标签: Oceania

大洋洲

  • Australians love sport – but can the NFL win them over in debut Melbourne match?

    Australians love sport – but can the NFL win them over in debut Melbourne match?

    For Melbourne, Australia, the month of September is traditionally synonymous with the peak business end of the Australian Football League (AFL) finals. But this September, an entirely different type of oval-ball sport is dominating the city’s sporting landscape. On Friday, 100,000 fans will file into the iconic Melbourne Cricket Ground (MCG) to witness a groundbreaking event for Australian sports: the first non-exhibition, regular season National Football League (NFL) game ever held in the country, featuring the Los Angeles Rams against the San Francisco 49ers.

    The historic fixture sold out months in advance, with more than half of ticket holders traveling from outside the state of Victoria to attend. Even restricted-view seats are reselling for upwards of A$650 (US$470) on official platforms, a clear sign of the unprecedented demand for American football Down Under. Thomas McMillan, host of Australian NFL podcast *Any Given Sunday Australia*, notes that the hype has completely overshadowed the usual AFL finals buzz. “Walking down the street, it’s AFL finals week and you wouldn’t even know,” McMillan says. “It’s all NFL everywhere. There are bars that are nothing but 49ers bars or Rams bars. We have a Ram Tram getting around the district. When you’re in Melbourne and AFL isn’t visible, it shows how big this is at the moment.”

    The 10:35 a.m. local kickoff time, while unusual for Australian sports fans, is scheduled to accommodate prime-time television slots for US audiences and their advertisers, a core consideration for the league’s global expansion strategy. The NFL first launched international regular season games in 2007, and over the past two decades, these overseas fixtures have become a central long-term strategy to grow the league’s global fanbase and revenue. The 2026 season will feature nine games outside the United States, including three in London, but Melbourne marks the furthest destination the league has ever brought its regular season action.

    For the two California-based teams, the long journey to Australia has brought very different approaches to combating the 17-hour time difference and jet lag. The 49ers arrived in Melbourne a full week before kickoff, giving players ample time to recover from the 16-hour flight, adjust to the local time zone, acclimate to conditions, and hold open practice sessions for local fans. Their star tight end George Kittle and other players have already been greeted by throngs of fans across the city, with appearances at public fan rallies, AFL matches, and even a classic Australian community sausage sizzle hosted by local hardware chain Bunnings, where former 49ers legends Joe Nedney and Jesse Sapolu drew crowds of adoring supporters. 49ers cheerleaders also performed for fans at Melbourne’s Federation Square this week, building massive hype around the club.

    The Rams, by contrast, have taken a far more controversial, last-minute approach: the team plans to arrive on a chartered Qantas A380 on Thursday morning local time, play the game on Friday, and return to the US West Coast immediately after the final whistle. The strategy is designed to minimize disruption to players’ body clocks ahead of their next regular season fixture, but it has drawn criticism for cutting off almost all opportunities for fan engagement. “Definitely it’s a gamble,” McMillan says of the approach. “If they don’t quite get things right after the 16-hour flight, you still might have that jet lag, even though you’re trying to avoid it. And not everyone can sleep on planes, whether you’re in first class, business class, whatever it is, you’re still on a plane. Most NFL players are six foot six, so it’s going to be even tighter seats.”

    Though the Rams are technically the designated home team for the game after securing NFL global marketing rights in Australia through the league’s Global Markets programme, the 49ers’ early arrival and extensive community outreach has left them as the more visible presence across Melbourne this week. American sports journalist Dontay Atkinson has openly criticized the Rams’ fly-in, fly-out strategy, arguing it will alienate local fans. “Fly in, fly out, no contact,” Atkinson wrote on social media platform X. “I’m sure the Aussies feel great about that snub.” McMillan says he understands the Rams’ position, as the club is viewed as a legitimate contender for the 2027 Super Bowl and prioritizes winning the fixture over long-term fan outreach. Even so, he notes the approach has left a gap the 49ers have been quick to capitalize on. “We do feel a bit snubbed, and feel the 49ers are doing the right thing,” McMillan says. “I just worry that they have missed the boat of ingraining themselves as the Australian team. It leaves it open for others, and the 49ers have really jumped on that.”

    Rams officials reject claims of a snub, pointing to years of ongoing outreach work in Australia beyond this week’s game. Stephanie Cheng, the Rams’ Head of International, told reporters the Melbourne fixture is the culmination of more than four years of work, not just a one-off event. “It’s not just about game week. We have long term rights,” Cheng says. She notes the Rams are the only NFL team with an official local membership programme for Australian fans, have sent coaches into local schools and communities to promote flag football — the non-contact version of the sport that will debut at the 2028 Los Angeles Olympics — and have hosted multiple previous visits by star players, including running back Kyren Williams in March 2026. In the lead-up to this week’s game, Rams cheerleaders visited US military bases across Australia before arriving in Melbourne, and the franchise has built a 22-yard floating fan zone football on the Yarra River in central Melbourne. The club also hosted a public community day for local American football fans earlier this week.

