Global Pulse

分类： entertainment

  • From red donkeys to vibrant art: Fernando Dávila’s colorful journey as a colorblind painter

    From red donkeys to vibrant art: Fernando Dávila’s colorful journey as a colorblind painter

    DORAL, Fla. (AP) — Colombian-born artist Fernando Dávila’s artistic journey began with an early setback—failing a childhood drawing class in Colombia for painting donkeys red. This unconventional color choice stemmed from a biological reality: Dávila is colorblind. Now at 72, the internationally acclaimed painter creates vibrant works exhibited across three continents, transforming his visual limitation into artistic triumph.

    From his Miami studio, Dávila reflects: “I possess the world’s most wonderful occupation—painting each morning. Blending colors and sharing joy with the world constitutes my true passion.” His artistic practice initially confined itself to monochromatic works until age thirty due to his congenital condition that impairs differentiation between red and green hues, along with confusing pink, violet, turquoise, and yellow-green shades.

    A transformative development occurred in the mid-1980s when a New York ophthalmologist designed specialized glasses featuring one transparent lens and one red-tinted lens. This optical innovation enables Dávila to distinguish contrasting shades that typically blur together, expanding his color perception from 40% without aids to nearly two-thirds of the color spectrum.

    Dávila metaphorically describes his experience as “having a chocolate box while only sampling portions.” He expresses profound yearning to experience full chromatic richness: “When someone mentions a vividly pink flower, I passionately desire to perceive it—this longing emanates from my heart. I sense color’s vibration.”

    The genetic condition spans his family lineage, affecting his grandfather (monochromatic vision), mother, three aunts, and two brothers—notable given colorblindness’s lower prevalence among females. Despite these visual constraints, Dávila’s distinguished career spanning Colombia, New York, and Florida earned him the Colombian Congress’s “Order of Democracy” in 1999 for artistic contributions.

    The established artist has published two hardcover books and numerous exhibition catalogues, with his works appearing at premier auction houses Christie’s and Sotheby’s. His paintings frequently feature romantic human embraces and landscapes, often employing blue as foundational hue. “Color remains life’s essential element,” Dávila concludes, “particularly for myself.”

  • ‘I felt a sense of helplessness’: Filmmaker Kaouther Ben Hania on ‘The Voice of Hind Rajab’

    ‘I felt a sense of helplessness’: Filmmaker Kaouther Ben Hania on ‘The Voice of Hind Rajab’

    Acclaimed Tunisian director Kaouther Ben Hania has created one of the year’s most emotionally powerful films with ‘The Voice of Hind Rajab,’ which recently premiered at Dubai’s Cinema Akil. The project originated from the devastating real-life story of a five-year-old Palestinian girl trapped in a car with her deceased relatives during Gaza conflict, desperately calling rescue workers while awaiting help that would never arrive.

    In an exclusive interview following the Dubai screening, Ben Hania revealed the profound emotional impetus behind the film. ‘When I first encountered Hind’s voice recording on social media, I experienced an overwhelming sense of helplessness,’ the filmmaker confessed. ‘This emotional response transformed into a creative imperative—I recognized cinema’s unique capacity to honor individual tragedy amidst statistical overwhelming loss.’

    The director made two crucial artistic decisions that define the film’s distinctive approach. Rather than recreating Gaza’s battlefield directly, Ben Hania adopted the perspective of Palestinian Red Crescent rescue workers in Ramallah, physically distant yet emotionally connected to the unfolding horror. Secondly, she incorporated the authentic audio recordings of Hind’s final conversations, creating what she describes as ‘a confrontational film intended to prevent audiences from looking away.’

    Addressing ethical concerns about using real tragedy as artistic material, Ben Hania emphasized her thorough consultation with Hind’s family. ‘I obtained explicit consent from her mother, who saw the project as potential justice for her daughter,’ the director noted. ‘This collaboration ensured the film maintained both artistic integrity and profound respect for its subject.’

