分类: entertainment

  • Rolling Stones announce July 10 release of new album ‘Foreign Tongues’

    Rolling Stones announce July 10 release of new album ‘Foreign Tongues’

    The Rolling Stones, one of the most influential and enduring British rock bands in music history, made an exciting announcement Tuesday that their 25th full-length studio album, titled ‘Foreign Tongues’, will hit global music platforms and retail shelves on July 10. This upcoming release arrives less than three years after the band’s 2023 record ‘Hackney Diamonds’ — a project that broke commercial records by claiming the number one spot on album charts across more than a dozen countries and earned widespread critical praise from music critics worldwide. Notably, ‘Hackney Diamonds’ itself was the band’s first new studio collection in 18 years, marking a highly anticipated comeback that far exceeded industry expectations. Alongside confirming the official release date via an online announcement Tuesday, the legendary group also dropped the album’s first lead single, ‘In The Stars’, giving fans an early taste of the new material.

    A behind-the-scenes video shared to the band’s official Instagram channel offered audiences a glimpse into the recording process, capturing founding members Mick Jagger and Keith Richards, both 82 years old, alongside 78-year-old bassist Ronnie Wood as they collaborated in the recording studio. A public promotional event hosted in New York by comedian Conan O’Brien brought the three band members together to open up about their creative process for the new album, with exclusive previews of several unreleased tracks played for attendees.

    Speaking at the event, Jagger emphasized that the band still finds deep joy in creating new music, saying, “We’re still having a lot of fun. It’s a lot of fun, but also a lot of concentration.” When O’Brien complimented Jagger’s still-powerful, clear vocals — noting that many performers’ voices weaken with age, while Jagger’s remains “absolutely impeccable” and full of force — Jagger joked with the audience, “Well, I was taking a lot more drugs in 1968,” before sharing the straightforward secret to his vocal longevity: “The secret is practice… it’s simple.”

    Andrew Watt, one of the producers tapped to work on ‘Foreign Tongues’, opened up about the experience of collaborating with the iconic band in an interview with AFP, calling the project the highlight of his career. “I had the time of my life. I’m the biggest fan in the world,” he said.

    While the band did not officially announce a supporting concert tour during the New York event, multiple media outlets have confirmed that tour plans were considered by the band’s management team but ultimately scrapped over concerns about the health risks associated with extensive touring for the band’s aging members. The new album will feature high-profile guest appearances from two music legends: former Beatles bassist and solo star Paul McCartney, and The Cure’s frontman Robert Smith.

    The official announcement came after weeks of growing fan and industry speculation that a new record was on the way. Last month, the band quietly released a limited-edition vinyl-only single under the alias The Cockroaches — a pseudonym they have used for decades to play unannounced secret shows. The track, titled ‘Rough And Twisted’, was sold exclusively at select record stores in the UK priced at exactly £10.07, a detail that led sharp-eyed fans to correctly predict the July 10 release date long before the official confirmation.

  • How did Heidi Klum become a living Met Gala sculpture?

    How did Heidi Klum become a living Met Gala sculpture?

    The annual Met Gala, New York City’s most prestigious red carpet event that celebrates boundary-pushing fashion and art, consistently produces viral moments that capture global attention. One of the most talked-about looks in recent event history came from supermodel Heidi Klum, who transformed herself into a striking living sculpture that stopped the show when she walked the red carpet. Now, Mike Marino, the award-winning prosthetic make-up artist behind the avant-garde design, has pulled back the curtain on the intricate process that brought the eye-catching concept to life.

    Creating a one-of-a-kind costume that would stand out among hundreds of high-profile celebrity looks required months of planning and hundreds of hours of hands-on work, Marino explained in his behind-the-scenes reveal. The project began with collaborative brainstorming between Klum and the design team, centered on the theme of that year’s Met Gala exhibition, which set the creative tone for all attendees’ looks. Klum pushed for a bold, experimental concept that would lean into the event’s tradition of theatrical, art-forward fashion, settling on the idea of a living, moving sculptural form that blurred the line between clothing and fine art.

    From there, Marino and his team worked to translate the abstract concept into a wearable design, starting with detailed mold-making to ensure the prosthetics fit Klum’s body perfectly. Every element, from the texture of the sculpted surface to the weight of the finished piece, was adjusted to allow Klum to move naturally while maintaining the dramatic visual impact of the sculpture. The application process on the day of the Gala took more than six hours, with Marino carefully layering prosthetics, blending edges, and adding custom finishing touches to create the seamless, solid-sculpture effect that wowed onlookers and photographers alike.