    Interest in the NFL has grown steadily in Australia for years, with many pointing to the success of Australian-born offensive lineman Jordan Mailata as a major turning point for the sport’s popularity. Mailata, who plays for the Philadelphia Eagles, became the first Australian to play in and win a Super Bowl in 2025, a milestone that shifted local perception of the sport. “Seeing an Australian in what we’d called a skilled position and then winning a Super Bowl. It doesn’t get better than that,” says Danny Webb, McMillan’s co-host on *Any Given Sunday Australia*. While no Australian players will take the field in Friday’s game, dozens of Australians currently play college football in the US, and a handful have made it to the NFL, most working as kicking specialists after honing their skills playing AFL or rugby league.

    Friday’s game is the first of three NFL regular season games scheduled to take place in Melbourne over the next four years, as part of a multi-year contract between the league and the state government of Victoria. NFL International managing director Gerrit Meier says the league’s long-term goal is to establish annual regular season games in Australia, replicating the gradual growth the league has achieved in the United Kingdom over the past two decades. “We’re working off the hypothesis that we need to make a commitment to a market,” Meier told Reuters.

    Even as some US-based fans remain critical of international regular season games, the massive hype and sell-out crowd in Melbourne suggests the league’s Australian expansion is off to a strong start, and the games look set to become a permanent fixture on the Australian sporting calendar. Webb says the shift in local attitudes has been dramatic in just a few short years. “I had mates four years ago asking why are you doing an NFL podcast? It’s not a big sport here,” he says. “And now every single one of those mates are asking me for tickets for the game.”

  • Australians to be able to switch off social media algorithms

    Australians to be able to switch off social media algorithms

    Australia is set to introduce landmark draft legislation this week that would grant social media users across the country unprecedented control over their online content feeds, with a new right to turn off algorithmic recommendation systems that curate what users see on their platforms.

    The proposed regulatory change marks one of the most significant global moves to date to address growing concerns over the power of automated content systems that shape user experience, drive engagement, and influence online behavior. For years, researchers and policymakers have raised alarms about the unintended consequences of algorithmic curation, from amplifying harmful misinformation and polarizing content to worsening mental health outcomes, particularly for young users.

    Under the terms of the draft law, all major social media platforms operating in Australia will be required to implement a clear, easy-to-access toggle that allows any user to opt out of algorithmic personalization. Users who choose to disable the systems will instead be able to view content in chronological order, based on the accounts they follow directly, rather than having content prioritized by platform algorithms designed to maximize time spent on the app.

    Regulators behind the proposal argue that giving users this choice is a critical step toward rebalancing power between big tech platforms and the people who use their services. Unlike many existing regulatory efforts that focus on banning harmful content, this legislation shifts the focus to user autonomy, letting individuals make their own decisions about how they interact with social media.

    The draft legislation is expected to be open for public consultation after it is tabled this week, giving stakeholders including tech companies, digital rights groups, mental health organizations, and the general public an opportunity to provide feedback before any final changes are made to the bill. If passed, Australia would become one of the first countries in the world to enshrine a user right to opt out of social media algorithms into national law, setting a potential precedent for other nations considering similar regulations to rein in big tech’s influence over online life.

  • Cricket Australia opens Big Bash to privatisation

    Cricket Australia opens Big Bash to privatisation

    Australia’s premier domestic T20 cricket competition has entered a new era, after Cricket Australia formally announced it will open the men’s Big Bash League (BBL) and Women’s Big Bash League (WBBL) to outside private investment, abandoning a controversial league-wide sale plan in favor of a state-led self-determination framework.

    The national governing body originally pursued a collective sale of stakes across all BBL and WBBL franchises, but the plan hit a major roadblock when two of Australia’s largest state associations – New South Wales and Queensland – rejected the proposal. To break the deadlock, officials have restructured the process to give individual state associations full autonomy to decide if and when they will sell shares in their home franchises.

    The move comes 12 months after the England and Wales Cricket Board (ECB) generated more than £500 million through the sale of stakes in the eight teams of its flagship The Hundred competition, where the full roster of franchises was collectively valued at over £975 million. Industry sources familiar with the process tell BBC Sport that Cricket Australia officials held discussions with existing Hundred franchise owners over the Australian summer this year, and multiple investors have already signaled their interest in acquiring Big Bash stakes.

    Cricket Australia has framed the policy shift as a “landmark step” for Australian T20 cricket, and has already opened bidding for a 100% ownership stake in the Melbourne Renegades franchise. The governing body targets completing the sale ahead of the 2027-28 Big Bash season, to allow the new owners to take control in time for that tournament. For the upcoming 2026-27 BBL and WBBL seasons, Cricket Australia will run the Renegades in an interim caretaker capacity, with the sale process having no impact on the scheduled competition.

    In an official statement, Cricket Australia noted: “Pending the result of that process, Cricket Australia will consider taking other clubs to market under a self-determination model that gives each state member the ability to assess the optimal pathway for its own club and community. The decision to proceed with this self-determination model was made in the best interests of all aspects of Australian cricket.”

