分类: entertainment

  • In pictures: The life and career of Brigitte Bardot

    In pictures: The life and career of Brigitte Bardot

    Brigitte Bardot, the legendary French actress who revolutionized cinematic femininity and became an international symbol of liberation, has passed away at age 91. The Paris-born icon, whose career spanned two transformative decades, leaves behind a complex legacy of artistic innovation and controversial advocacy.

    Discovered as a trained ballerina, Bardot’s breakthrough came at 18 through her marriage to director Roger Vadim, who cast her in the provocative 1956 film ‘And God Created Woman.’ This French New Wave masterpiece established her as a Cannes Film Festival sensation, introducing her sensual, carefree persona that would redefine feminine expression in postwar cinema.

    Throughout the late 1950s and 1960s, Bardot evolved from sex symbol to respected actress, demonstrating remarkable range in critically acclaimed performances. She earned praise for her dramatic depth in ‘The Truth’ (1960), showcased comedic brilliance alongside Jeanne Moreau in ‘Viva Maria!’ (1965), and delivered a seminal performance in Jean-Luc Godard’s arthouse masterpiece ‘Contempt’ (1963). Her influence extended beyond cinema, with her signature tousled hair and bold eyeliner setting global fashion trends.

    In a surprising career shift at age 39, Bardot abandoned acting at the height of her fame to dedicate herself entirely to animal rights activism. She established the Brigitte Bardot Foundation, through which she led vigorous campaigns against seal hunting and animal testing. This transition from screen siren to passionate advocate demonstrated her commitment to living according to her convictions, though it sometimes generated controversy.

    Her later years were marked by both admiration for her advocacy and criticism for inflammatory statements about social issues. Despite these controversies, Bardot remained an enduring symbol of 1960s glamour and French cinematic excellence. She spent her final years in relative seclusion in Saint-Tropez, having permanently shaped both cinematic history and animal welfare activism.

  • Brigitte Bardot, 1960s French sex symbol turned militant animal rights activist, dies at 91

    Brigitte Bardot, 1960s French sex symbol turned militant animal rights activist, dies at 91

    PARIS — Brigitte Bardot, the legendary French actress who revolutionized cinematic sexuality in the 1950s before transforming into a militant animal rights advocate and controversial far-right sympathizer, passed away at age 91. Her death occurred Sunday at her residence in southern France, as confirmed by Bruno Jacquelin of the Brigitte Bardot Foundation for animal protection. No cause of death was disclosed, and funeral arrangements remain pending following her recent hospitalization.

    Bardot achieved global stardom through her groundbreaking performance in Roger Vadim’s 1956 film “And God Created Woman,” where her portrayal of a sexually liberated teen bride challenged conventional morality and established her as an international symbol of erotic freedom. Her distinctive combination of tousled blonde hair, voluptuous figure, and provocative irreverence made her one of France’s most recognizable cultural exports during her career spanning over two dozen films.

    In a remarkable testament to her cultural significance, Bardot’s features were selected in 1969 to model for “Marianne,” the national emblem of France that appears on official government seals, statues, and currency. French President Emmanuel Macron acknowledged her passing with a tribute on social media, stating “We are mourning a legend.”

    Following her retirement from cinema at age 39 in 1973, Bardot underwent a dramatic reinvention as an animal rights activist. She established her foundation, sold personal jewelry and memorabilia to fund animal protection efforts, and campaigned internationally against seal hunting, laboratory animal testing, and traditional slaughter practices. Her activism earned her France’s Legion of Honor in 1985, though her later statements regarding Muslim religious practices resulted in multiple convictions for inciting racial hatred.

    Bardot’s political alignment shifted noticeably following her 1992 marriage to Bernard d’Ormale, an adviser to far-right National Front leader Jean-Marie Le Pen. She subsequently expressed support for Marine Le Pen’s presidential campaigns and made controversial statements regarding immigration and the #MeToo movement, which she characterized as hypocritical.

    Despite her complex legacy, environmental campaigner Paul Watson, who worked alongside Bardot for five decades, noted that “the animals of this world lost a wonderful friend today.” Her life story remains a fascinating narrative of transformation from international sex symbol to uncompromising activist, marked by both admiration and controversy across different phases of her public existence.

