In the shattered remains of Gaza’s Great Omari Mosque, a dedicated team of volunteers undertakes a critical cultural rescue mission amidst the debris of war. The historic library, once among Palestine’s most significant repositories of knowledge, now lies partially destroyed with its precious collections buried under rubble and dust.
The devastation follows more than two years of conflict that erupted in October 2023, leaving cultural and religious sites throughout Gaza severely damaged. Haneen Al-Amsi, director of the Eyes on Heritage Volunteer Foundation, described her shock upon discovering the extensive damage: “I was stunned when I saw the destruction in the library,” she told AFP, explaining how this prompted her restoration initiative.
The library, previously housing approximately 20,000 volumes, now retains fewer than 4,000 salvageable works according to initial assessments. Volunteers meticulously sift through charred manuscript fragments and yellowed paper shards, wearing protective masks and gloves as they attempt to preserve what remains of Gaza’s intellectual heritage.
“This library represents the third largest collection in Palestine after the Al-Aqsa Mosque and Ahmed Pasha al-Jazzar libraries,” Amsi emphasized. “It contains invaluable original manuscripts and diverse collections spanning jurisprudence, medicine, Islamic law, literature, and numerous other disciplines.”
The damage extends beyond this single institution. UNESCO has verified destruction at 150 cultural sites since the conflict began, including 14 religious locations and 115 buildings of historical significance. A June 2025 UN commission report concluded that Israeli attacks on educational and cultural sites constituted war crimes, though Israel dismissed these findings as politically motivated.
For the volunteers, each recovered volume represents a tangible connection to Gaza’s rich historical tapestry—a region that has hosted Canaanite, Egyptian, Persian, and Greek civilizations over millennia. Despite the overwhelming damage and what Amsi describes as “irreversible” losses to some materials, the preservation effort continues as an act of cultural defiance and historical stewardship.