against a landscape dotted with traditional yurts. Accompanied by the haunting melodies of the morin khuur (Mongolian horse-head fiddle), twenty riders in authentic attire galloped past spectators, drawing enthusiastic applause from the captivated audience. Additional events included horseback folk performances staged on the frozen surface of Yeya Lake, creating striking visual compositions against the icy canvas.

    Beyond its cultural significance, the festival has emerged as a crucial economic engine for rural revitalization. By strategically integrating equestrian culture with tourism development, the event has generated substantial income opportunities for local residents. Approximately 200 villagers now participate in horseback riding and related tourism services, increasing average annual incomes by approximately 15,000 yuan ($2,142).

    Ji Guoyi, Party secretary of Xiaohongshanzi village, emphasized the deep connection between community identity and equestrian heritage: ‘Horses are not only symbols of our grassland but fundamental to local livelihoods. By combining our winter landscape with traditional customs, we create meaningful opportunities for cultural exchange and economic growth.’ The festival, offered free to the public, successfully merged photographic artistry with cultural preservation while establishing a sustainable model for winter tourism development in the region.

  • Aiming for the skies

    Aiming for the skies

    In a significant victory for independent creators, renowned Chinese astrophotographer Dai Jianfeng has prevailed in a two-year legal battle against Visual China Group, one of China’s largest stock image platforms. The Beijing court ruled that the A-share listed company committed copyright infringement by selling Dai’s photograph “Village Under the Milky Way” without authorization, ordering compensation of 15,000 yuan ($2,100) and a public apology on its official website.

    The case originated when Visual China’s platform hosted and commercially distributed Dai’s celestial photography through a third-party uploader who lacked proper authorization. Despite settlement offers during pre-trial mediation, the 37-year-old Chongqing-based photographer refused to accept private resolution, citing broader principles of creator rights protection.

    “This wasn’t just about my individual case,” Dai explained to China Daily. “Many fellow photographers have experienced similar infringements. Accepting a quiet settlement would have ignored the systemic nature of the problem.”

    The verdict represents a symbolic triumph for China’s creative community, highlighting the substantial challenges visual artists face in monetizing their work through image sales alone. Dai, who specializes in capturing extraordinary astronomical phenomena including aurora borealis over Stonehenge and galactic landscapes, described sustainable income generation through photography as “mission impossible” under current market conditions.

    Beyond the legal implications, Dai emphasizes the artistic purpose driving his craft: creating celestial imagery that emotionally resonates with viewers. His victory establishes an important precedent for intellectual property protection in China’s digital creative economy while underscoring the ongoing struggles of professional photographers in the digital age.

  • A Guangdong guide to festive giving wins hearts

    A Guangdong guide to festive giving wins hearts

    As China welcomed the Year of the Horse with vibrant red lanterns adorning urban thoroughfares and families gathering for heartfelt reunions, an unassuming chart from Guangdong province emerged as an unexpected cultural touchstone during the Spring Festival celebrations. This crowdsourced guideline, detailing appropriate monetary amounts for traditional red envelopes, has resonated deeply with citizens across the nation.

    The recommendation framework suggested 100 yuan ($14) for immediate family members, 50 yuan for close non-blood relatives, 20 yuan for cousins, 10 yuan for distant relatives, and merely 5 yuan for neighbors. Rather than establishing new standards, these figures reflect long-standing regional practices in Guangdong where the Cantonese tradition of ‘laisee’ emphasizes symbolic meaning over monetary value.

    The digital response to this guideline has been overwhelmingly supportive, with WeChat, Douyin, and Weibo users applauding the approach for helping the festival ‘return to its original significance’ while alleviating the financial pressures that often accompany seasonal gift-giving.

    The custom of red envelopes, historically known as ‘yasuiqian’ or ‘money to ward off evil spirits,’ traces its origins over a millennium to the practice of elders threading copper coins with red string to bless children with peace and safety. Southern folklore tells of a mythical creature called Nian Shou that would frighten children during the New Year, leading to the adoption of red decorations, bright lights, and firecrackers as protective measures. The red envelope consequently evolved into both protective talisman and generational blessing.

    The Cantonese term ‘laisee’ incorporates auspicious homophones meaning ‘good fortune’ and ‘smooth affairs,’ with the red paper conveying joy and prosperity while the enclosed money represents shared luck between generations.

    Despite the prevalence of digital transfers, many still cherish the tactile tradition of preparing crisp new banknotes for physical envelopes. Guangzhou retiree Wang Xiuying, 66, recently exchanged 2,000 yuan for new bills at her local bank, explaining that ‘giving hongbao to children is a must and a perfect gift for Spring Festival.’ For her, the envelopes represent familial blessings more than monetary value.