    The production proved emotionally taxing for all involved, particularly Palestinian cast members who channeled personal connections to the material. Ben Hania described the process as ‘placing our art in service of our stories,’ acknowledging the privilege of creating cinema about trauma from a position of safety.

    Currently serving as Tunisia’s official Oscar submission and having reached the 15-film shortlist, ‘The Voice of Hind Rajab’ represents more than awards ambition. For Ben Hania, whose career has focused on Arab world narratives despite lucrative English-language opportunities, the film embodies cinema’s highest purpose: giving voice to the voiceless and ensuring marginalized stories achieve global resonance through artistic excellence.

  • Watch: Hrithik Roshan dancing with his sons at cousin’s wedding breaks internet

    Watch: Hrithik Roshan dancing with his sons at cousin’s wedding breaks internet

    Bollywood megastar Hrithik Roshan has captivated social media platforms not through cinematic achievement but through an intimate family display of rhythm and joy. The celebrated actor, accompanied by his sons Hrehaan and Hridhaan, became the centerpiece of his cousin Eshaan Roshan’s wedding festivities in Mumbai, creating an internet sensation with their spontaneous dance performance.

    A spontaneously captured video from the celebration, rapidly circulating across social media channels, showcases the Roshan trio dancing with remarkable synchronization to Sukhbir’s popular track ‘Oh Ho Ho Ho.’ Their effortless coordination and evident enjoyment elicited enthusiastic cheers from wedding attendees, highlighting a rare glimpse into the actor’s personal life.

    The viral footage demonstrates Hrithik’s exceptional dance prowess seamlessly inherited by his sons, with all three maintaining perfect rhythm throughout the performance. The actor’s partner, Saba Azad, appeared in the background, similarly engaged in the celebratory atmosphere. This family moment resonated strongly with fans worldwide, generating widespread admiration for the boys’ natural dancing abilities and the apparent strong family bond.

    Beyond the dance floor, the Roshan family’s presence dominated the wedding events. Hrithik made a striking entrance in traditional attire, accompanied by his sons, while politely acknowledging photographers. The gathering also featured filmmaker Rakesh Roshan posing with the bride, and Hrithik’s ex-wife Sussanne Khan attending with her partner Arslan Goni, presenting a picture of modern familial harmony.

    The actor’s recent professional endeavors include his appearance in Ayan Mukerji’s ‘War 2,’ alongside co-stars Jr NTR and Kiara Advani. However, this personal moment has unexpectedly captured greater public attention, demonstrating the enduring appeal of authentic celebrity family moments in digital culture.

  • Jimmy Kimmel jokes about fascism in an ‘alternative Christmas message’ for Britain

    Jimmy Kimmel jokes about fascism in an ‘alternative Christmas message’ for Britain

    In a provocative alternative to the traditional royal Christmas address, American television host Jimmy Kimmel utilized Britain’s Channel 4 platform to issue a stark warning about the erosion of democratic institutions in the United States under President Donald Trump’s administration.

    The 55-year-old comedian, whose ‘Jimmy Kimmel Live!’ show faced temporary suspension by ABC in September, drew parallels between current political developments and historical fascism during his broadcast on Christmas Day. ‘From a fascism perspective, this has been a really great year,’ Kimmel remarked with characteristic irony. ‘Tyranny is booming over here.’

    Channel 4’s Alternative Christmas Message, established in 1993 as a counterpoint to the monarch’s annual speech, has historically featured unconventional voices including whistleblower Edward Snowden and former Iranian President Mahmoud Ahmadinejad. This year’s edition continued that tradition of thought-provoking commentary on contemporary issues.

    Kimmel referenced his recent confrontation with the Trump administration, noting that his September suspension—celebrated by the president as ‘great news for America’—prompted an extraordinary defense of free speech from across the political spectrum. ‘A Christmas miracle happened in September when millions of people, some who hated my show, spoke up for free speech,’ he told British viewers.