    Marino’s reveal has shed new light on the unsung work of prosthetic and special effects make-up artists in creating the most memorable Met Gala looks, turning a simple red carpet appearance into a global cultural moment. Klum’s bold choice to embrace such an experimental design also reinforced the Met Gala’s reputation as a space where high fashion and contemporary art collide to create unforgettable work.

  • Venice Biennale previews in chaos as war follows art into world’s oldest exhibition

    Venice Biennale previews in chaos as war follows art into world’s oldest exhibition

    The 61st edition of the Venice Biennale, the world’s longest-running major contemporary art exhibition, opened its previews to the public on Tuesday amid unprecedented turmoil that has thrown the event’s core structure into question. The chaos erupted just days earlier, when the entire jury stepped down in protest over the event’s decision to allow pavilions for Israel and Russia, a move that has split participating artists, curators and organizers along geopolitical lines.

    Walking through the Biennale’s iconic Giardini gardens, the geographic and political divides are impossible to miss. Only a short distance from the Russian Pavilion, where a small group of attendees danced to house music spun by an Argentine DJ during opening events, Ukrainian artists gathered beside a large origami deer sculpture evacuated from the war-torn eastern Ukrainian city of Pokrovsk, just 5 kilometers from the active front line with Russia. Meanwhile, a group of Palestinian activists marched through the gardens, their shirts emblazoned with the names of fellow artists killed in the ongoing conflict in Gaza. Event organizers have braced for more protests throughout preview week.

    The unprecedented upheaval has reignited long-simmering debates about the core structure of the 129-year-old exhibition, which centers on 100 independent national pavilions operating alongside a centrally curated main exhibition featuring 110 independent artists and collectives. Critics argue that the nation-based pavilion model has grown outdated in a globalized art world, where most creators work across international borders, and that the structure gives nation states an unmerited platform to push political propaganda.

    Marie Helene Pereira, one of five curators stepping in to lead the main exhibition *In Minor Keys* after original curator Koyo Kouoh passed away last year while preparing the show, said the current unrest makes clear that the concept of centering nation states within the exhibition space is now openly contested.

    “We can see how much that can bring tension, especially in the midst of the political chaos we find ourselves in,” Pereira told reporters. She added that the moment calls for a full rethinking of institutional structures to better center artists and the creative process, while noting that this does not mean art should be divorced from political context.

    Prior to the full jury’s resignation, panel members had publicly stated they would refuse to award prizes to any country whose leaders are facing investigation by the International Court of Justice, a designation that explicitly includes both Russia and Israel. Some participating artists have welcomed the jury’s departure. Israeli artist Belu-Simion Fainaru, whose Kabbalah-inspired installation is on display, called the resignation a fair outcome.

    “I should be treated as an equal artist, and I should not be discriminated against because of my race, that I am a Jew, and not because of my nationality or passport,” Fainaru said. “I have to be seen as I am: I am an artist that wants to show my art, and I have the right to be evaluated. The Biennale should be a place where you can feel safe to create and do whatever you believe in.”

    For Ukrainian participants, who have seen their country grapple with a full-scale Russian invasion for more than two years, the decision to allow Russia to participate is unacceptable. Ukrainian co-curator Ksenia Malykh, whose team evacuated the *Origami Deer* sculpture from a Pokrovsk park to serve as the centerpiece of the 2024 Ukrainian Pavilion, condemned the Biennale’s claim of neutrality as a hollow falsehood.

    “You can’t stay neutral in these times. You can’t be neutral when people are dying every day because of Russians,” Malykh said. “Nobody is talking about their art. They are only talking about the statement that they are here, and I am absolutely sure this was their goal.”

    Organizers have placed unprecedented restrictions on the Russian Pavilion: it will only operate to invited guests during the preview week that ends Friday, and will remain closed to the general public for the entire 6.5-month public run that begins Saturday. Russian curators declined to comment for this report. The decision to allow Russian participation has already carried major financial consequences: the EU has cut 2 million euros ($2.3 million) in three-year funding for the Biennale over the move, and Biennale leadership’s position has also put it at odds with the Italian national government. Even the official event catalog acknowledges the uncertainty, leaving a placeholder entry where the Russian pavilion’s statement would normally appear and noting that participation was “under review” when the catalog went to press.

