The Berlin International Film Festival witnessed a groundbreaking moment in cinematic history this week with the premiere of ‘Lali’—the first entirely Pakistani-produced feature film to screen at the prestigious event. Directed by acclaimed filmmaker Sarmad Sultan Khoosat, the Punjabi-language black comedy received an enthusiastic reception during its world premiere on Thursday, attended by a capacity audience that included Pakistan’s ambassador to Germany and members of Berlin’s Pakistani community.
‘Lali’ presents the unconventional love story of Sajawal (portrayed by Channan Hanif) and his bride Zeba (Mamya Shajaffar), set against the backdrop of Sahiwal’s working-class neighborhoods. The narrative unfolds as community members whisper about a mysterious curse surrounding Zeba, whose previous suitors have all died under unexplained circumstances. The film masterfully blends the Punjab region’s characteristic boisterous humor with explorations of deeper themes including desire, sexuality, and unresolved trauma, while occasionally hinting at supernatural elements.
Khoosat, who previously produced the critically acclaimed ‘Joyland,’ described the Berlin selection as both an achievement and a responsibility. He emphasized the significance of receiving international recognition for a story ‘deeply rooted in its own idiom,’ noting that the film’s authentic cultural specificity resonated with global audiences. The director highlighted the collaborative nature of Pakistan’s emerging film movement, noting that ‘Joyland’ director Saim Sadiq served as an editor on ‘Lali.’
Despite the celebratory moment, Khoosat acknowledged the challenges facing Pakistan’s film industry, which has experienced a ‘semi-gradual demise’ over the past two decades. From producing over 100 films annually during its golden age, the industry has struggled to adapt to new media landscapes and audience expectations. The director expressed hope that international visibility at festivals like Berlin might catalyze a domestic resurgence, emphasizing that ‘a whole new generation of filmmakers needs facilitation to produce more work.’