    The Guangdong guidelines have gained particular relevance as red envelope amounts have escalated in various regions, creating silent but substantial financial pressure. Office worker Cheng Qiongfang from Guangzhou noted that she maintained her practice of distributing envelopes containing 10 or 20 yuan, stating that ‘if hongbao becomes just a way to compete with others, it loses its original meaning.’

    Cultural observers suggest the guideline’s popularity reflects a broader societal desire for less burdensome celebrations focused on warmth rather than wealth. Within the rich tapestry of Chinese New Year traditions—from doorway couplets to family banquets—the red envelope remains one of the most intimate and enduring customs. This slender fold of paper containing modest sums carries centuries of cultural memory for those who appreciate its deeper significance.

    Through Guangdong’s understated laisee guide, many have discovered not merely a reference chart but a poignant reminder that the true value of a red envelope lies not in its denomination, but in the goodwill it conveys across generations.

  • ‘Emotional spending’ a touch of holiday luxury

    ‘Emotional spending’ a touch of holiday luxury

    A new consumer phenomenon dubbed ’emotional spending’ is transforming how Chinese citizens celebrate the Spring Festival holiday, with many opting for luxury purchases and personalized cultural experiences over traditional celebrations. This trend reflects a growing desire for meaningful consumption that provides emotional satisfaction and cultural connection during China’s most important family reunion period.

    Among the most popular emotional expenditures are professional photo sessions wearing traditional hanfu attire, premium tourism packages, and exclusive Lunar New Year’s Eve dining experiences. These activities, while often carrying substantial price tags, offer participants immersive cultural engagement and lasting memories beyond conventional holiday spending.

    Twenty-year-old Beijing undergraduate Zhang Xiaohan exemplifies this trend. She recently invested approximately 2,000 yuan ($288) in a comprehensive hanfu photography session in Xi’an, one of China’s ancient capitals. The package included traditional costume rental, professional makeup services, photography at historical sites, and entrance fees to cultural landmarks.

    “I’m deeply attracted to Chinese traditional culture, particularly the subtle elegance of classical clothing and architecture,” Zhang explained. “The experience at Grand Tang Dynasty Ever Bright City was particularly memorable—surrounded by red lanterns, beautiful architecture, and fellow hanfu enthusiasts, I felt completely immersed in the festive atmosphere.”

    While Zhang typically allocates around 1,000 yuan monthly for entertainment and cultural items, she considered the Spring Festival premium justified for the quality of experience received. The photographer enhanced the session with traditional props including Chinese paper-cuts and lanterns, creating images rich with cultural symbolism and holiday spirit.

    This shift toward experiential luxury spending during traditional holidays signals broader changes in Chinese consumption patterns, particularly among younger generations who increasingly value cultural authenticity and emotional fulfillment over material possessions alone.

  • In war-weary Kyiv, wounded Ukrainian veterans turn epic poetry into living testimony

    In war-weary Kyiv, wounded Ukrainian veterans turn epic poetry into living testimony

    KYIV, Ukraine — In an extraordinary fusion of classical literature and contemporary reality, Ukrainian military veterans and drama students have collaboratively brought to life a groundbreaking theatrical production. The performance, an adaptation of Ivan Kotliarevskyi’s 18th-century work ‘Eneida’ itself based on Virgil’s ‘Aeneid,’ serves as both artistic expression and therapeutic rehabilitation for participants bearing the physical and psychological scars of Russia’s ongoing invasion.

    Directed by Olha Semioshkina, the production at Kyiv’s National Academic Molodyy Theatre features a cast ranging from their 20s to 60s, including veterans who sustained amputations, severe burns, and vision loss during combat. The year-long preparation process involved not only theatrical training but fundamental physical and emotional rehabilitation, with participants spending months learning to communicate, move, and exist with their changed bodies before even beginning script work.

    Semioshkina’s conceptual framework transforms every male actor into Aeneas and every female actor into Dido, mirroring the epic journey of Virgil’s hero who wanders after tragedy in search of a new homeland. In this modern interpretation, the Trojan hero becomes a Cossack—raw, resilient, and profoundly human—while the veterans’ real experiences blur the lines between myth and reality.

    The performance reaches its emotional zenith when actors break character to share personal testimonies: accounts of drone strikes, occupation, loss of comrades, and returning to war despite advanced age. Yehor Babenko, a border service veteran with severe burns, delivers darkly humorous lines about shared experiences with being ‘burned out,’ while Andrii Onopriienko, who lost his sight in an artillery strike, provides resonant narration despite initially doubting his ability to contribute.

    The production’s technical elements incorporate prosthetic limbs and metal rods that serve both as theatrical props and practical supports, creating a visual language that acknowledges rather than hides the actors’ conditions. Even the performance itself faced wartime realities when a power outage during the premiere required actors to continue under flashlight illumination, creating an unplanned but profoundly symbolic moment of perseverance.