    The comedian expressed particular concern about the systematic dismantling of democratic foundations, citing attacks on ‘the free press, science, medicine, judicial independence, and the actual White House itself.’ He acknowledged America’s current political turmoil as a ‘right mess’ that affects international allies, offering an apology to British viewers while urging continued transatlantic solidarity.

    Despite historical differences dating to the American Revolution, Kimmel emphasized the enduring special relationship between the nations and pleaded with the UK not to abandon the US during its political ‘wobble.’

  • Bollywood lyricist and writer Neelesh Misra reflects on anger and algorithms

    Bollywood lyricist and writer Neelesh Misra reflects on anger and algorithms

    Indian lyricist and storyteller Neelesh Misra, renowned for his poetic contributions to Bollywood hits like ‘Jadu Hai Nasha Hai’ from Jism and ‘Kyun na Hum Tum’ from Barfi, is redefining success through conscious refusal and mindful creation. During a recent family vacation in Dubai, Misra revealed that his most potent skill is the ‘art of saying no,’ a principle he has upheld even at personal financial cost.

    Misra vehemently declines projects that conflict with his sensibilities, particularly what he describes as ‘sleazy lyrics.’ He illustrates this by explaining that if a provided hook line is indecent, the accompanying verses would inevitably need to be worse, a compromise he refuses to make. This commitment to integrity extends beyond film; it is the cornerstone of his broader movement, ‘Slow,’ which advocates for a simpler, more deliberate lifestyle counter to modern frenzy.

    The power of language remains central to Misra’s philosophy. He asserts that teaching children the transformational power of words from an early age can be life-changing, enabling them to express ideas with profound impact. This belief is culminating in plans to launch the Neelesh Misra School of Creativity. He contends that even in the era of artificial intelligence, human command over language is paramount, as we ultimately instruct the AI engines.

    However, Misra warns of a societal crisis fueled by digital distraction and manufactured outrage. He observes that people now actively seek reasons to be angry, asking ‘Aaj kis se upset hona hai?’ (Who should I get upset with today?). This online angst, he argues, provides a strange, fake gratification, replacing genuine real-world engagement. He identifies ‘biased story-telling’ as a prominent and twisted voice in today’s discourse, where the loudest narratives are not necessarily the right ones.

    The antidote, according to Misra, is empathy—’the secret sauce’ that allows one to ‘become the other’ and see life from another’s perspective, even amidst disagreement. He laments that decency is no longer incentivized; in content creation, as on the road, the bully often dominates while good content is sidelined for not fighting back. He criticizes the industry’s obsession with quantitative metrics—a film’s billion-rupee collection or a book’s million copies sold—as a poor substitute for qualitative value, which often gets overshadowed by propaganda and vested interests.

    Through ‘Slow,’ Misra offers an alternative. He hosts celebrities in his village for long-form interviews not just for content, but to expose them to a mindful way of life. He expresses deep concern over the ‘great negativity’ shaping our world through the content we consume, noting that short-form videos have wasted the inventive potential of millions of bright minds at the expense of richer relationships and real conversation.

    Ultimately, Misra believes in the healing power of stories, a fact reinforced by parents who tell him his narratives reduce their children’s anxiety. His final measure for his lyrical work is deeply personal: would it inspire a person in a small town to sing it in the shower, in their most private, unmasked moment? For Misra, true success is making someone feel that the song is their own emotion, simply written by someone else.

  • Kate Hudson isn’t okay talking about turning down ‘Spider-Man’ role

    Kate Hudson isn’t okay talking about turning down ‘Spider-Man’ role

    In a candid revelation on Watch What Happens Live With Andy Cohen, acclaimed Hollywood actress Kate Hudson addressed longstanding rumors about her career decisions, confirming she declined the opportunity to portray Mary Jane Watson in Sam Raimi’s 2002 superhero phenomenon Spider-Man. The role ultimately catapulted Kirsten Dunst to international stardom as she appeared opposite Tobey Maguire in what became a groundbreaking trilogy.

