Music icon Bruce Springsteen has unleashed a powerful new protest song titled ‘Streets of Minneapolis,’ directly responding to recent fatal shootings by federal agents in the Minnesota city. The 76-year-old rock legend recorded and released the track within days of the incidents, dedicating it to the victims and calling the situation ‘state terror.’
Springsteen shared the emotionally charged song on his Instagram platform, explicitly dedicating the work to the people of Minneapolis, ‘our innocent immigrant neighbors,’ and in memory of Alex Pretti and Renee Good—two American citizens killed during confrontations with federal authorities earlier this month. The lyrics paint a stark picture of armed agents described as ‘King Trump’s private army’ wearing ‘occupiers’ boots’ while implementing immigration enforcement operations.
The song’s haunting opening verse describes ‘bloody footprints where mercy should have stood’ and references the two fatalities left ‘to die on snow-filled streets.’ Its anthemic chorus promises remembrance: ‘Oh Minneapolis I hear your voice, crying through the bloody mist. We’ll remember the names of those who died on the streets of Minneapolis.’
This latest release continues Springsteen’s long tradition of socially conscious music that addresses American working-class struggles and political issues. The title deliberately echoes his 1994 AIDS awareness ballad ‘Streets of Philadelphia,’ demonstrating his consistent engagement with contemporary social crises through his artistry.
The release comes amid ongoing tension between Minneapolis officials and the Trump administration regarding immigration enforcement approaches. President Trump has recently reassigned leadership of the immigration agents deployed to the city while simultaneously warning the Minneapolis mayor about ‘playing with fire’ through non-cooperation with federal authorities.
Springsteen, who supported Kamala Harris during the 2024 election campaign, has been consistently critical of Trump, previously characterizing his political ambitions as seeking to become an ‘American tyrant.’ This new musical intervention represents perhaps his most direct artistic confrontation with the current administration’s policies to date.