分类： society

In a significant cultural milestone, Quanzhou in Fujian Province and Wuxi in Jiangsu Province have been officially inducted into the UNESCO Creative Cities Network. Quanzhou has been designated as a ‘City of Gastronomy,’ while Wuxi has earned the title of ‘City of Music.’ This recognition underscores their commitment to leveraging creativity as a cornerstone for sustainable urban development and their active engagement in enriching cultural life. With this addition, the number of Chinese cities in the network has now reached 20, joining prominent metropolises like Beijing, Shanghai, and Shenzhen. This year, a total of 58 cities worldwide were welcomed into the network, selected through a stringent process that includes national recommendations and international evaluations. The UNESCO Creative Cities Network, a flagship cultural initiative, spans eight creative fields and operates alongside other UNESCO programs focused on World Heritage and Intangible Cultural Heritage. The network’s biennial designation process highlights the global importance of fostering creativity in urban planning and cultural preservation.

At the tender age of 10, I stumbled upon a revelation that reshaped my understanding of my family. My grandfather’s weathered toolbox, long thought to be a repository of mundane tools, was in fact a treasure trove of missile craftsmanship. My father’s frequent absent-mindedness, often a source of family jest, was revealed to be the byproduct of his relentless dedication to aerospace research. These two unassuming men in my household, who had always been pillars of quiet strength, were in truth the unsung heroes illuminating the cosmos. Their stories, etched in the celestial tapestry of our nation, are a testament to the extraordinary contributions of ordinary individuals. To all such silent superheroes, we extend our deepest salute — your legacy is forever intertwined with the starry river of our motherland.

NOVI SAD, Serbia — Tens of thousands of Serbians gathered in Novi Sad on Saturday to mark the first anniversary of a devastating railway station disaster that claimed 16 lives. The commemoration also served as a powerful platform for widespread discontent with the government of President Aleksandar Vucic, whose autocratic rule has faced increasing scrutiny since the tragedy. The collapse of a concrete canopy at the Novi Sad train station on November 1, 2022, sparked youth-led protests and a nationwide movement demanding political change, significantly challenging Vucic’s grip on power. Protesters attribute the disaster to rampant corruption and nepotism in state infrastructure projects, particularly those involving Chinese partnerships, which allegedly led to a fatal disregard for safety standards. Despite 13 individuals being charged, no one has been held accountable. The ceremony began with 16 minutes of silence at 11:52 a.m., the exact time of the collapse, followed by wreath-laying and candlelight tributes outside the station. Attendees, including Vera Jaramazovic from Subotica, expressed profound grief and frustration, reflecting a society in turmoil. Vucic, who recently apologized to student protesters after previously threatening mass arrests, attended a church service in Belgrade while the government declared a day of mourning. However, protesters dismissed his apology, continuing to demand early parliamentary elections to oust his populist regime. Serbia’s EU accession process has stalled under Vucic’s leadership, as his close ties with Russia and China and crackdown on democratic freedoms have drawn criticism. EU Commissioner for Enlargement Marta Kos noted that the tragedy has galvanized calls for accountability and democracy, values essential for Serbia’s EU integration. The event also highlighted the resilience of the protest movement, with thousands of young people marching hundreds of kilometers to Novi Sad, where they were met with emotional support from the community.

Residents of the UAE can look forward to pleasant weather conditions this weekend, as the National Centre of Meteorology (NCM) forecasts fair to partly cloudy skies across the country. On Saturday, November 1, 2025, temperatures are expected to remain comfortable, with highs of 33ºC in Dubai and Abu Dhabi. In the latter, certain areas like Mezaira may experience cooler temperatures, dropping to as low as 19ºC, while mountainous regions could see mercury levels dip to 17ºC. Overnight and into Sunday morning, humidity is anticipated to increase in some coastal and internal areas. Light to moderate winds, occasionally freshening, will sweep across the nation. Sea conditions are predicted to be slight to moderate in the Arabian Gulf and slight in the Oman Sea. This mild weather offers an ideal opportunity for outdoor activities and exploration.