    Hudson characterized the discussion as emotionally complex, stating that retrospective examination of such decisions ‘doesn’t feel good to talk about.’ She acknowledged that while the casting ultimately proved perfect with Dunst’s portrayal, she occasionally reflects on what might have been. ‘Now that I look back, it’s one of those things where I’m like, ‘You know, that would’ve been nice to be in the Spider-Man movie,” Hudson confessed during the interview.

    The 46-year-old actress clarified her reasoning at the time, explaining that her commitment to The Four Feathers—where she co-starred with the late Heath Ledger—took precedence. This alternative path led to significant personal and professional developments, including forming a deep friendship with Ledger that she describes as transformative. ‘I got an experience that I would have never had,’ Hudson reflected, emphasizing her belief that ‘life happens exactly the way it’s supposed to.’

    Despite the missed opportunity, Hudson maintains philosophical perspective about her career trajectory. While acknowledging the appeal of having participated in the cultural phenomenon, she expressed gratitude for the path she chose and the meaningful relationships it fostered.

    Looking forward, Hudson is generating awards buzz for her upcoming performance alongside Hugh Jackman in Song Sung Blue. Jackman recently praised her work at the Gotham Awards, predicting Oscar recognition for what he described as a ‘consummate actor’ and ‘one of the great stars of our business.’

  • Dubai’s biggest NY celebration, New Year Family Carnival 2026, is here

    Dubai’s biggest NY celebration, New Year Family Carnival 2026, is here

    Dubai is gearing up for its most expansive New Year’s Eve celebration to date with the announcement of the New Year Family Carnival 2026. Scheduled for December 31, 2025, at Horizon Beach and Lounge within Le Méridien Mina Seyahi Beach Resort & Waterpark, this event promises an unparalleled entertainment experience for all ages.

    The carnival represents a collaborative effort between prominent event organizers Nirvana Nightlife, Sahara, The Eventique, and Glitch. This beachfront extravaganza will feature more than 21 distinct entertainment zones, creating an electrifying atmosphere complemented by panoramic views of Dubai’s iconic New Year fireworks display.

    Attendees can anticipate world-class entertainment offerings including dedicated children’s play areas, interactive carnival games, and special character meet-and-greet sessions with Labubu. The musical lineup features acclaimed disc jockeys G2, Karan, Raahyl, Lathish, and Bloodshedder, alongside dynamic water drum and traditional dhol performances.

    The venue offers exceptional vantage points for viewing fireworks displays from Palm Jumeirah, Burj Al Arab, and JBR. The evening’s festivities will include continuous entertainment, a live countdown to midnight, and dancing under the stars.

    Gates open at 6:00 PM with complimentary admission for children under six years old. The dress code encourages casual chic attire. Tickets are currently available for purchase through Platinumlist, Dubai’s premier event booking platform.

  • Mohammad Bakri, renowned Palestinian director of Jenin, Jenin, dies at 72

    Mohammad Bakri, renowned Palestinian director of Jenin, Jenin, dies at 72

    Mohammad Bakri, the acclaimed Palestinian actor and filmmaker renowned for his politically charged documentary ‘Jenin, Jenin,’ passed away Wednesday at age 72 in an Israeli hospital. His death followed complications from heart-related conditions that had recently worsened, according to family statements.

    Bakri’s 2002 documentary ‘Jenin, Jenin’ became his most controversial work, documenting the Israeli military’s assault on the Jenin refugee camp in the occupied West Bank. The film presented harrowing testimonies from Palestinian survivors of the 11-day offensive that resulted in 52 Palestinian casualties and the demolition of nearly 300 homes.

    The documentary triggered significant backlash in Israel, culminating in a nationwide screening ban imposed by an Israeli court in 2021 after years of legal challenges. Despite sustained pressure and what Bakri described as ‘incitement campaigns,’ the filmmaker remained unwavering in his commitment to exposing Palestinian experiences through cinema.

    Born in 1953 in the Galilean town of Bi’ina, Bakri belonged to the Palestinian community that remained within Israel’s borders after the 1948 Nakba. He studied Arabic literature and theater at Tel Aviv University before embarking on an international acting career that spanned theaters across Europe and North America.