    Early indications show a split among Australian franchises on pursuing outside capital: Hobart Hurricanes, Melbourne Stars, and six-time BBL champions Perth Scorchers are all reportedly open to bringing in private investors, while the two Sydney-based sides Sydney Sixers and Sydney Thunder, alongside Brisbane Heat and Adelaide Strikers, have opted not to pursue investment at this stage. The flexible self-determination framework allows reluctant states to revisit the option of private investment at any point in the future.

    Cricket Australia will retain core central control over key league functions, including international match scheduling, player availability for national sides, league-wide salary caps, and global media rights. The governing body will also hold formal power to approve or reject any potential investor and has set a reserve price for the Melbourne Renegades sale.

    Cricket Australia Chair Mike Baird emphasized that the national body and state associations are “united in our commitment to investing in and growing the BBL and WBBL” and to “advancing the interests of cricket at every level”.

    “By opening the door to private investment in the Big Bash Leagues, Cricket Australia is taking a deliberate step to strengthen and secure the long-term future of the game,” Baird said. He added that new private capital will “accelerate growth” and ensure the governing body can “keep investing in community cricket and grassroots participation, domestic and international pathways and the elite level”.

    The announcement comes as Cricket Australia continues to navigate an ongoing pay dispute with the Australian Cricketers’ Association, with the organization confirming that “constructive discussions” with the players’ union are still ongoing.

  • Labuschagne in Australia squad to face South Africa

    Labuschagne in Australia squad to face South Africa

    One of Australia’s most high-profile Test batters, Marnus Labuschagne, has retained his place in the 16-man national squad for next month’s three-Test tour of South Africa, even as he continues to navigate a prolonged slump in run-scoring that has sparked questions over his future in the side.

    The 32-year-old, who was born in South Africa and rose to global fame as a key part of Australia’s 2023 Ashes retention, has not recorded a century in international Test cricket since that 2023 series against England. His most recent outing, a two-Test home series against Bangladesh last month, only amplified concerns over his form: Labuschagne posted scores of 1, 31 and 4 across the two matches, failing to hit a significant total to turn his form around.

    Following that underwhelming Bangladesh series, Labuschagne was dropped from Australia’s one-day international squads for upcoming white-ball tours of Zimbabwe and South Africa, leading to widespread speculation that his place in the Test side could also be at risk. But Australia’s chief selector George Bailey has pushed back on calls to drop the experienced batter, confirming selectors are holding onto faith that he can rebound.

    “We’re not shying away from the fact that we’d like some more runs from Marn… but we’re also confident that he can still make a positive contribution to that squad,” Bailey told reporters. He added that the entire Australian batting unit, not just Labuschagne, has underperformed in recent matches, saying: “Our batting group in its entirety… probably hasn’t been functioning as successfully as we would like.”

    When asked whether this South African tour would represent Labuschagne’s last chance to prove his worth to the national side, Bailey stopped short of labeling it a make-or-break series: “No, I wouldn’t say that. But again, it’s a hypothetical, isn’t it?”

    This tour marks a major milestone for Australian cricket, as it will be the team’s first Test series held in South Africa since the infamous 2018 “Sandpapergate” ball-tampering scandal that shook the global cricket community. During the third Test of that 2018 series, then-captain Steve Smith and vice-captain David Warner were caught orchestrating a plot to damage the ball with sandpaper to gain an unfair bowling advantage. Both players received year-long international bans in the wake of the scandal, and Australia went on to lose the series 3-1.

    Of the 16 players named to the 2025 squad, only six – current captain Pat Cummins, Mitchell Starc, Josh Hazlewood, Nathan Lyon, Steve Smith and Matt Renshaw – remain from the 2018 touring side that was caught up in the scandal. Aside from Labuschagne, three younger players – Cooper Connolly, Matthew Kuhnemann and Michael Neser – also earned call-ups to the squad, which is otherwise unchanged from the group that faced Bangladesh last month.

    The series is scheduled to kick off on 9 October with the first Test in Durban, before moving to Gqeberha for the second Test and wrapping up with the third match in Cape Town.

    Full 16-man Australia Test Squad: Pat Cummins (captain), Scott Boland, Alex Carey, Cooper Connolly, Cameron Green, Josh Hazlewood, Travis Head, Josh Inglis, Matthew Kuhnemann, Marnus Labuschagne, Nathan Lyon, Michael Neser, Matthew Renshaw, Steve Smith, Mitchell Starc, Beau Webster

  • Natalie Imbruglia on her worst audition: ‘I remember feeling icky’

    Natalie Imbruglia on her worst audition: ‘I remember feeling icky’

    Australian singer and actor Natalie Imbruglia is gearing up to release her seventh studio album, *Algorithm*, this September — and for the first time in her decades-long career, she is putting it out independently on her own label, Landgirl. The project marks a full-circle moment for the 51-year-old artist, who has navigated the highs of global stardom, the pressure of industry expectations, and a recent journey of unravelling and healing through midlife hormonal change.

