The Indian film industry mourns the passing of Sreenivasan, the iconic Malayalam cinema figure whose death on December 20, 2025, has triggered an outpouring of tributes from colleagues, politicians, and countless admirers. With a career spanning over five decades, the multitalented artist contributed to more than 200 films as an actor and penned scripts for over 50 productions, establishing himself as a unique voice in Indian cinema.
Sreenivasan’s distinctive approach to filmmaking blended sharp social criticism with accessible humor, creating works that resonated deeply with Kerala’s masses. His ability to highlight the common person’s struggles through witty storytelling set his cinema apart and made him one of the most relatable figures in Malayalam entertainment.
The news of his passing prompted heartfelt responses across social media platforms, with fans remembering his deeply humane qualities and extraordinary versatility across acting, writing, direction, and production. The film industry united in grief, with contemporaries and proteges alike sharing personal anecdotes and professional admiration.
Indian actor-politician Mukesh recalled Sreenivasan’s unwavering commitment to cinema and his characteristic frankness, noting that even his criticism was delivered with humor. Mukesh revealed their collaboration on ‘Katha Parayumpol,’ later remade in Hindi as ‘Billu,’ as a testament to their creative partnership.
Prominent actor Prithviraj took to Instagram to bid farewell to “one of the greatest-ever writer/director/actor,” thanking him for both laughter and profound thoughts. Director-actor Basil Joseph acknowledged Sreenivasan’s significant role in shaping childhood memories and happiest moments for generations of viewers.
Shashi Tharoor, Member of Parliament for Thiruvananthapuram, declared that Malayalam cinema would never be the same without Sreenivasan’s genius, praising him as a true master who redefined on-screen heroism. Tharoor emphasized the writer’s unparalleled ability to capture Kerala’s social pulse, describing his scripts as time capsules containing rich social commentary, humor, and wit.
Kerala Chief Minister Pinarayi Vijayan characterized the loss as both personal and irreparable to Malayalam cinema, highlighting how few filmmakers had succeeded as Sreenivasan did in bringing common people’s lives to the silver screen while guiding audiences through reflective humor. The Chief Minister noted that Sreenivasan had entered the industry by breaking longstanding conventions, establishing a new paradigm for meaningful cinema that entertained while provoking thought.