    The jury’s resignation has also upended one of the Biennale’s most iconic traditions: the awarding of Golden Lion prizes, the event’s highest honor that has drawn comparisons to Olympic medals for the art world. With no professional jury in place, no jury-awarded Golden Lions will be handed out this year for best national pavilion and best main exhibition participant. Instead, visitors will vote for two winners, which will be announced on November 22, the final day of the exhibition. Malykh argues that the shift undermines the Biennale’s institutional credibility.

    “It’s an important moment. If the prize is given by the public… It’s not a professional institution after that,” Malykh said.

  • Macron croons classic ballads at a state dinner in Armenia for the French leader

    Macron croons classic ballads at a state dinner in Armenia for the French leader

    During a high-profile state visit to Yerevan, Armenia this week, French President Emmanuel Macron unexpectedly captured public attention with an unexpected musical interlude that overshadowed the formal diplomatic agenda of his trip. While attending a lavish state banquet held in his honor at the Armenian presidential residence on Monday night, Macron took the stage to perform two beloved French classic ballads for the assembled crowd of dignitaries and guests.

    Among the songs he delivered was the iconic 1965 hit *La Bohème*, most famously recorded by legendary Armenian-French artist Charles Aznavour, alongside another timeless French ballad, *Les Feuilles Mortes*, originally popularized by famed French performer Yves Montand. The French leader was not alone on stage: he was joined by Armenia’s own Prime Minister Nikol Pashinyan, who accompanied him on drums, with celebrated local jazz virtuoso Vahagn Hayrapetyan handling piano accompaniment for the surprise performance.

    Macron’s unplanned musical appearance came during a packed diplomatic schedule that saw him in Yerevan for a bilateral state visit overlapping with two major European political gatherings: a full meeting of the European Political Community and a landmark European Union summit. This was far from Pashinyan’s first public turn as a working musician, however. Since taking office in 2018, the Armenian prime minister has been open about his passion for music, and performs regularly with his own amateur musical ensemble, Varchaband. The group held its first public debut concert in central Yerevan just this past January, drawing significant local attention.

    Beyond his group performances, Pashinyan has cultivated a public reputation as an avid music fan with wide-ranging tastes, frequently sharing clips of himself listening to tracks on his personal Instagram account. His public playlists have run the gamut from mainstream pop superstar Taylor Swift to top American hip-hop acts including Travis Scott and A$AP Rocky, highlighting his eclectic appreciation for modern global popular music.

  • Daniel Radcliffe and Rose Byrne nominated for Tony Awards

    Daniel Radcliffe and Rose Byrne nominated for Tony Awards

    The most prestigious honors in American Broadway theater, the annual Tony Awards, have released their full 2026 nomination list, with a roster of celebrated screen and stage actors earning nods for their standout performances over the past season.

    Among the most high-profile names in this year’s round of recognitions is Daniel Radcliffe, the globally beloved actor who rose to fame as the lead of the Harry Potter film franchise. Radcliffe picked up a nomination for Best Leading Actor in a Play for his solo turn in *Every Brilliant Thing*, a intimate one-man production that explores the sensitive topic of depression through a warm, human-centered narrative. Joining him in receiving acting nods is recent Academy Award nominee Rose Byrne, who was tapped in the Best Leading Actress in a Play category for her comedic work in Noël Coward’s *Fallen Angels*. Byrne shares her nomination with co-star Kelli O’Hara, who also earned a spot in the same category for the production.

    Veteran stage and screen talents round out the lead acting acting nominations alongside the two stars. British actress Lesley Manville gained recognition for Best Leading Actress for her turn in the Greek tragedy *Oedipus*, while iconic American actor John Lithgow scored a Best Leading Actor nomination for playing legendary author Roald Dahl in *Giant*. Former *Strictly Come Dancing* competitor Layton Williams also earned a nod, taking a spot in the Best Supporting Actor in a Musical category for his role as the iceberg in the musical parody *Titaníque*. Notably, Manville, Lithgow and Williams are all previous Olivier Award winners, whose current Broadway productions transferred to New York from London’s West End, highlighting the cross-Atlantic exchange of hit theatrical work.

    When it comes to overall production nominations, two projects tied for the top spot this year: the stage musical adaptation of the 1980s classic film *The Lost Boys*, and the Broadway adaption of the Apple TV comedy series *Schmigadoon!*, both earned a leading 12 nominations each. Following close behind, the revived musical *Ragtime* picked up 11 nominations, while *Death of a Salesman*, *Cats: The Jellicle Ball* and *Richard O’Brien’s The Rocky Horror Show* each earned 9 nods.