    When it comes to her creative process, Imbruglia says inspiration does not strike from a static spot behind a desk. To pull melodies from thin air, she relies on constant movement: pacing in endless circles around whatever space she is working in. “If I’m sat in a chair, I get nothing,” she explains. “So if I go and work with someone new and they have a shoebox-sized studio, I’m like, ‘How am I going to do my circles?’” While she cannot count the exact number of laps she logged during the album’s creation, she confirms it was far more than she can keep track of.

    Sonically, the album draws inspiration from art-pop pioneers Talking Heads and Grace Jones, building shimmering, dancefloor-ready production that hides layers of raw, emotionally complex lyricism. One of the record’s most vulnerable tracks, *Who Dimmed The Lights*, pulls back the curtain on Imbruglia’s experience with perimenopause, a life stage that sent her mental health into a tailspin.

    “It was really tough,” she says. “Perimenopause is not just about hormones. It’s to do with your mind. Your brain needs oestrogen to function, so when the levels fluctuate, it affects your spatial awareness. I’ve never walked into so many doorways. The brain fog’s quite jarring.” Beyond disorientation and memory lapses, perimenopause worsened her previously undiagnosed midlife ADHD, amplifying symptoms of severe anxiety and short temper. She recalls seeing confusion and frustration in the faces of people around her as she struggled to process everyday information, a shift that left her feeling unmoored.

    The 51-year-old has lived with stage fright her entire life, but perimenopause pushed that anxiety to an unbearable level during touring. At its worst, even minor sensory input felt overwhelming: “I become sensitive to sound, so it feels like you’re screaming at me if you’re talking normally,” she says. “I can’t process questions very well. I act twitchy and weird, and it seemed to get worse with perimenopause.” Her uncharacteristic behaviour became a “nightmare” for her touring team. She recounts a trivial moment that laid bare how unmanageable her symptoms had become: when asked to choose between still or sparkling water, she snapped that she could not answer even that simple question in the moment.

    The breaking point came after one particularly difficult show, when she told her co-writers David Sneddon and Anu Pillai that she was ready to quit music entirely, unable to cope with how she was treating her team before performances. Instead of accepting her decision, the pair helped reframe her experience: they pointed out that her effort to fight her anxiety with willpower was only making it worse, and that accepting her nervousness as a natural response to performing would take away its power. That impromptu moment of clarity became the inspiration for the album track *Upside Down*.

    Today, Imbruglia is open about her frustration with how poorly understood perimenopause remains in mainstream healthcare, noting that countless women are turned away by their general practitioners when they seek hormone replacement therapy (HRT) for relief. She reflects that her own mother never spoke about her experience with perimenopause, but looking back, she recognizes the same severe anxiety her mother endured decades earlier, and feels a new level of compassion for what she went through raising four children.

    Imbruglia’s path to *Algorithm* started long before her midlife journey, growing up in Sydney where she showed a precocious love for performing from childhood. She would lighten her hair with lemon juice and stage full Whitney Houston cover concerts for her neighbourhood, eventually landing gigs in Coca-Cola and Twisties commercials and singing Christmas carols in local shopping centres. By her mid-teens, however, performing felt uncool as she navigated teenage social life, and she pulled back from the industry, becoming what she calls “basically unparentable” — sneaking out to spend nights on the beach with friends, much to the frustration of her strict parents.

    Music remained her constant escape. After dating a drummer, she expanded her musical taste from Houston to alternative artists like Tom Waits and Tori Amos, but never lost her hunger to perform on a big stage. A recently rediscovered 1992 photo from Imbruglia’s first ever concert, where she pressed against the barrier at an INXS show, captures that drive perfectly: while other fans screamed for the band, 15-year-old Imbruglia stares at frontman Michael Hutchence with quiet, unmistakeable determination, studying how he performed like she was already visualizing herself in his place.

    That opportunity came just five years later, when she left her breakout role as Beth Brennan on the beloved Australian soap opera *Neighbours*, moved to London, and signed her first major label deal with RCA Records. Her debut single, a cover of “Torn”, became an instant global hit, and her debut album *Left of the Middle* went on to sell seven million copies worldwide, becoming one of the best-selling albums of the 1990s.

    But while Imbruglia still calls “Torn” a “beautiful gift”, the constant focus on the fact that she did not write the track fueled deep insecurities about her identity as a songwriter, even though she penned every other track on her debut. That insecurity pushed her to rebel against industry expectations on her second album, where she released the free-verse, chorus-free lead single *That Day* as an act of defiance. “That was my rebellion against Torn,” she explains. “It doesn’t have a chorus. That was my way of going, ‘Can I get on with my life now? I’ve just started learning the craft of songwriting, I’m young, I didn’t ask for this’.”

    In that chaotic period of her career, she also auditioned for the lead role of Satine in Baz Luhrmann’s *Moulin Rouge*, an experience she calls one of the strangest of her career. She stresses that Luhrmann’s process was never inappropriate, but the request to simulate an orgasm during her audition left her feeling uncomfortable and shaken.

    Imbruglia eventually returned to more commercially accessible music with 2002’s *Wrong Impression* and 2005’s *Shiver*, but album sales declined over time, and her fourth record was ultimately shelved by her label. Over the next decade, she juggled a judging role on *The X Factor Australia*, a stint in a West End production, and a gradual return to music: first with the 2015 covers album *Male*, then the introspective 2021 original album *Firebird*. It was stepping away from music and coming back to it that helped her build a new appreciation for her own unique voice as an artist.

