分类： entertainment

In an unexpected cinematic development, Tamil superstar Thalapathy Vijay’s 2016 action thriller ‘Theri’ is poised for a theatrical re-release on January 15, 2026—exactly a decade after its original premiere. The announcement comes from veteran producer Kalaipuli S. Thanu of V Creations, who revealed the news through his official social media channels alongside a specially commissioned anniversary poster.

The re-release strategy emerges concurrently with production delays affecting Vijay’s highly anticipated final film project, ‘Jana Nayagan,’ which has encountered postponement due to certification complications. Originally scheduled for January 9, 2026, the setback has left fans awaiting the actor’s purported farewell performance.

Directed by Atlee, ‘Theri’ showcases Vijay in a dual role as both DCP Vijaya Kumar and Joseph Kuruvilla, portraying a former police officer who abandons his career to safeguard his young daughter from his turbulent past. The film’s narrative gains emotional depth through its exploration of paternal sacrifice and redemption, complemented by strong performances from Samantha Ruth Prabhu and Amy Jackson in pivotal supporting roles. Child actor Nainika delivered a memorable performance as Vijay’s on-screen daughter, contributing to the film’s emotional resonance.

The film’s cultural impact extended beyond regional cinema, inspiring the Hindi remake ‘Baby John’ featuring Varun Dhawan and Keerthy Suresh. Its return to theaters represents both a nostalgic celebration for dedicated fans and a strategic countermeasure to maintain audience engagement during the ‘Jana Nayagan’ delay. This re-release initiative demonstrates the enduring commercial viability of Vijay’s filmography and the industry’s adaptive strategies in managing production timelines.

Dubai’s desert landscape is poised to become the canvas for an unprecedented artistic marvel—a 10-kilometer immersive artwork designed to resemble flowing rivers converging toward a central circular structure named Clio House. Conceived as an experiential journey rather than a static exhibition, the project invites visitors to traverse a series of large-scale artworks dispersed across the sands, each path metaphorically guiding them toward a unified destination.

Architect Matteo Antonelli, the visionary behind this ambitious undertaking, explains that the design philosophy emerged from observing the desert’s inherent duality. “The relationship between ground and sky is profoundly emphasized here, with the sun serving as their connector,” he notes. This observation inspired a contemporary reinterpretation of ancient desert architecture, incorporating tents and simple towers into the conceptual framework.

At the project’s core lies the circle—a shape Antonelli describes as continuous and hierarchy-free. “Metaphorically, it signifies that everyone is equal. You may choose different life paths but ultimately reach the same destination,” he elaborates.

The culmination of this 10km journey is Clio House, a circular structure offering 360-degree panoramic views of the desert and the artistic paths traversed. Beyond its observational promenade, the building houses a library, café, and restaurant, creating a tranquil space for contemplation amidst the vastness.

Renowned large-scale artist Agron Hoti, tasked with creating the artwork, approaches this project as a personal challenge rather than a record-breaking attempt. Having previously worked on a 7,600-square-meter canvas in Europe, Hoti emphasizes that true creativity cannot be constrained by deadlines or limitations. “People perceive the desert as monochromatically yellow, but I believe we all carry internal colors waiting to be expressed,” he shares. For Hoti, this installation represents reconnecting humanity with nature’s evolving beauty.

The technical execution falls to conservator Cinzia Pasquali, who addresses the formidable challenge of maintaining a 10km artwork in extreme desert conditions. Using specially developed polyester canvas and inorganic mineral pigments resistant to heat, humidity, and sand, Pasquali’s team ensures the artwork’s longevity while accepting its natural aging process. “Like humans, it may develop wrinkles over time but will avoid structural damage,” she remarks, detailing weekly monitoring protocols adapted to weather variations.

Upon completion, this transformative project will redefine desert art experiences, creating a dynamic, flowing journey that merges architectural innovation with artistic expression in one of the world’s most challenging environments.

Amid Beijing’s winter chill, an American children’s choir delivered a powerful message of cross-cultural unity through music during their third consecutive New Year performance tour across China. The One Voice Children choir, comprising performers aged 5-18 from Utah, created warm connections with Chinese audiences through heartfelt performances that transcended language barriers.

The ensemble’s journey included performances in multiple Chinese cities including Shanghai, Hangzhou, Shenzhen, and Guangzhou, with a special outreach performance at Peking Union Medical College Hospital on December 31. The hospital visit continued their tradition of using music to create a humane medical environment, building on their previous engagement there in January 2025.

Fourteen-year-old Bruce, one of the youngest first-time visitors, shared how he joined the choir by following his sister’s example. ‘She joined first, and it just looked cool,’ he recalled. His participation led to the extraordinary opportunity to perform thousands of miles from home, including Chinese pop songs like ‘Wish’ that reflect intergenerational hopes and dreams.

The choir’s original composition ‘We Are Together’ became an emotional highlight of their performances, with audiences spontaneously mouthing lyrics and capturing moments on their phones. The song’s message—’We are friends forever. Nothing can break the bond of you and me’—resonated deeply with listeners.

For 11-year-old Abby, who has studied Chinese since first grade, performing in China represented the perfect fusion of her linguistic and musical passions. ‘It’s really fun, and we get to sing—one of my favorite things—to inspire people in the world through music,’ she explained, noting the extensive preparation involved in perfecting Chinese songs for local audiences.

Sixteen-year-old Ainsley described her first China trip as both a musical milestone and cultural revelation. ‘America and China are so different, but when it comes down to it, we’re all people, and we’re all dealing with the same things,’ she observed. She hoped audiences felt the genuine affection behind their performances, adding ‘I want people to know that they are so incredibly loved.’

Choir director Masa Fukuda emphasized music’s unique ability to bridge cultural divides. ‘Obviously, we speak different languages, and sometimes it’s hard to communicate. But with the power of music, being a universal language, it really transcends all cultural differences and breaks down walls,’ he stated. Fukuda highlighted the magical power of music to unite people and the overwhelming kindness the choir consistently receives from Chinese hosts.

The nonprofit organization, which first gained international recognition during the 2002 Winter Olympics in Salt Lake City, has evolved into a significant cultural exchange initiative. Their annual China tours combine stage performances with community outreach, allowing young performers to convey messages of hope, care, and cultural understanding through tangible human connections.

Looking forward, the choir hopes to collaborate with Chinese ensembles and continue building lasting relationships. Their current tour theme ‘Wish’ embodies their aspiration for genuine understanding and enduring friendships between the two cultures.