    The full roster of competitive categories includes honors for every corner of Broadway production, from outstanding performances to writing, direction, and design. Key categories include Best Musical, where *The Lost Boys*, *Schmigadoon!*, *Titaníque*, and *Two Strangers (Carry a Cake Across New York)* are competing; Best Play, which features *The Balusters*, *Giant*, *Liberation*, and *Little Bear Ridge Road*; and multiple revival categories for both plays and musicals. The complete list of all nominations is available to view in full on the official Tony Awards website.

    Widely considered the American equivalent of the UK’s Olivier Awards, the 2026 Tony Awards ceremony is scheduled to take place on June 7 in New York City, with Grammy-winning pop singer Pink set to host the star-studded event celebrating the very best of Broadway from the past year.

  • Pussycat Dolls cancel US leg of reunion tour after poor ticket sales

    Pussycat Dolls cancel US leg of reunion tour after poor ticket sales

    Once one of the biggest pop girl groups of the 2000s, The Pussycat Dolls have made the difficult call to cancel nearly all North American stops on their highly anticipated reunion tour, a move driven by lackluster ticket demand that has left fans across the United States and Canada disappointed.

    Earlier this 2025, three core founding members — Nicole Scherzinger, Ashley Roberts, and Kimberly Wyatt — thrilled long-time followers by announcing their musical comeback, paired with a brand new single and a sprawling global tour that was set to kick off the first leg in North America this summer. What was meant to be a triumphant return to home crowds quickly shifted, however, after the trio released an official statement acknowledging that after a transparent review of tour logistics and sales data, they had arrived at the heartbreaking decision to ax all but one of their scheduled 33 US and Canadian dates planned for June, July, and August.

    The only North American performance that will move forward as planned is the group’s upcoming set at WeHo Pride in Los Angeles, scheduled for June 6. In their statement, the group noted that there could be no more fitting or meaningful venue to connect with their local supporters, highlighting that the LGBTQ+ community has extended unwavering love and support to The Pussycat Dolls throughout their decades-long career.

    For fans across the Atlantic, however, all planned European tour dates — including nine stops across the UK and Ireland — will proceed exactly as originally scheduled. Unlike the slow North American sales, many of these European shows have already sold out completely, a testament to the group’s enduring popularity in the region. The European leg is set to launch in Copenhagen this coming September, and the trio confirmed they are pouring all their energy into crafting an unforgettable experience for both long-time fans who have followed their career since the 2000s and new listeners discovering their discography for the first time. The tour will wrap up on October 13 at London’s iconic O2 Arena, with stopovers in major cities including Birmingham, Nottingham, Leeds, Liverpool, Dublin, Glasgow, Newcastle, and Manchester along the way.

    Industry observers have pointed to multiple key factors behind the poor North American ticket sales. Weeks before the official cancellation, fans already began speculating about the leg’s fate after leaked venue seating charts revealed huge blocks of unsold tickets across most scheduled stops. Analysts cite two primary issues: unusually high price points for tickets, and the decision to book the tour exclusively in large arenas rather than smaller, more intimate theaters that would have better matched projected demand. It is also worth noting that The Pussycat Dolls have long maintained a particularly strong fanbase in Europe, where they topped charts multiple times during their commercial peak; additionally, both Roberts and Wyatt currently reside in the UK, boosting local interest in the tour.

    North American ticket holders will receive full automatic refunds for purchases made through major official platforms including Ticketmaster and AXS, while fans who bought tickets via third-party resale sites have been instructed to reach out directly to their original point of purchase to process refunds.

    The cancellation of The Pussycat Dolls’ US tour is far from an isolated incident in the current live music market. In recent months, multiple other high-profile artists including Post Malone and Meghan Trainor have also postponed or canceled entire legs of North American tours, signaling ongoing shifts in consumer demand for large-scale live pop events. This comeback attempt marks the group’s second attempt to reunite after a planned 2019 reunion was derailed first by the onset of the COVID-19 pandemic and later by a messy internal legal dispute that delayed the project for six years. The current comeback comes on the heels of a career high for lead singer Nicole Scherzinger, who earned widespread critical acclaim and multiple major award nominations for her lead role in the hit West End and Broadway production of *Sunset Boulevard*.