    “It was quitting music and coming back to it that gave me an appreciation of my abilities,” she says. “I might not be the best songwriter, even now, but there’s only one me, and when I go inside myself and feel the emotion of what I’m writing about and deliver it, that’s what my fans resonate with, that’s enough.”

    That unfiltered authenticity is front and centre on *Algorithm*. Beyond the conversation about perimenopause, the album’s title track explores Imbruglia’s own experience with the pull of online conspiracy theories, a compulsion she says is easy to fall into even when you know the content is harmful. She does not name the theories she explored, calling that irresponsible, but warns that the danger of harmful online content is omnipresent for everyone. “There’s a voice in my head that says, ‘You don’t want to click on that’, and I’ll click on it. It’s like this compulsion,” she says. “You have to change the settings. Don’t allow yourself to be in a situation where your stress relief is scrolling on a phone in bed. It’s just not healthy.”

    Ultimately, the album closes on a note of radical acceptance. Closing track *Beautiful Love*, co-written with Snow Patrol’s Gary Lightbody, is an uplifting ode to embracing imperfection and making peace with life’s shifting highs and lows. The music video for the single, shot entirely on Imbruglia’s iPhone, even features the vintage Mercedes she bought with the proceeds from her debut 1997 album, a nod to her full journey from 1990s breakout to independent midlife artist.

    Imbruglia says she has always rejected the idea of a calm, middle path through life. “I’ve always made the joke that I’ll never be a Buddhist because it’s a middle path,” she smiles. “I like the pendulum to swing. Whether it’s extreme joy or extreme pain, I like to feel the experience of life.”

  • Steve Irwin’s family celebrates ‘superhero’ dad, 20 years after shock death

    Steve Irwin’s family celebrates ‘superhero’ dad, 20 years after shock death

    Twenty years after iconic wildlife conservationist Steve Irwin — known globally as the Crocodile Hunter — lost his life in a tragic accident at Australia’s Great Barrier Reef, his family is honoring his memory with heartfelt tributes that highlight the far-reaching impact he left behind. On September 4, 2006, the 44-year-old TV personality died after a stingray’s barb pierced his chest while he filmed an underwater documentary, shocking fans and conservation communities around the world.

    Now 28, Bindi Irwin, Steve’s oldest child who was just 8 years old when he died, shared a moving public tribute on Instagram that has resonated with millions. She reflected on two decades of walking alongside grief, noting that for 20 years, she has stood with her family as the world joined them in mourning the loss of a man who changed how millions connected to wildlife.

    “ I always thought that my dad’s legacy is wildlife conservation; it turns out, his legacy is love. For our planet and for each other,” she wrote in her post. Bindi opened up about the loss the family has carried: her mother Terri, Steve’s widow, lost the love of her life, while she and her younger brother Robert lost the best father they could have asked for. “Grief never truly leaves us; we walk alongside it every day,” she added.

    Bindi also shared a sweet, touching detail about how her own 5-year-old daughter has built a connection with the grandfather she never got to meet. Every morning, the young girl watches Steve’s old documentaries, and already feels the warm, joyful love of the man she calls “grandpa crocodile” despite never having been held by him.

    In the years since Steve’s death, the entire Irwin family has remained committed to carrying forward his life’s work, continuing to run Australia Zoo in Queensland, the wildlife sanctuary Steve and Terri built into a global hub for conservation and education. Bindi emphasized that her father’s influence will extend for generations, writing that his impact remains so profound that it deserves celebration, not just mourning. She closed her tribute by calling Steve her family’s guardian angel, and signing off with “I love you with my whole heart.”

    Terri Irwin also joined in marking the 20th anniversary, sharing a vintage interview that revealed a little-known detail about Bindi’s name that many fans had not heard before. In the clip, the ever-enthusiastic Steve, dressed in his signature khaki, recalled the moment Bindi was born — calling it the most incredible wildlife encounter of his entire life. When he first held his newborn daughter, the inspiration for her name struck instantly. “I was flabbergasted and it was then that her name evolved. I’ve gone, ‘Bindi!’ after my favourite crocodile, Bindi,” he said in the interview, grinning widely.

    22-year-old Robert Irwin, Steve’s son, also shared his own tribute, posting a throwback photo of baby Robert being held by his father, with a simple, powerful caption: “Your legacy is forever.” Most recently, Robert carried on a family tradition last November when he won the Mirrorball Trophy on the U.S. dance competition *Dancing with the Stars* — exactly a decade after his sister Bindi took home the same title.

  • Kyrgios given one-month ban for positive cocaine test

    Kyrgios given one-month ban for positive cocaine test

    Controversial Australian tennis star Nick Kyrgios has cleared his suspension and is eligible to return to professional competition, after accepting a one-month ban triggered by a positive cocaine test from a June tournament.