  • Godfather of Ethiopian jazz plays his last live concert

    Godfather of Ethiopian jazz plays his last live concert

    The curtain has fallen on the illustrious performing career of Ethiopian jazz luminary Mulatu Astatke, who delivered his final live concert in London last month. The 82-year-old maestro, celebrated for pioneering the distinctive Ethio-jazz genre, concluded a remarkable six-decade journey that transformed global perceptions of African music.

    Before an enraptured audience at a West End venue, Astatke—adorned in a shirt featuring artwork by Ethiopian painter Afework Tekle—approached his signature vibraphone with deliberate grace. Navigating past congas, he commenced the evening’s performance with mallets in hand, producing the mesmeric rhythms that have become his auditory signature. The opening piece drew from a 4th Century Ethiopian Orthodox church melody, demonstrating his profound connection to cultural heritage through the pentatonic scales that define his unique sound.

    Astatke’s global breakthrough occurred two decades ago when his compositions featured prominently in Jim Jarmusch’s film Broken Flowers (2005). Subsequent inclusion in the Oscar-nominated adaptation of The Nickel Boys further expanded his international audience. Yet his musical experimentation began much earlier—during the 1960s, he transformed recording studios into laboratories where he synthesized diverse musical traditions into what he terms the ‘science’ of Ethio-jazz.

    The artist’s educational journey proved instrumental to his innovative approach. After initial studies at North Wales’ Lindisfarne College, he became the first African student admitted to Boston’s Berklee College of Music in the 1960s. There he mastered vibraphone and percussion while incorporating Latin jazz elements. His return to Addis Ababa in 1969 catalyzed the ‘Swinging Addis’ era, during which he fused Ethiopian modalities with Western jazz conventions despite initial resistance from traditionalists.

    Throughout political upheavals, including the 1974 deposition of Emperor Haile Selassie that prompted many musicians to emigrate, Astatke remained in Ethiopia continuing his artistic mission. He attributes his deepest inspiration to traditional musicians he reveres as ‘scientists,’ incorporating indigenous instruments like the washint flute, kebero drum, and single-stringed masenqo fiddle into his compositions.

    Contemporary admirers recognize Astatke’s enduring influence across generations. London-based fan Juweria Dino notes that his recordings serve as primary introductions to Ethiopian culture for many international listeners. While acknowledging bittersweet emotions surrounding his retirement from touring, devotees emphasize that his legacy will persist through recordings and ongoing efforts to digitize traditional Ethiopian instruments.

    The artist himself remains committed to promoting Africa’s cultural contributions, asserting that the continent’s musical innovations deserve greater recognition. Though his concert appearances have concluded, Astatke affirms this transition marks not an endpoint but rather a new chapter in his mission to globalize Ethiopia’s rich musical heritage.

  • Dubai: Free entry to Hatta Honey Festival; 10th edition to host workshops, kids play areas

    Dubai: Free entry to Hatta Honey Festival; 10th edition to host workshops, kids play areas

    Dubai Municipality has inaugurated the tenth edition of the acclaimed Hatta Honey Festival, operating under the #HattaWinter initiative framework. This premier agritourism event, running through December 31, 2025 at Hatta Hall, offers complimentary access to visitors while celebrating the region’s apiculture heritage and natural landscapes.

    The festival serves as a convergence point for UAE beekeepers, honey producers, and enthusiasts, featuring an expanded layout with over 50 indoor exhibition booths dedicated to honey production and 10 outdoor retail spaces showcasing family enterprises. The event programming includes interactive educational workshops, live cultural performances, and specialized children’s activity zones. Four gourmet food trucks provide culinary offerings throughout the venue.

    Beyond its recreational aspects, the festival represents a strategic component of Dubai’s comprehensive Hatta development plan. The event actively supports economic diversification efforts while empowering local entrepreneurs and promoting sustainable agricultural investment. By integrating production, education, and retail experiences, organizers aim to position Hatta as a leading destination for ecological and agricultural tourism while maintaining rigorous quality and safety standards for all products.

    The festival’s timing coincides with peak winter tourism season in the UAE, offering residents and international visitors an authentic cultural experience that highlights traditional Emirati honey production methods alongside modern entertainment features.