    Bakri made his cinematic debut at age 30 in Costa-Gavras’s 1983 film ‘Hanna K.’ and later collaborated extensively with Gaza-born director Rashid Masharawi. His directorial debut ‘1948’ (1998) examined the ethnic cleansing of Palestinians during Israel’s founding, featuring survivor testimonies and archival materials.

    Throughout his career, Bakri contributed to 43 works as actor, director, and producer. He is survived by his wife Leila and six children, including three sons—Adam, Ziad, and Saleh—who followed him into acting. His seminal work ‘Jenin, Jenin’ remains accessible on Vimeo, preserving his artistic testament to Palestinian resilience.

  • Ranbir Kapoor, Rashmika Mandanna-starrer ‘Animal’ to release in Japan

    Ranbir Kapoor, Rashmika Mandanna-starrer ‘Animal’ to release in Japan

    The polarizing Bollywood phenomenon ‘Animal,’ which dominated box offices and sparked intense cultural debates throughout 2023, is poised for an international resurgence with an exclusive theatrical release in Japan scheduled for February 13, 2026. Production company Bhadrakali Films officially announced the Japanese distribution through social media platforms on Wednesday, December 24, 2025, accompanied by specially designed promotional materials tailored for Japanese audiences.

    The official announcement featured a distinctive poster bearing the Japanese tagline ‘Kono otoko wa Darenimo Tomerarenai’ (This man cannot be stopped by anyone), signaling the film’s ambitious entry into the Japanese market where Indian cinema has been steadily gaining traction in recent years. Directed by the provocative filmmaker Sandeep Reddy Vanga, the cinematic work generated both remarkable commercial success and significant controversy during its initial release cycle.

    Starring Ranbir Kapoor in the lead role alongside Rashmika Mandanna, Anil Kapoor, and Bobby Deol, ‘Animal’ explores complex themes of familial conflict and vengeance through the narrative of Rannvijay Singh’s quest for retribution following an assassination attempt on his father. The film’s unflinching portrayal of violence and relationships ignited widespread discussions regarding perceived misogynistic undertones throughout its theatrical run.

    Notably, the feature included a post-credits sequence teasing a prospective sequel titled ‘Animal Park,’ with Kapoor anticipated to perform dual roles in the continuation. The Japanese release strategy represents a strategic expansion for Indian cinema in East Asian markets, potentially setting the stage for increased cultural exchange and international distribution of Bollywood productions.

  • Ranveer Singh’s ‘Dhurandhar 2’ locked for Eid 2026 release

    Ranveer Singh’s ‘Dhurandhar 2’ locked for Eid 2026 release

    Following the monumental success of the 2025 spy thriller ‘Dhurandhar,’ producers have officially confirmed its sequel for a major theatrical debut on March 19, 2026. The release strategically coincides with the Eid al-Fitr festival period, alongside other regional celebrations including Gudi Padwa and Ugadi, aiming to maximize audience turnout.

    Starring Ranveer Singh in the lead role, ‘Dhurandhar 2’ is set for an unprecedented pan-India launch across five major languages: Hindi, Telugu, Tamil, Kannada, and Malayalam. This multi-lingual approach marks a significant expansion from the first installment and reflects the growing trend of catering to the diverse linguistic fabric of the Indian film market.

    The original film, directed by Aditya Dhar and released on December 5, 2025, emerged as one of the year’s highest-grossing Indian productions. Its performance shattered several box office records, propelled by positive critical reception and strong word-of-mouth. The ensemble cast, featuring Akshaye Khanna, Sanjay Dutt, and R. Madhavan alongside Singh, received widespread acclaim for their performances.

    Industry admiration has been substantial, with renowned filmmakers including Sandeep Reddy Vanga, Ram Gopal Varma, Karan Johar, and Siddharth Anand publicly praising the film’s narrative depth and high-octane action sequences. Building on this foundation, the producers are also planning a significantly wider international distribution strategy for the sequel to capture the global diaspora market.