    The 31-year-old, whose ranking has plummeted to 918th in the world after years of injury struggles, was first placed on a provisional suspension on August 4, following a routine out-of-competition sample collected at the Mallorca Open that tested positive for benzoylecgonine, a well-documented metabolite of cocaine.

    Kyrgios did not dispute the finding during his investigation with the International Tennis Integrity Agency (ITIA). He confirmed to investigators that he consumed cocaine during a late-night visit to a nightclub in Magaluf in the early hours of June 20, just two days before his first-round singles match at the Mallorca Open. He ultimately lost that match in straight sets to fellow Australian Adam Walton.

    After an independent expert consultation, the ITIA confirmed that Kyrgios used the banned substance outside of official competition, a ruling that supported a reduced penalty. While the maximum possible suspension for the offense was three months, the ban was cut to one month after Kyrgios committed to and enrolled in a formal treatment program for substance use. His suspension officially concluded on September 3, making him immediately eligible to return to tour events. In addition to the suspension, Kyrgios has been stripped of his 6,570 euro (approximately £5,650) prize money from the Mallorca Open.

    When the positive test was first announced, Kyrgios pledged to step away from social media and public life for the 28-day suspension period to “focus on getting myself right.” This season, the former world No. 13 has only competed in four singles matches, as persistent knee and wrist injuries have sidelined him for most of his schedule since the 2022 Wimbledon final. His most recent competitive appearance was in men’s doubles at this year’s Wimbledon, where he and partner Alexander Bublik exited in the opening round.

    In a public statement released shortly after his initial suspension, Kyrgios acknowledged that years of recurring injuries have taken an immense toll on both his physical and mental health. “My body hasn’t been able to do what my mind expects it to do,” he wrote on Instagram. “Coming to terms with being near the end of my career has been harder than I ever imagined. None of that excuses what I did.”

    Cocaine is categorized as a prohibited stimulant and substance of abuse on the World Anti-Doping Agency’s (WADA) official banned list.

    Kyrgios has long been one of the most polarizing figures in men’s professional tennis. He has faced widespread criticism for repeated on-court misconduct, including multiple large fines for racket-smashing, verbal outbursts, obscenities, and arguments with umpires. Off the court, his history of controversy includes a 2023 admission of assaulting a former girlfriend in 2021, a case that ended with no criminal conviction, and multiple accusations of misogynistic remarks. Most recently in 2024, he faced backlash for sharing a post from controversial influencer Andrew Tate, though he later stated he had gone to great lengths to distance himself from Tate, who has openly described himself as a misogynist.

    Kyrgios was also an outspoken critic of the anti-doping rulings in two high-profile cases involving top tennis players Jannik Sinner and Iga Swiatek, labeling the handling of those cases “disgusting” for the sport and calling the global tennis integrity system “awful.” Notably, his one-month ban matches the length of suspension given to Swiatek, and is two months shorter than the three-month ban handed to Sinner, a outcome that aligns with Kyrgios’ own prior criticism of lenient penalties for top players.

    The timeline of Kyrgios’ cocaine use places it less than 24 hours before the official start of the Mallorca Open singles draw on June 21, even though his first match was not held until June 22. The ITIA granted the reduced penalty after Kyrgios provided official documentation confirming he had paid for and started his treatment program on August 28.

    Despite his immediate eligibility to return, Kyrgios has struggled to remain competitive on tour since his historic run to the 2022 Wimbledon singles final, where he lost in four sets to Novak Djokovic. He has undergone reconstructive knee and wrist surgery in the years since that run, and has only won two of the eight total matches he has competed in since the start of 2023. Beyond his 2022 Wimbledon singles final appearance, Kyrgios holds seven ATP Tour singles titles, and won the 2022 Australian Open men’s doubles title alongside compatriot Thanasi Kokkinakis. He has also spoken openly about his long-standing struggles with mental health, revealing that he genuinely contemplated suicide and spent time in a London psychiatric facility following an early loss at Wimbledon in 2019.

  • Data centres are booming in Australia – but at what cost?

    Data centres are booming in Australia – but at what cost?

    Nestled in Sydney’s desirable lower north shore, the quiet suburb of Lane Cove has become the frontline of a growing national debate: can Australia deliver on its ambition to become a global data centre hub, while protecting the quality of life for local residents and meeting its environmental targets?

    For local mother Lucy, the reality of living near a data centre is already an unavoidable part of daily life. Just 350 meters from her front door, an existing facility emits a constant, low humming that seeps into her home every night as she tucks her child into bed. “I’ll hear it and think, ‘What is that? What is going on?’” she says. What Lucy and hundreds of her neighbors are now bracing for is far more disruptive: plans to build four additional large-scale data centres in Lane Cove’s local industrial park, which would turn the already affected suburb into one of Australia’s densest data centre clusters.

    Australia’s rapid rise as a top global destination for data centre investment did not happen by accident. Global investors are drawn to the country’s abundant available land, political stability, skilled workforce, established Five Eyes security framework, and untapped renewable energy potential. The AI boom that followed ChatGPT’s 2022 launch supercharged this trend: OpenAI CEO Sam Altman noted earlier this year that Australia has all the ingredients to become the world’s data centre capital if it chooses to pursue that goal.