  • Over 1 hour of fireworks: How Sheikh Zayed Festival prepares for NYE show

    Over 1 hour of fireworks: How Sheikh Zayed Festival prepares for NYE show

    As the final hours of 2025 approach, the sprawling grounds of Al Wathba’s Sheikh Zayed Festival transform into a meticulously coordinated operations center. Behind the upcoming 62-minute continuous fireworks spectacle lies an intricate fusion of cutting-edge technology, cultural heritage, and military-grade precision that has required months of intensive preparation.

    According to festival organizing committee member Mohammed Al Marzooqi, planning for this New Year’s Eve extravaganza begins long before December. Multiple specialized teams work in parallel coordination to deliver one of the festival’s most anticipated highlights. The production involves seamless integration between pyrotechnics experts, drone operators, safety personnel, and logistics coordinators to ensure both visual magnificence and visitor security.

    The technical scale of the operation is staggering: thousands of fireworks shells, extensive electronic ignition networks, and strategically positioned launch platforms will create optimal visibility while maintaining stringent safety protocols. Complementing the pyrotechnics, approximately 6,500 drones equipped with advanced lighting technology will form intricate three-dimensional formations overhead, all synchronized to create a cohesive visual narrative.

    Each element carries deliberate symbolic meaning. Color schemes reflect the UAE flag, while sequences are carefully choreographed to Emirati music blending traditional and contemporary elements. The show’s thematic journey draws inspiration from desert landscapes, pearl diving history, and the unity of the seven emirates, with intentionally placed pauses allowing moments of reflection.

    Hundreds of professionals including engineers, technicians, and emergency response teams contribute to the preparations, all connected through a central control room enabling real-time monitoring. Backup power and communication systems provide redundancy to ensure uninterrupted performance. In the weeks preceding the event, nighttime rehearsals conducted after public hours fine-tune timing, sequencing, and weather adaptation strategies.

    In the final hour before midnight, secured launch zones undergo ultimate safety verification. Every detail undergoes final review—from communication channel checks to weather reassessment—with all teams operating on minute-by-minute schedules. Once initiated, pre-programmed sequences run with continuous monitoring, allowing immediate intervention if necessary. As the final fireworks fade and applause echoes across Al Wathba, crews will already commence equipment dismantling, looking ahead to future celebrations.

  • Xiaoguo Comedy launches nationwide year-end tour

    Xiaoguo Comedy launches nationwide year-end tour

    Shanghai witnessed the spectacular launch of Xiaoguo Comedy’s annual year-end extravaganza on Tuesday, December 26, 2025. The premiere of ‘To Gather, Together’ at the prestigious Bocom New Bund 31 Performing Arts Center drew an enthusiastic crowd of over 2,000 attendees, setting the stage for what promises to be an unprecedented comedy tour across China.

    Headlined by renowned stand-up comedian Tong Monan, the production marks the beginning of an extensive nationwide journey that will continue through February 8, 2026. The ambitious schedule includes nearly 60 performances spanning 18 different cities, creating one of the most comprehensive comedy tours in recent Chinese entertainment history.

    The production distinguishes itself through its diverse comedic offerings, featuring an impressive roster of more than 150 top-tier stand-up comedians from across China. The show’s innovative format incorporates multiple comedy styles including traditional stand-up specials, intellectual property-based shows, Japanese-inspired manzai (a dynamic double-act comedy style), and spontaneous improvisational comedy performances.

    This massive undertaking represents significant growth for China’s comedy scene, demonstrating both the increasing popularity of live comedy performances and the expanding market for diverse entertainment formats. The multi-city tour is expected to bring high-quality comedy productions to audiences who previously had limited access to such performances outside major metropolitan areas.

    The timing of the tour, spanning the year-end holiday season and extending through the Lunar New Year period, positions it as prime entertainment during one of China’s most celebrated times for family gatherings and social activities. The inclusion of various comedy formats ensures appeal across different demographic groups, from traditional comedy enthusiasts to younger audiences seeking innovative performance styles.

  • NYE 2026 in Sharjah: Where to celebrate with fireworks, live performances

    NYE 2026 in Sharjah: Where to celebrate with fireworks, live performances

    Sharjah is preparing to welcome 2026 with an array of spectacular celebrations across the emirate on December 31, offering residents and visitors diverse entertainment options ranging from pyrotechnic displays to cultural experiences. The coastal city will illuminate its skies at midnight with synchronized fireworks shows at three prime locations: Al Majaz Waterfront, Al Heera Beach, and Khorfakkan Beach, ensuring panoramic viewing opportunities throughout the region.