  • Yoko says oh no to ‘John Lemon’ beer

    Yoko says oh no to ‘John Lemon’ beer

    What started as a costly legal threat has turned into a marketing windfall for a tiny French craft brewery, after Yoko Ono’s legal team forced the stop on the company’s popular “John Lemon” beer, a play on the name of late Beatles icon John Lennon.

    Aurélien Picard, founder of Brasserie de l’Imprimerie based in the small Brittany town of Bannalec, revealed he first received a formal legal notice from Ono’s lawyers in late March. The notice ordered the micro-brewery to immediately phase out the controversial brand name, recall all existing stock from shelves, and pay substantial royalty fees for using the likeness of Ono’s late husband, one of the most famous musicians of the 20th century.

    Picard shared details of the demand with Agence France-Presse, noting the financial terms were steep for the small operation: the initial royalty demand hit 100,000 euros (equivalent to roughly $117,000), with daily penalties ranging from 150 to 1,000 euros if the brewery refused to comply. “Basically, they demanded we recall all our product and immediately stop using the brand,” Picard said.

    After weeks of negotiation between the brewery’s side and Ono’s legal team, a compromise was reached: the 2-person brewery was permitted to sell through its existing stock of 5,000 bottles of the pale ale by July 1, after which all production of the John Lemon brand would cease permanently.

    What neither side anticipated, however, was the massive surge in consumer interest sparked by the public legal dispute. News of Ono’s challenge to the small craft brewery spread rapidly across local and international media, turning the little-known beer into a viral must-have product. In just a matter of days, nearly the entire remaining stock sold out.

    Describing the sudden rush of sales as “crazy,” Picard told reporters that less than 1,000 bottles remained on shelves as of the latest update. Calling the turn of events “kind of funny, amid our misfortune,” the brewer noted that the unexpected publicity has turned a potential business setback into a surprising boon for the small company.

    The John Lemon brand was first launched five years ago, as one of several of the brewery’s beers that lean into playful puns on celebrity names. Picard said the name struck the team as “cool” when it was first developed. For years, the beer was sold only within a 40-kilometer radius of the brewery, distributed primarily to local liquor stores and independent restaurants, with total annual production for the entire brewery hovering between 50,000 and 80,000 bottles.

    Now, the brewery is racing to find a new name for its popular blonde ale. Picard’s first proposed rebrand, “Jaune Lemon” – which translates to “Yellow Lemon” in French – was rejected by Ono’s legal team, leaving the small team back at the drawing board to pick a new title that will avoid further legal conflict.

  • Top five moments from the Met Gala

    Top five moments from the Met Gala

    One of the most anticipated annual events in global fashion and celebrity culture, the Met Gala, once again transformed New York’s iconic Metropolitan Museum of Art into the most high-profile red carpet on the planet this year. Bringing together A-list actors, chart-topping musicians, legendary athletes, groundbreaking artists and visionary designers, the invitation-only event doubles as a major charity gathering, where guests showcase their most daring, thoughtful sartorial choices for the annual theme. This year’s theme, “Fashion is Art,” invited attendees to blur the lines between high fashion and fine art, and the night delivered no shortage of viral, standout moments. Below, we break down the top five can’t-miss highlights from the 2026 Met Gala.

    ### 1. Beyoncé’s Late, Legendary Entrance With Her Whole Family
    For hours during the red carpet arrival process, attendees and viewers alike kept one question top of mind: when would Beyoncé make her appearance? Unlike this year’s other co-chairs, who followed the traditional practice of arriving early to the event—tennis icon Venus Williams and Oscar-winning actress Nicole Kidman both made their entrance promptly at the start of the night—Beyoncé saved her reveal for the end of the red carpet, and the hype was worth every minute of the wait.

    The global superstar left the entire fashion world stunned in a custom diamond skeleton gown from designer Olivier Rousteing. Layered over a skin-toned mesh base, the bejeweled bone detailing stretched all the way to the tips of her fingers, and the look was completed with a luxe feathered coat and an intricate, one-of-a-kind headpiece. By her side stood rapper and entrepreneur Jay-Z, her husband, looking sharp in a tailored black tuxedo with tails, and their 14-year-old daughter Blue Ivy Carter, who turned heads in a strapless creamy white gown complete with a voluminous puffy train and matching cropped jacket. Speaking to Vogue on the red carpet, Beyoncé called the moment surreal, noting that sharing the iconic Met Gala experience with her daughter made it extra special, and added that she thought Blue Ivy looked absolutely incredible.