    Right now, the country is moving full speed ahead to meet that demand. There are already 162 operational data centres across Australia, with 90 more in active planning stages, and more than AU$155 billion (£80 billion) in committed investment waiting to be deployed. If approved, a 1-gigawatt facility in western Sydney would become Australia’s largest single energy user and one of the biggest data centres on the planet. Just 100 meters from another western Sydney community in Marsden Park, the Southern Hemisphere’s largest data centre is already under construction.

    Industry leaders argue this growth is non-negotiable for Australia’s future digital and economic prosperity. Belinda Dennett, CEO of Data Centres Australia, points out that modern digital services from robotic surgery to air traffic control to streaming platforms demand minimal latency, requiring local data storage and processing to avoid dangerous or frustrating delays. With 13.6 million Australian AI users every month – ranking the country sixth globally for AI activity – local data infrastructure will lower barriers for homegrown Australian AI companies to emerge and compete. “If we don’t build infrastructure here, we get none of the value chain,” Dennett says. “We are just importing tools from someone else and we become just a user.”

    Leading business analysts add that the data centre boom has already been a critical economic buffer for Australia. Jon Whittle, a former digital research director at Australia’s national science agency CSIRO and a leading AI business advisor, notes that without the surge in data centre investment over the past two years, Australia would likely have slipped into recession. “There’s some very serious considerations around this, but my main message would be we need to lean into it,” he says. New South Wales Treasurer Daniel Mookhey echoes this view, arguing that data centre investment is driving a parallel boom in renewable energy development, helping the country phase out aging coal-fired power plants without passing the full cost on to households. “We don’t see the two as unrelated,” Mookhey says. “We see data centres allowing us to replace a lot of our old coal-fired power with clean, green renewable energy with the private sector picking up a large amount of the tab.” The investment, he adds, will create new industries that employ future generations.

    But critics and local communities are pushing back hard, raising urgent alarms about the massive environmental, infrastructure and social costs of the current unregulated growth. The most pressing concerns center on energy: the Australian Energy Market Operator projects that national data centre energy demand will triple by 2030. The independent Climate Council warns that without massive new renewable generation and storage capacity, data centre demand could push electricity prices up by 26% in New South Wales by 2035. Because data centres require uninterrupted, consistent power that variable wind and solar cannot yet deliver at scale, many operators are turning to fossil fuels: a recent Greenpeace Australia Pacific report found no major data centre operator has adequately proven its claims of driving renewable growth. In the U.S., many operators have opted to build new gas-fired power plants rather than wait for renewable capacity to expand, and Australian firm Cloud Carrier is already planning three gas-fired stations to power its existing and future data centres 90 minutes outside Sydney. If the grid fails, most data centres, including the existing one in Lane Cove, rely on polluting diesel backup generators.

    Water scarcity is an equally urgent concern in drought-prone Australia. Data centres require massive volumes of water to cool overheating servers, with some large facilities consuming up to 40 million liters per day – enough to supply 80,000 households. The Water Services Association of Australia already projects Sydney will need to expand drinking water supplies over the next decade to meet population growth, but Sydney Water estimates data centres could consume 25% of the city’s drinking water by 2035. If that happens, households will be forced to bear the cost of more expensive alternative water sources like desalination.

    For Lane Cove’s local leaders and residents, these national concerns have become a local crisis. Deputy Mayor Rochelle Flood says the four proposed data centres would force 50% of existing businesses in the industrial park to relocate, taking thousands of local jobs with them. Felipe Tanaka, a local business manager who has already been told he must relocate to make way for a new data centre, says the disruption will have long-term impacts on local workers. “We never knew that something like this would happen,” Tanaka says. “Thousands of jobs are going to be gone from this area in the next few years. Most of our 300 to 400 workers here are locals. Having to move will probably see half of my employees gone.” While data centres create hundreds of construction jobs, they only employ around 100 full-time workers once operational, far fewer than the existing businesses they displace. One proposed facility sits just 16 meters from the nearest residential home and 160 meters from a local primary school, and residents say they were never consulted about the plan to turn their suburb into a data centre hub. Locals also fear the development will threaten nearby Lane Cove National Park and the Parramatta River, core natural assets for the community.

    In July, Prime Minister Anthony Albanese announced new regulations that will require large-scale data centres to guarantee sufficient power supplies, cap water use, and cover the cost of any required new water infrastructure. But the legislation will not take effect until 2027, and will only apply to new proposals – leaving all currently planned and under-construction projects exempt. Community and environmental groups are now calling for a full moratorium on all new data centre development until stronger safeguards are in place.

    “We’ve got the government rolling out the red carpet saying we want to be the data centre capital of the world,” Flood says. “But can we actually do that sustainably or is it going to set us back in terms of net zero and our water storage targets?” Critics add that beyond environmental costs, the public has little clarity on what the data centres will actually be used for, with much of the capacity powering low-value AI activity that delivers little benefit to Australian communities. “They’re telling us this is essential… that we need to have these centres in our neighbourhood but they’re not saying what it’s for,” Flood says. “When our drinking water, energy and land is being used for generative AI slop, that is not giving any value back.”