    Preceding the midnight spectacle, Al Heera Beach will feature hourly laser, fire, and LED performances from 9:00 PM to midnight across three designated clusters. Simultaneously, Khorfakkan Beach will present its own laser and fire displays commencing at 8:30 PM across two phases. Al Majaz Waterfront will enhance the festive atmosphere with live musical performances, including saxophone shows at 8:30 PM and 10:30 PM, followed by accordion performances at 9:30 PM and 11:30 PM in Block A.

    For premium viewing experiences, beachside restaurants at all three main venues are offering reserved tables with front-row perspectives of the fireworks extravaganza. Those seeking unconventional celebrations can opt for Al Noor Island’s exclusive starlit event, featuring specialized dining, complimentary skywatch sessions, and self-guided tours priced at AED 340 for adults and AED 150 for children under twelve.

    Alternatively, Mleiha National Park presents a desert celebration package including overnight camping, buffet dinner, camel rides, Tanoura dance performances, and stargazing activities for AED 550 per adult and AED 390 per child. Maritime enthusiasts can charter private boats for unparalleled views of the coastal fireworks displays.

    Family-oriented activities include pop-up avenues at Al Qasba and Al Majaz Waterfront operating daily from 5:30 PM to 11:30 PM, featuring workshops, outdoor cinema, and adventure activities. The winter market at Al Majaz Waterfront will remain open until midnight on New Year’s Eve, offering live entertainment, mascot interactions, and family-friendly attractions from 5:00 PM daily.

  • ‘Tu Meri Main Tera Main Tera Tu Meri’: Kartik Aaryan and Ananya Panday star in a witless film

    ‘Tu Meri Main Tera Main Tera Tu Meri’: Kartik Aaryan and Ananya Panday star in a witless film

    Dharma Productions’ latest romantic comedy ‘Tu Meri Main Tera Main Tera Tu Meri’ attempts to bridge generational gaps but ultimately collapses under the weight of its own contradictions. Starring Kartik Aaryan and Ananya Panday, the film presents itself as a modern reinterpretation of classic Bollywood romance tropes while desperately clinging to 90s nostalgia.

    The narrative follows Rehan (Aaryan), a charismatic American wedding planner, and Rumi (Panday), an aspiring novelist constrained by familial obligations in Agra. Their meet-cute occurs during a poorly explained Yacht Week celebration in Croatia, where scenic cinematography by Anil Mehta provides temporary visual relief from the film’s structural deficiencies.

    Director Sameer Vidwans and writer Karan Shrikant Sharma assemble familiar elements: the protective father (Jackie Shroff), the progressive mother (Neena Gupta), and the eternal conflict between romantic love and filial duty. The film explicitly references its aspirations through Rumi’s dialogue: ‘I’m searching for ’90s love in 2025’s hook-up culture.’

    Despite these ambitions, the execution falters dramatically. The editing appears disjointed, with irrelevant subplots involving an astrologer’s wife and Rumi’s sister’s ex-boyfriend adding clutter rather than depth. Performance styles clash noticeably—Aaryan relies on his established goofy charm while Panday struggles to embody her thinly-written character beyond sartorial elegance.

    The musical score combines original compositions by Vishal Shekhar with a nostalgia-bait medley of 90s hits including ‘Saat Samundar’ and ‘Mehendi Laga Ke Rakhna.’ These references feel less like homage and more like desperate attempts to evoke emotions the screenplay fails to generate organically.

    Ultimately, the film’s fundamental contradiction lies in its aesthetic: attempting to appear contemporary through Gen-Z slang and pop culture references while mechanically recycling plot devices from classics like ‘Dilwale Dulhania Le Jayenge,’ ‘Piku,’ and ‘2 States.’ The production design’s similarity to recent Dharma films further reinforces the sense of creative stagnation.

    For audiences seeking genuine romantic storytelling, this glittery but hollow patchwork offers little beyond temporary visual pleasure and nostalgic recognition—a disappointing outcome from an otherwise prestigious production house.