    ### 2. Saint Laurent Dominated the Red Carpet From Head to Toe
    As a member of the Met Gala’s host committee—the leadership tier one level below official co-chairs—Saint Laurent creative director Anthony Vaccarello made sure his brand’s aesthetic was front and center throughout the entire night, with dozens of A-list guests stepping out in his designs.

    The brand’s presence stretched from Zoe Kravitz, who served alongside Vaccarello on the host committee, to 90s supermodel legend Kate Moss, and breakout star Connor Storrie of the hit series *Heated Rivalry*. Rapper and singer Doja Cat, another host committee member, wowed onlookers in a draped latex gown with a modest high neckline cut through with a dramatic thigh-high slit that left plenty of room for edge. Multiple 2026 Grammy nominee Rose, of Blackpink and the chart-topping Bruno Mars collaboration “APT,” opted for a sleek, chic strapless black gown with a high slit and an oversized statement bird brooch cinching her waist, all from the Saint Laurent design house.

    ### 3. Iconic Music Legends Shared the Carpet With K-Pop’s Biggest Stars
    This year’s guest list brought together decades of music industry royalty, mixing legendary Rock and Roll Hall of Fame inductees with the biggest names in contemporary global pop, including K-pop’s most beloved acts. On the legacy side of the lineup, Madonna, Cher, and Stevie Nicks all made appearances, alongside Met Gala veteran Rihanna—global pop superstar, founder of Fenty Beauty, and one of the event’s most iconic recurring guests. Representing K-pop were all four members of Blackpink—Jennie, Rosé, Lisa, and Jisoo—alongside the trio of creators behind “Golden,” the breakout hit from the Netflix animated film *KPop Demon Hunters*.

    Each legend brought their own distinctive take on the “Fashion is Art” theme: Madonna chose a wispy Saint Laurent slip dress paired with a muted gray cape carried by seven attendants and a dramatic towering hat that featured a sculpted ship detail. Cher went in a contrasting leather-and-lace Burberry gown, while Stevie Nicks opted for a coordinated deep blue ensemble complete with a matching top hat. Rihanna, who made headlines at last year’s gala when she revealed her third pregnancy, returned this year in a sculptural silver Maison Margiela gown with an intricately beaded bodice and an Art Deco-inspired statement headpiece. For the K-pop contingent, EJAE—who has already won an Oscar, Grammy, and Golden Globe for writing “Golden”—stood out in a shimmering silver column gown from Swarovski, finished with traditional Korean ornamental hairpins called binyeo, per Vogue.

    ### 4. *Heated Rivalry* Breakout Stars Brought Their On-Screen Rivalry to the Red Carpet
    Over the past 12 months, Connor Storrie and Hudson Williams, the two lead stars of the smash-hit gay hockey romance series *Heated Rivalry*—based on Rachel Reid’s best-selling novels—have taken the entertainment and fashion worlds by storm, and they brought their magnetic chemistry to this year’s Met Gala. Fans have long been split into Team Rozanov and Team Hollander, after their respective characters Ilya Rozanov and Shane Hollander, and the pair did not disappoint on the red carpet.

    Storrie, who plays the charismatic, outgoing Ilya Rozanov, arrived first in a sleek black Saint Laurent suit, pairing it with a sleeveless black shirt dotted with white that extended into a long train trailing down his back—revealed only after he removed his suit jacket. Williams, who portrays the more reserved Shane Hollander, opted for the bolder look of the two: a pale blue Balenciaga suit with a cropped jacket that left his chest bare, paired with a sheer black train that evoked the dramatic flair of a couture matador costume.

    ### 5. Guests Dived Into Whimsy To Fully Embrace The “Fashion is Art” Theme
    While many celebrities opted for more understated, traditional formal wear for the night, several attendees fully leaned into the 2026 theme “Fashion is Art,” creating wearable, living works of art that brought famous paintings and sculptures to life on the red carpet.
    *Game of Thrones* star Gwendoline Christie turned heads in a dramatic off-the-shoulder red gown from British designer Giles Deacon, paired with a colorful feathered hat and holding a custom face mask, designed to evoke the mood and composition of a classic John Singer Sargent portrait. Japanese tennis star Naomi Osaka made her Met Gala debut in a head-turning Robert Wun look: she started the night in an oversized white coat accented with red feathers, which she removed to reveal a form-fitting red gown covered in thousands of shimmering red Swarovski crystals. Broadway star Ben Platt paid homage to theatrical art history, wearing a pale green and sky blue suit printed to replicate Georges Seurat’s iconic pointillist painting “A Sunday on La Grande Jatte”—the direct inspiration for Stephen Sondheim’s beloved musical *Sunday in the Park with George*. Model and celebrity Halloween costume icon Heidi Klum channeled fine art sculpture, wearing a draped white gown that was crafted and styled to look like a polished marble statue come to life.