    The standing ovation that greeted the cast affirmed not only their artistic achievement but the production’s deeper message about veteran resilience and community support. As Semioshkina emphasized, the production serves as an invitation to all veterans to reconnect with life beyond their trauma: ‘Come out. You can do something. Live. Don’t close yourself off. Live every single minute.’

  • Anna Murdoch-Mann, mother of News Corp heir, dies aged 81

    Anna Murdoch-Mann, mother of News Corp heir, dies aged 81

    Anna Murdoch-Mann, the esteemed journalist and former spouse of media magnate Rupert Murdoch, has passed away at age 81. Her death on February 17th at her Palm Beach residence marked the conclusion of an extraordinary life journey that spanned continents and encompassed remarkable professional achievements.

    Born Anna Torv in Glasgow and raised within the Catholic faith, she relocated to Australia at nine years old. Following her parents’ separation, she remarkably assumed responsibility for raising her younger siblings—an early demonstration of the resilience that would characterize her life.

    Her journalistic career at Sydney’s Daily Telegraph and Daily Mirror newspapers brought her into contact with Rupert Murdoch, commencing a 31-year marriage described by Murdoch’s New York Post as an ‘active partnership’ in building the News Corp empire. The Australian newspaper noted that Murdoch ‘never made a major business decision without her input.’

    During their marriage, Murdoch-Mann balanced corporate responsibilities with literary pursuits, authoring several novels including the 1988 publication ‘Family Business,’ which explored multi-generational media dynasties—a subject she knew intimately.

    The couple’s life together included dramatic chapters, notably the 1969 abduction and murder of Muriel McKay in Hertfordshire, England—a case of mistaken identity where kidnappers targeted McKay believing she was Murdoch-Mann.

    Their 1999 divorce resulted in one of history’s most substantial settlements at $1.7 billion. Seventeen days later, Rupert Murdoch married his third wife, Wendi Deng.

    In a post-divorce interview with Australian Women’s Weekly, Murdoch-Mann presciently observed that succession planning for Murdoch’s media empire would create ‘heartbreak and hardship,’ adding that her children faced ‘pressure that they needn’t have had at their age.’ These dynamics later inspired the television series ‘Succession’ and culminated in her son Lachlan assuming control of the news conglomerate.

    Beyond her corporate and literary accomplishments, Murdoch-Mann distinguished herself as a dedicated philanthropist, serving on the boards of children’s hospitals in Los Angeles and Haiti. In 1998, Pope John Paul II recognized her humanitarian work by appointing her a Dame of the Order of St Gregory.

    She is survived by her third husband, Ashton dePeyster, along with ten grandchildren and one great-grandchild. Her legacy endures through her children Elisabeth, James, and Lachlan Murdoch, and stepdaughter Prudence.

  • Catch of the day: Pictures from spectacular Nigerian fishing festival

    Catch of the day: Pictures from spectacular Nigerian fishing festival

    Northern Nigeria witnessed the spectacular revival of its renowned Argungu International Fishing and Cultural Festival last weekend, marking the event’s triumphant return following a six-year suspension due to pandemic restrictions and security challenges. Tens of thousands of participants and spectators gathered along the banks of the Matan Fada River in Kebbi State, where the ancient fishing competition resumed with unprecedented enthusiasm.

    The festival commenced with traditional ceremonies presided over by the Sarkin Ruwan (Custodian of the River), who performed sacred rituals to bless the waters and participants. Drummers from the Kabawa ethnic group established the rhythmic backdrop as fishermen positioned themselves along the riverbanks, their nets poised for the signal to begin.

    This year’s event gained particular significance with the attendance of President Bola Tinubu, highlighting the government’s endorsement of cultural preservation and regional stability. The main fishing competition saw participants plunging into the river with large gourds serving as both buoyancy aids and containers for their catch. Fishermen navigated chest-deep waters, dragging nets along the riverbed in pursuit of the largest specimens.

    The competition culminated in an extraordinary catch—a massive croaker fish weighing 59 kilograms (130 pounds) secured by the grand prize winner, who received two automobiles and 1 million naira (approximately $740) in prize money. Judges meticulously weighed and verified each catch on traditional scales, with numerous other substantial fish being presented throughout the competition.

    Beyond the primary fishing event, the four-day festival featured diverse cultural activities including traditional archery, dambe (a indigenous combat sport where fighters wrap rope around their striking hand), wild duck-catching competitions, and bare-handed fishing demonstrations by younger participants. The event also showcased vibrant musical performances that echoed throughout the celebration grounds.

    With historical roots extending back a century, the Argungu Festival formally began in 1934 as a peace-building initiative between the Kebbi Kingdom and Sokoto Caliphate. UNESCO has recognized the festival as an intangible cultural heritage event, attracting international visitors from neighboring countries and beyond. Local organizers emphasized the festival’s role in promoting cross-cultural understanding and celebrating northern Nigeria’s rich traditions.