  • From red donkeys to vibrant art: Fernando Dávila’s colorful journey as a colorblind painter

    From red donkeys to vibrant art: Fernando Dávila’s colorful journey as a colorblind painter

    DORAL, Fla. (AP) — Colombian-born artist Fernando Dávila’s artistic journey began with an early setback—failing a childhood drawing class in Colombia for painting donkeys red. This unconventional color choice stemmed from a biological reality: Dávila is colorblind. Now at 72, the internationally acclaimed painter creates vibrant works exhibited across three continents, transforming his visual limitation into artistic triumph.

    From his Miami studio, Dávila reflects: “I possess the world’s most wonderful occupation—painting each morning. Blending colors and sharing joy with the world constitutes my true passion.” His artistic practice initially confined itself to monochromatic works until age thirty due to his congenital condition that impairs differentiation between red and green hues, along with confusing pink, violet, turquoise, and yellow-green shades.

    A transformative development occurred in the mid-1980s when a New York ophthalmologist designed specialized glasses featuring one transparent lens and one red-tinted lens. This optical innovation enables Dávila to distinguish contrasting shades that typically blur together, expanding his color perception from 40% without aids to nearly two-thirds of the color spectrum.

    Dávila metaphorically describes his experience as “having a chocolate box while only sampling portions.” He expresses profound yearning to experience full chromatic richness: “When someone mentions a vividly pink flower, I passionately desire to perceive it—this longing emanates from my heart. I sense color’s vibration.”

    The genetic condition spans his family lineage, affecting his grandfather (monochromatic vision), mother, three aunts, and two brothers—notable given colorblindness’s lower prevalence among females. Despite these visual constraints, Dávila’s distinguished career spanning Colombia, New York, and Florida earned him the Colombian Congress’s “Order of Democracy” in 1999 for artistic contributions.

    The established artist has published two hardcover books and numerous exhibition catalogues, with his works appearing at premier auction houses Christie’s and Sotheby’s. His paintings frequently feature romantic human embraces and landscapes, often employing blue as foundational hue. “Color remains life’s essential element,” Dávila concludes, “particularly for myself.”

  • ‘I felt a sense of helplessness’: Filmmaker Kaouther Ben Hania on ‘The Voice of Hind Rajab’

    ‘I felt a sense of helplessness’: Filmmaker Kaouther Ben Hania on ‘The Voice of Hind Rajab’

    Acclaimed Tunisian director Kaouther Ben Hania has created one of the year’s most emotionally powerful films with ‘The Voice of Hind Rajab,’ which recently premiered at Dubai’s Cinema Akil. The project originated from the devastating real-life story of a five-year-old Palestinian girl trapped in a car with her deceased relatives during Gaza conflict, desperately calling rescue workers while awaiting help that would never arrive.

    In an exclusive interview following the Dubai screening, Ben Hania revealed the profound emotional impetus behind the film. ‘When I first encountered Hind’s voice recording on social media, I experienced an overwhelming sense of helplessness,’ the filmmaker confessed. ‘This emotional response transformed into a creative imperative—I recognized cinema’s unique capacity to honor individual tragedy amidst statistical overwhelming loss.’

    The director made two crucial artistic decisions that define the film’s distinctive approach. Rather than recreating Gaza’s battlefield directly, Ben Hania adopted the perspective of Palestinian Red Crescent rescue workers in Ramallah, physically distant yet emotionally connected to the unfolding horror. Secondly, she incorporated the authentic audio recordings of Hind’s final conversations, creating what she describes as ‘a confrontational film intended to prevent audiences from looking away.’

    Addressing ethical concerns about using real tragedy as artistic material, Ben Hania emphasized her thorough consultation with Hind’s family. ‘I obtained explicit consent from her mother, who saw the project as potential justice for her daughter,’ the director noted. ‘This collaboration ensured the film maintained both artistic integrity and profound respect for its subject.’

    The production proved emotionally taxing for all involved, particularly Palestinian cast members who channeled personal connections to the material. Ben Hania described the process as ‘placing our art in service of our stories,’ acknowledging the privilege of creating cinema about trauma from a position of safety.

    Currently serving as Tunisia’s official Oscar submission and having reached the 15-film shortlist, ‘The Voice of Hind Rajab’ represents more than awards ambition. For Ben Hania, whose career has focused on Arab world narratives despite lucrative English-language opportunities, the film embodies cinema’s highest purpose: giving voice to the voiceless and ensuring marginalized stories achieve global resonance through artistic excellence.