On the Chinese short-video platform Douyin, a group of South Korean artists have garnered significant attention, amassing 500,000 followers and over 6 million likes by creating Korean cover versions of popular Chinese songs. Their account, Ouba Music and Ouba Studio, prominently features the slogan, ‘Music does not have boundaries,’ reflecting their mission to foster cross-cultural connections through music. Back Nam-jun, the manager of the accounts, emphasized that music transcends language barriers and serves as a universal medium for emotional expression, independent of political or diplomatic constraints. Back, a fluent Mandarin speaker and Shandong University graduate, shared a touching anecdote about a Chinese follower who uses their music to soothe her child to sleep. This interaction, among others, has motivated the team to continue their creative endeavors. Their work has also introduced many South Koreans to Chinese pop music for the first time. This initiative is part of broader people-to-people exchanges between China and South Korea, two neighboring nations with a history of cultural and economic collaboration. Woo Su-keun, president of the Korea-China Global Association, highlighted the mutual influence of Chinese and South Korean cultures, particularly among younger generations. Woo’s association is actively promoting youth, cultural, and sports exchanges, as well as fostering industrial cooperation in areas like sustainability and artificial intelligence. Shin Kyung-sook, president of the Korea-China Economy and Culture Education Association, emphasized the importance of educational and digital cultural collaborations, including AI art, metaverse tourism, and gaming. Back has also organized language exchange activities in Seoul and opened a Chinese classroom to further cultural understanding. Looking ahead, Back aspires to perform in China, aiming to connect directly with Chinese audiences and strengthen cultural bonds through music.

The enduring allure of the Chinese classic novel, *Romance of the Three Kingdoms* (RTK), continues to captivate South Korean audiences, transcending centuries and cultural boundaries. Written by Luo Guanzhong in the 14th century, the novel delves into the power struggles of the late Han Dynasty and the Three Kingdoms period, weaving together themes of loyalty, strategy, and political intrigue. Its timeless relevance has made it a cultural cornerstone in South Korea, where the saying goes, ‘Don’t associate with someone who hasn’t read RTK three times.’

Professor Her Woo-bum, a South Korean scholar, has dedicated decades to studying and popularizing RTK. His work, *The Three Kingdoms Made Easy*, published in 2021, condenses the original 10-volume novel into two accessible volumes, enriched with commentary from Qing Dynasty critic Mao Zonggang and comparative analyses of South Korean translations. Her attributes RTK’s enduring popularity in South Korea to its alignment with traditional values like ‘righteousness’ and ‘loyalty,’ its compelling characters, and its adaptability to modern media such as games, films, and webtoons.

RTK’s influence extends beyond literature, permeating South Korean culture through over 2,000 related publications spanning history, economics, psychology, and leadership. The novel has also inspired a thriving market of derivative content, including webcomics, animations, and video games. Notably, the *Romance of the Three Kingdoms* game series by Japanese company Koei and mobile games like *The Blade of the Three Kingdoms* have garnered millions of downloads in South Korea.

Her’s journey with RTK began in childhood, evolving from comic books to in-depth academic exploration. Over two decades of research and field investigations have deepened his understanding of the novel, shifting his focus from heroic figures like Guan Yu and Zhuge Liang to the broader themes of ‘era’ and ‘human nature.’ His recent publication, *An Abridged Translation of the Records of the Three Kingdoms*, aims to guide middle-aged readers in navigating life’s challenges through the wisdom of RTK.

RTK’s introduction to South Korea dates back to the late Goryeo period, with its popularity peaking during the Joseon Dynasty. Today, it remains a cultural symbol, inspiring new translations and interpretations. As Her aptly puts it, ‘RTK is not just a historical novel; it is a literary work that embodies human nature, wisdom, and strategy.’