  • Sherlock Holmes fans recreate fateful duel at Swiss falls

    Sherlock Holmes fans recreate fateful duel at Swiss falls

    Perched beside the thundering 120-meter cascade of Switzerland’s Reichenbach Falls, dozens of Sherlock Holmes enthusiasts gathered on Sunday to bring one of crime fiction’s most iconic scenes to life, marking 135 years since Arthur Conan Doyle wrote the detective’s fateful duel with his arch-nemesis Professor James Moriarty.

    Nearly 60 members of the 75-year-old Sherlock Holmes Society of London made the themed pilgrimage through Swiss sites tied to the beloved stories, ending their three-day journey in the Bernese Oberland town of Meiringen before boarding a funicular to the falls itself. Every attendee embraced the occasion, arriving in detailed Victorian-era costumes portraying a wide array of characters from Doyle’s canon—from Holmes’ sharp-tongued landlady Mrs Hudson and the King of Bohemia to the missing rugby player and figures from less frequently adapted tales.

    Taking on the role of the criminal mastermind Moriarty was British lawyer Peter Horrocks, clad in a black tailored suit and formal top hat. Standing amid the roar and mist of the rushing falls, he shared how the setting and costume deepened the experience for the assembled fans. “It does transform you, just wearing the clothes, and hunching a bit,” he said. “This is so atmospheric, it absolutely brings Sherlockians closer to the story.”

    Playing the intrepid detective himself was British motoring author Philip Porter, who held the character’s signature pipe in one hand and magnifying glass in the other. He traced the enduring global appeal of Conan Doyle’s work, which continues to draw new generations of fans more than a century after it was first published. “The stories have unique appeal—full of Victorian atmosphere, the triumph of good over evil, and some wonderful characters to draw in devotees,” Porter explained. “We have very little in common in real life, but we are brought together by the Sherlock Holmes canon.”

    The reenactment followed every beat of the iconic showdown: after a tense grapple on the narrow ledge above the falls, Holmes and Moriarty fell into the pose captured by Sidney Paget’s famous 1893 original illustration before seemingly tumbling into the churning pool below. Then, as written, Dr. Watson rushed to the spot, his desperate cries of “Holmes!” echoing off the rocky cliffs, where he found the farewell letter Holmes had left behind, confirming his friend’s apparent death.

    For many attendees, the immersive tribute stirred genuine emotion. Helene Vrot, who traveled from near Paris and dressed in a replica 1895 gown with the era’s famously voluminous huge sleeves, called the moment deeply moving. “When Watson found the note, frankly I had tears in my eyes. It’s an opportunity to make memories with people who have the same kind of mind,” she said.

    Jean-Marie Zubia, who portayed Laura Lyons from *The Hound of the Baskervilles* and traveled from Washington state in the U.S., described the event as a “total immersion” into the Victorian world Doyle brought to life. “It’s amazing to be surrounded by all the other Sherlockians here, because they get to talk non-stop about what I’m so passionate about… the minutiae that goes into every single story,” she said.

    Even unexpected visitors stumbled into the one-of-a-kind gathering. A passing trail runner did a shocked double-take when he emerged from the hiking trail to find a crowd of costumed 19th-century characters, while a young first-time visitor from China, Kitty, found herself accidentally at the center of the celebration. The 24-year-old robotics student at the University of Manchester, who made a solo pilgrimage to the falls to mark the anniversary and wore a classic Holmes deerstalker, could not hide her excitement. “Wow! It’s very lucky of me to meet Mr Sherlock Holmes and Doctor Watson and Professor Moriarty and Colonel Moran!” she said. “This is my dream place. It’s beautiful — just like Watson wrote in his diary.”

    This year’s gathering also marked another milestone: the 75th anniversary of the Sherlock Holmes Society of London, which counts more than 1,000 members across the globe. Trip coordinator Markus Geisser, who dressed as the German spy Von Bork for the event, told reporters that nearly half of attendees on the pilgrimage were first-timers, proving that the tradition of immersive Holmes fandom has not faded. “Travelling to Switzerland in a Victorian costume is still something that people actually like to do,” he said, adding that the community of fans offers far more than just reenactments: “it’s a chance to meet likeminded people… in my case, I met my wife.”

