In the heart of Kyiv, the arts are making a powerful comeback, deeply intertwined with the ongoing war. The Kyiv Opera’s latest production, ‘Patriots,’ is a rock opera that resonates with the spirit of Ukrainian independence, featuring popular anthems that stir the soul. Meanwhile, the documentary ‘2000 Metres to Andriivka’ by Mstyslav Chernov offers a raw, unfiltered look at the frontlines, immersing viewers in the harrowing experiences of soldiers. This film, selected as Ukraine’s entry for the Best International Feature Film at the 98th Academy Awards, has left audiences in stunned silence, a testament to its gripping intensity.
Since Russia’s full-scale invasion in 2022, Ukraine’s cultural landscape has been irrevocably altered. Venues were repurposed or destroyed, and artists became refugees or soldiers. Yet, nearly four years later, the arts have re-emerged, permeated by the war’s influence. The city’s walls are adorned with posters promoting fundraisers for the frontline and war-themed films, plays, and exhibitions. The Ukrainian House, once the Lenin Museum, now hosts a retrospective by documentary photographer Oleksandr Glyadelov, capturing Ukraine’s 35-year struggle for independence.
The impact of these artistic expressions is profound. While some Ukrainians shy away from the relentless reminders of war, others are drawn to them, finding solace and solidarity in shared experiences. The rock opera ‘Patriots’ and the documentary ‘Kuba and Alyaska’ are just two examples of how the arts are addressing the war’s realities. These works serve as both a tribute to those who have sacrificed and a call to action for continued support.
Director Petro Kachanov, who refused to give ‘Patriots’ a happy ending, emphasizes the importance of honesty in art. ‘This play is a tribute to those who died in this war,’ he stated. ‘We cannot think about our own comfort when the best sons of Ukraine are dying.’ This ethos drives the current surge in documentaries, which aim to reveal the truth and honor the sacrifices made. As one filmgoer, Natalia, remarked, ‘Of course I don’t want to watch these movies, but I have to, like everyone else. Because it’s our history and it’s our present day.’