  • ‘Catch me if you can’: Runaway emu sparks Australian police chase

    ‘Catch me if you can’: Runaway emu sparks Australian police chase

    In a delightfully absurd incident that has taken social media by storm, a young Australian police officer’s foot chase after a runaway emu on a regional country road has captured global attention — and New South Wales Police are turning the viral moment into an unlikely recruitment draw. The commotion began when locals in Nashdale, a small community located roughly 270 kilometers west of Sydney, alerted authorities to the large flightless bird, which had wandered onto a main public road. Left unaddressed, the emu posed a clear hazard to passing motorists and its own safety, prompting a quick response from local law enforcement.

    When the young officer arrived on scene, he quickly launched into a foot pursuit to corral the wayless emu, picking up speed in an attempt to corner the notoriously fast bird. Despite his best efforts, the emu outpaced him every step of the way, a hilarious back-and-forth that was caught on camera. Police shared the clip to their Facebook page this Tuesday, framing the encounter as a light-hearted example of the unpredictable nature of regional policing.

    In their post, the department noted that after a quick round of the wild game of “catch me if you can”, the officer ultimately succeeded in herding the emu away from the pavement before any collisions or major disruptions could occur. “It’s not every day you find yourself conducting traffic management for an emu, but that’s policing,” the post read. They added that for anyone seeking a career where “every day brings something new”, a role as an officer in regional Australia delivers exactly that kind of unpredictable adventure.

    Speaking to local media, Chief Inspector David Abercrombie of the Central West Police District shared that the rookie officer at the center of the chase is enjoying his 15 minutes of viral fame, with the footage racking up nearly 90,000 views in just a few days. Abercrombie joked that he was grateful the unusual call did not land on his roster, quipping: “If anyone asked me to chase an emu, it’d be more like watching a startled gazelle on Prozac. My speed would not be up to scratch.” He added that while regional officers are regularly called out to remove animals from roadways, most incidents involve livestock or kangaroos — emu encounters are far from the norm. “It’s the trials and tribulations of the life of a country cop,” he said.

    Since being posted online, the clip has sparked a wave of playful reactions from social media users, who have shared dozens of witty observations and jokes. One commenter compared the chase to classic Looney Tunes, writing: “Look, it’s the road runner, but that’s not the coyote behind him”. Another joked: “Wait until it turns around and chases him. Then we’ll see how fast he can run,” while a third quipped “At least that bird wasn’t a flight risk.” One user even referenced one of Australia’s most bizarre historical events, commenting “Emu wars revisited” — a nod to the failed 1932 Emu War, when the Australian military was called in to cull a population of emus destroying farm crops, only to end the operation with far fewer birds culled than targeted.

  • Sydney police investigate second possible mistaken identity killing in two days

    Sydney police investigate second possible mistaken identity killing in two days

    Sydney, Australia’s largest city, has been shaken by two consecutive fatal shootings in less than two days, with law enforcement confirming both incidents are likely the result of organized crime groups targeting the wrong people. The violence has sparked renewed public concern over the spread of gang-related violence and its risk to innocent civilians.

    The first tragedy unfolded just before 4 a.m. local time on Tuesday in Glen Alpine, a suburban area in southwest Sydney. During a home invasion, a 20-something university student identified as Marco Tapia was shot and killed at the scene. Investigators have confirmed Tapia had no connections to organized crime, with only a prior minor traffic offense on his record. New South Wales Police Commissioner Mal Lanyon labeled the killing “completely unacceptable”, emphasizing that no community should accept the unnecessary death of an innocent person at the hands of gang violence.

    Less than 48 hours later, at around 3:15 p.m. on Wednesday, emergency responders were called to a residential property in Merrylands West following reports of a drive-by shooting. A man in his 40s was shot dead in the doorway of the home just moments after he arrived at the address. Speaking to reporters Wednesday, Detective Superintendent Simon Glasser explained that while the permanent residents of the property have well-documented ties to organized crime and are well known to police, the victim only had loose connections to those residents as a business associate. “Tragically, that is a possibility that the wrong person has been shot by these offenders,” Glasser told media, adding that investigators are working off the lead of mistaken identity.

    In a striking twist that corroborates police suspicions, a known organized crime figure posted a candid admission on social media shortly after Tuesday’s shooting: “popped the wrong person, didn’t even get the right house”.

    These two recent killings are not isolated incidents. Earlier this year, 85-year-old grandfather Chris Baghsarian was abducted from his home in a pre-dawn raid and later found murdered near a local golf course, in what investigators also deemed a mistaken identity attack. Multiple suspects have been arrested and charged in connection with Baghsarian’s death. In 2025, a local plumber was also shot dead outside his family home in a case that police similarly classified as a case of mistaken identity by organized crime groups.

    Commissioner Lanyon reiterated that law enforcement will not tolerate organized crime spilling over to harm innocent residents. “I don’t want any innocent member of the community to be impacted by organised crime. We will not tolerate it,” he said, as investigators continue to pursue leads and track down the offenders responsible for the two latest fatal attacks.