TAIPEI, Taiwan — Chinese authorities in Xinjiang have escalated their cultural suppression campaign by prohibiting dozens of Uyghur-language songs, including traditional folk ballads historically performed at weddings and social gatherings. According to an exclusive recording obtained by The Associated Press from the Norway-based nonprofit Uyghur Hjelp, officials during an October meeting in Kashgar warned residents that downloading, playing, or sharing these songs could result in imprisonment.
The banned music includes the soulful folk ballad ‘Besh pede,’ a generations-old love song where a young man expresses his dreams to God. Authorities have categorized this and other songs as ‘problematic’ due to perceived religious content. The crackdown extends beyond music to linguistic expressions: officials instructed attendees to replace traditional Muslim greetings like ‘As-salamu alaykum’ with ‘May the Communist Party protect you.’
This policy forms part of Beijing’s broader assimilation campaign in Xinjiang, where between 2017 and 2019, rights activists and foreign governments estimate at least 1 million Uyghurs and other ethnic minorities were extrajudicially detained. Despite China’s claims of normalcy and tourism promotion in the region, repression continues through more subtle means including music censorship, random phone checks, and boarding schools that separate children from families.
Seven categories of songs have been prohibited, ranging from traditional folk music to diaspora-created tunes. Even songs previously featured on state television, such as ‘As-salamu alaykum’ which aired on Xinjiang Television’s ‘The Voice of the Silk Road’ in 2016, are now banned for ‘forcing people to believe in religion.’
Enforcement appears arbitrary but severe. AP obtained court documents showing a 27-year-old Uyghur music producer, Yashar Xiaohelaiti, received a three-year prison sentence and fine for uploading 42 ‘problematic’ songs to NetEase Cloud Music. Former residents describe acquaintances detained for playing traditional instruments or merely sharing songs through messaging apps.
China’s Foreign Ministry defended the policies as necessary to ‘eradicate the breeding ground for religious extremism,’ claiming ‘anti-China forces’ have maliciously hyped Xinjiang issues. However, Xinjiang government officials declined to comment on specific inquiries.
Experts note the banned songs frequently share connections to imprisoned Uyghur cultural figures, suggesting deliberate targeting of cultural identity. ‘Music became part of my upbringing, and removing that is like removing the soul,’ said London-based Uyghur singer Rahima Mahmut, who performs songs with religious connotations abroad.