    Conan Doyle originally killed off Holmes at Reichenbach Falls in his 1893 short story *The Adventure of the Final Problem*, wanting to focus his writing on other works. But widespread public outcry from heartbroken fans forced the author to resurrect the detective a decade later, and the character’s popularity has remained undimmed to this day.

  • The looks turning heads on the Met Gala carpet

    The looks turning heads on the Met Gala carpet

    The most anticipated evening on the global fashion calendar has officially kicked off in New York City, as A-list celebrities, industry icons, and boundary-breaking creators gather for the 2026 Met Gala, the annual fundraising gala for the Metropolitan Museum of Art’s Costume Institute. This year’s event centers on the creative theme ‘Costume Art’, which challenges attendees to lean into lavish, whimsical design that blurs the line between clothing and fine art — a framework that has turned the iconic red carpet into a moving gallery of one-of-a-kind sartorial works.

    Helmed by an exceptionally high-profile group of co-chairs, the 2026 gala counts global music superstar Beyoncé, award-winning screen actor Nicole Kidman, five-time Wimbledon champion Venus Williams, and Vogue Global Editorial Director Anna Wintour among its leadership, with Lauren Sánchez Bezos, wife of Amazon founder Jeff Bezos, serving as an honorary chair. The evening opened with a showstopping performance from Broadway favorite Joshua Henry, who brought the iconic steps of the Met to life with a rendition of Whitney Houston’s *I Wanna Dance With Somebody*, backed by a full band and ensemble of dancers. The steps themselves were transformed for the night, decked out to resemble weathered moss-covered bricks set within a sprawling, lush garden to match the evening’s artistic tone.

    As guests began arriving, a steady stream of imaginative, theme-aligned looks emerged from the red carpet. Longtime Met Gala staple Anna Wintour led the way in a custom, feather-adorned Chanel creation that leaned into the event’s whimsical mandate. Co-chair Nicole Kidman stepped out alongside her daughter Sunday Rose in a striking floor-length red beaded column gown also from Chanel, while fellow co-chair Venus Williams turned heads in a glittering black gown paired with an opulent silver neckpiece encrusted with fine jewels.

    Lauren Sánchez Bezos made a particularly art-historical statement in her Schiaparelli gown, which directly references one of the most famous (and once controversial) portraits in art history: John Singer Sargent’s *Madame X*. Content creator Emma Chamberlain leaned fully into the theme in a multicolored Mugler gown by Miguel Castro Freitas designed to mimic the texture and composition of a fine art painting. Actor Cara Delevingne opted for a clever deceptive design from Ralph Lauren: a deceptively simple silhouette from the front that revealed dramatic sheer detailing when she turned, creating a striking visual effect on the garden-themed steps.

    This year’s gala also marks a groundbreaking milestone for disability representation: for the first time in the event’s history, a wheelchair user named Philip has attended the invitation-only gathering. Speaking to Vogue ahead of his arrival, Philip reflected on the historic moment, noting that for decades, disabled people were entirely shut out of representation at major fashion events. “For so long, disabled people were not represented anywhere. The thought of even being able to exist at an event like this… nobody even went there. To go from that to now, somehow finding myself there – I can’t say how blessed and honored I feel attending,” he shared.

    Disability advocate and writer Sinéad Burke also returned to the gala, stepping out in a structured black corseted gown with flowing dramatic sleeve embellishments. Other standout looks included actress Chase Sui Wonders’ diamond-encrusted pale lavender gown, *Girls* creator Lena Dunham’s vivid red Valentino gown made from feathers and sequins — a piece directly inspired by Artemisia Gentileschi’s Renaissance masterpiece *Judith Slaying Holofernes*, with details meant to evoke the painting’s dramatic depiction of blood from the Assyrian general’s neck. Pop musician Charli XCX deviated from her signature bright pink aesthetic to wear a sleek sophisticated black Saint Laurent gown with floral front detailing, while boundary-pushing artist Doja Cat wore a classically Grecian-inspired Saint Laurent silhouette crafted from an unexpected unconventional material: silicone. Four-time Grand Slam champion Naomi Osaka brought two distinct looks from designer Robert Wun, arriving in a white outer layer that she removed to reveal a deep maroon open-back lace-up gown underneath.

    As the evening unfolds, new red carpet arrivals and unexpected fashion moments continue to emerge, with updates rolling out across fashion and entertainment platforms throughout the night.